Idle Moments | ||||
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Studio album by | ||||
Released | February 1965 [1] | |||
Recorded | November 4 & 15, 1963 | |||
Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
Genre | Jazz | |||
Length | 42:45original LP 64:06 CD reissue | |||
Label | Blue Note BST 84154 | |||
Producer | Alfred Lion | |||
Grant Green chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [2] |
Encyclopedia of Popular Music | [3] |
The Penguin Guide to Jazz | [4] |
Idle Moments is an album by American jazz guitarist Grant Green recorded in 1963 and released on the Blue Note label in 1965. [1] It features performances by tenor saxophonist Joe Henderson, vibraphonist Bobby Hutcherson, pianist Duke Pearson, bassist Bob Cranshaw and drummer Al Harewood.
The album is best known for the title piece, a slow composition in C minor which lasts for nearly 15 minutes. Pearson, who wrote the song, explains in his liner notes to the album that the tune was meant to be much shorter. Due to the musicians repeating the main melody twice, however, there was some confusion as to whether or not one chorus would consist of 16 or 32 bars. [5] Producer Alfred Lion was satisfied with the take, although he suggested that they do a retake to fit the song into a seven-minute limit. However, the song had a special feeling to it which no subsequent take could recapture, so it was decided to release the first take on the album. Two other songs, "Jean De Fleur" and "Django", were re-recorded in shorter renditions to compensate for the length of the title track; the extended renditions of both songs can be heard on the CD re-issues of the album.
Steve Huey of AllMusic states that Green treats the repertoire of this album "with the graceful elegance that was the hallmark of his best hard bop sessions, and that quality achieves its fullest expression here... Idle Moments is the essential first Green purchase, and some of the finest guitar jazz of the hard bop era." [2]
The album was identified by jazz historian and journalist Scott Yanow in his essay "What is Hard Bop?" [6] as one of the "17 Essential Hard Bop Recordings".
Bonus tracks on CD reissue in 1990:
Recorded on November 4 (#1, 4-6) and November 15 (#2-3), 1963.
Chart (2021) | Peak position |
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Belgian Albums (Ultratop Wallonia) [7] | 100 |
Grant Green was an American jazz guitarist and composer.
Robert Hutcherson was an American jazz vibraphone and marimba player. "Little B's Poem", from the 1966 Blue Note album Components, is one of his best-known compositions. Hutcherson influenced younger vibraphonists including Steve Nelson, Joe Locke, and Stefon Harris.
Melbourne Robert Cranshaw was an American jazz bassist. His career spanned the heyday of Blue Note Records to his recent involvement with the Musicians Union. He is perhaps best known for his long association with Sonny Rollins. Cranshaw performed in Rollins's working band on and off for over five decades, starting with a live appearance at the 1959 Playboy jazz festival in Chicago and on record with the 1962 album The Bridge.
Columbus Calvin "Duke" Pearson Jr. was an American jazz pianist and composer. Allmusic describes him as having a "big part in shaping the Blue Note label's hard bop direction in the 1960s as a record producer."
Song for My Father is a 1965 album by the Horace Silver Quintet, released on the Blue Note label in 1965. The album was inspired by a trip that Silver had made to Brazil. The cover artwork features a photograph of Silver's father, John Tavares Silver, to whom the title composition was dedicated. "My mother was of Irish and Negro descent, my father of Portuguese origin," Silver recalls in the liner notes: "He was born on the island of Maio, one of the Cape Verde Islands."
Total Eclipse is an album by jazz vibraphonist Bobby Hutcherson, released on the Blue Note label in 1969. It features Hutcherson's first recordings with saxophonist Harold Land, who would become a regular collaborator with Hutcherson throughout the early 1970s. Four of the five tracks are Hutcherson compositions, the exception being Chick Corea's "Matrix".
Workout is an album by jazz tenor saxophonist Hank Mobley released on the Blue Note label in 1962. It features performances by Mobley, pianist Wynton Kelly, bassist Paul Chambers, guitarist Grant Green, and drummer Philly Joe Jones. The album was identified by Scott Yanow in his Allmusic essay "Hard Bop" as one of 17 Essential Hard Bop Recordings. In October 2014, it was released in Japan on SHM-CD, featuring a previously unissued take of "Three Coins in the Fountain".
Together is a 1979 album by jazz pianist McCoy Tyner released on the Milestone label. It was recorded in August and September 1978 and features performances by Tyner with trumpeter Freddie Hubbard, flautist Hubert Laws, tenor saxophonist/bass clarinetist Bennie Maupin, vibraphonist Bobby Hutcherson, bassist Stanley Clarke, drummer Jack DeJohnette and percussionist Bill Summers.
Keystone Bop: Sunday Night is a live album by jazz trumpeter Freddie Hubbard, featuring tenor saxophonist Joe Henderson and vibraphonist Bobby Hutcherson. Recorded on Sunday, November 29th, 1981 and released in this form by the Prestige label in 1994. The Allmusic review by Scott Yanow states "Hubbard fans can be assured that this set finds him in excellent form on a good night".
Keystone Bop Vol. 2: Friday & Saturday is a live album by jazz musicians Freddie Hubbard, Joe Henderson & Bobby Hutcherson recorded in November 1981 and released on the Prestige label in 1996. The Allmusic review by Rick Anderson states "if you're expecting tight, hard-driving conventional bop, you'll be disappointed. These renditions average out to over 17 minutes each, with all the discursive extravagance that treatment implies. But that's not all bad, by any means... But it's hard not to think that offering more, briefer tunes wouldn't have made these performances a bit more interesting and fun overall. Still, fans won't be disappointed".
Ethiopian Knights is an album by American trumpeter Donald Byrd featuring performances by Byrd with Thurman Green, Harold Land, Bobby Hutcherson, Joe Sample and others, recorded for the Blue Note label in 1971.
Solid is an album by American jazz guitarist Grant Green featuring performances recorded in 1964 but not released on the Blue Note label until 1979. McCoy Tyner, Elvin Jones and Bob Cranshaw from Green’s previous session are joined by alto saxophonist James Spaulding and tenor saxophonist Joe Henderson.
Street of Dreams is an album by American jazz guitarist Grant Green featuring performances recorded in 1964 and released on the Blue Note label. The street signs featured on the cover photo are at an actual street corner in the North Beach neighborhood of San Francisco. Green is heard with organist Larry Young, vibraphonist Bobby Hutcherson and drummer Elvin Jones.
The Kicker is an album by the American jazz vibraphonist Bobby Hutcherson, recorded in December 1963 for Blue Note but not released on the label until 1999 as a limited edition. A month earlier, the same musicians recorded guitarist Grant Green's album Idle Moments released in 1965.
The View from the Inside is an album by American jazz vibraphonist Bobby Hutcherson recorded in 1976 and released on the Blue Note label. The session has been released on CD in 2007 as part of Mosaic Select: Bobby Hutcherson.
Brilliant Circles is the second album led by American jazz pianist Stanley Cowell, recorded in 1969. It was first released on the Freedom label and rereleased on CD with bonus tracks on the Black Lion label.
Getting Down to Business is an album by trumpeter Donald Byrd featuring performances recorded in 1989 and released on the Landmark label the following year.
Acoustic Masters II is an album by vibraphonist Bobby Hutcherson, saxophonist Craig Handy, drummer Lenny White and trumpeter Jerry González featuring performances recorded in 1993 and released the following year on the Atlantic label.
Reflections is an album by saxophonist Frank Morgan which was recorded in 1988 and released on the Contemporary label the following year.