| Electric Byrd | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | November 1970 [1] | |||
| Recorded | May 15, 1970 | |||
| Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
| Genre | Jazz fusion | |||
| Length | 43:47 | |||
| Label | Blue Note BST 84349 | |||
| Producer | Duke Pearson | |||
| Donald Byrd chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [2] |
Electric Byrd is a jazz fusion album by Donald Byrd released by the Blue Note label in 1970. [3]
The Allmusic review by Steve Huey awarded the album 4 stars and stated, “Donald Byrd's transitional sessions from 1969-1971 are actually some of the trumpeter's most intriguing work, balancing accessible, funky, Davis-style fusion with legitimate jazz improvisation. Electric Byrd, from 1970, is the best of the bunch, as Byrd absorbs the innovations of Bitches Brew and comes up with one of his most consistent fusion sets of any flavor.”
All tracks by Donald Byrd, unless otherwise noted
Return to Forever is a jazz fusion album by Chick Corea, simultaneously functioning as the debut album by the band of the same name. Unlike later albums by the group, it was released by the ECM label and produced by Manfred Eicher. The album was not released in the USA until 1975. The record is often considered one of the classic albums in electric jazz.
Consummation is an album by the Thad Jones/Mel Lewis Jazz Orchestra. It was released in 1970 on Blue Note Records and re-released in 2002. It was recorded at A&R Studios in New York City. The album was nominated for a 1970 Grammy award in the "Best Jazz Performance - Large Group..." category. All tracks were included in Mosaic's limited edition boxed set, The Complete Solid State Recordings of the Thad Jones/Mel Lewis Orchestra.
High Life is an album by jazz saxophonist Wayne Shorter that was released on Verve Records in 1995. This album won the Grammy Award in 1996 for Best Contemporary Jazz Performance. Some of the musicians include keyboardist Rachel Z, guitarist David Gilmore, bassist Marcus Miller, percussionists Lenny Castro and Airto and drummer Will Calhoun of Living Colour.
Black Byrd is a 1973 album by Donald Byrd and the first of his Blue Note albums to be produced by Larry Mizell, assisted by his brother, former Motown producer Fonce. In the jazz funk idiom, it is among Blue Note Records' best selling album releases. The title of the album inspired the name of Byrd's apprentice group, The Blackbyrds.
13th House is a 1981 album by jazz pianist McCoy Tyner released on the Milestone label. It was recorded in October 1980 and features performances by Tyner with a big band that includes alto saxophonist Joe Ford, flautist Hubert Laws, tenor saxophonist Ricky Ford, trombonist Slide Hampton, bassist Ron Carter and trumpeters Oscar Brashear and Charles Sullivan.
Lovers is an album by jazz saxophonist Cannonball Adderley. It was recorded at Fantasy Studios in Berkeley, California in 1975 by Adderley with Nat Adderley, Alvin Batiste, George Duke, Alphonso Johnson, Jack DeJohnette, Airto Moreira. A posthumously released track included Flora Purim, Nat Adderley Jr., and Ron Carter.
A Bluish Bag is an album by jazz saxophonist Stanley Turrentine consisting of two sessions recorded for the Blue Note label in 1967 and arranged by Duke Pearson, the first featuring Donald Byrd and the second McCoy Tyner, among others.
Salt Song is an album by jazz saxophonist Stanley Turrentine recorded for the CTI Note label featuring performances by Turrentine with an orchestra arranged by Eumir Deodato. The CD rerelease added another track.
Fancy Free is an album by American jazz trumpeter Donald Byrd that was recorded and released in 1969 by Blue Note Records.
Kofi is an album by the American trumpeter Donald Byrd, featuring performances by Byrd with Frank Foster, Lew Tabackin, Duke Pearson, Ron Carter, Bob Cranshaw, Airto Moreira, Wally Richardson, and Mickey Roker, recorded in 1969 and 1970 and released on the Blue Note label in 1995.
I Don't Care Who Knows It is an album by American pianist and arranger Duke Pearson featuring performances recorded between 1968 and 1970. The album was released on the Blue Note label in 1996.
Directions is a compilation album by American jazz musician Miles Davis, released in 1981 by Columbia Records. It collects previously unreleased outtakes that Davis recorded between 1960 and 1970. Directions was the last of a series of compilation albums - mostly consisting of, at that time, previously unreleased music - that Columbia released to bridge Davis' recording hiatus that ended with The Man with the Horn in July 1981.
Heads is the fifth album by jazz musician Bob James, released in October 1977. It was his first album released on his newly formed Tappan Zee label, which was distributed at the time by Columbia Records. All of his Tappan Zee albums are now distributed by E1 Music. The album reached number one on the Billboard Jazz Albums chart.
Blue Moses is an album by American jazz pianist and composer Randy Weston featuring performances recorded in 1972 and released on the CTI label.
Free is an album by Brazilian jazz drummer and percussionist Airto Moreira with performances recorded in 1972. The album was released by CTI Records and reached No. 30 on the jazz album chart at Billboard magazine.
Giant Box is a double album by American arranger/conductor and composer Don Sebesky recorded in 1973 and released on the CTI label.
Live at the Royal Festival Hall is an album by Dizzy Gillespie and the United Nation Orchestra. It won the Grammy Award for Best Large Jazz Ensemble Album in 1991. The concert was also released on DVD.
Strange Celestial Road is an album by jazz composer, bandleader and keyboardist Sun Ra and his Arkestra recorded in New York in 1979 and originally released on the Rounder label.
The Loud Minority is an album by American saxophonist Frank Foster recorded in 1972 for the Mainstream label.
The Brecker Bros. Collection, Vol 2 is a compilation album by the American jazz fusion group, the Brecker Brothers. It was released by Novus Records in 1991. This compilation followed the release of The Brecker Bros. Collection, Vol 1, in 1990.
