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The AllMusic review by Stephen Thomas Erlewine states, "Although the band was thrown together, there's a definite spark to this combo, which interacts as if it had been playing together for a long time. Throughout it all, Reece steals the show with his robust playing, and that's why Blues in Trinity rises above the level of standard-issue hard bop and becomes something special." [5]
Richard Cook described the session as a fine Anglo-American collaboration, with Reece demonstrating 'outstanding' qualities as a soloist and 'overshadowing' Donald Byrd. [3] Cook also highlights Tubby Hayes as overshadowing Byrd with his 'quick and hearty' performance, [3] a sentiment supported by Hayes's biographer, Simon Spillett, who describes Hayes "as technically dazzling as Johnny Griffin and as full of heavyweight clout as [...] Sonny Rollins". [6]
Blues in Trinity is considered by some[ who? ] to be a "bop classic" [7] and among Reece's best work. [8] [9]
Edward Brian "Tubby" Hayes was an English jazz multi-instrumentalist, best known for his virtuosic musicianship on tenor saxophone and for performing in jazz groups with fellow sax player Ronnie Scott and trumpeter Jimmy Deuchar. He is widely considered to be one of the finest jazz saxophonists to have emerged from Britain.
Alphonso Son "Dizzy" Reece is a Jamaican-born hard bop jazz trumpeter. Reece is among a group of jazz musicians born in Jamaica which includes Bertie King, Joe Harriott, Roland Alphonso, Wilton Gaynair, Sonny Bradshaw, saxophonists Winston Whyte and Tommy McCook, trombonist Don Drummond, pianists Wynton Kelly, Monty Alexander, bassist Coleridge Goode, guitarist Ernest Ranglin and percussionists Count Ossie and Lloyd Knibb.
Art Blakey and the Jazz Messengers, also called Moanin', is a studio album by Art Blakey and the Jazz Messengers recorded on October 30, 1958 and released on Blue Note later that year.
Byrd in Hand is an album by American jazz trumpeter Donald Byrd recorded on May 31, 1959 and released on Blue Note later that year.
Blowin' the Blues Away is an album by the Horace Silver Quintet & Trio, recorded at Van Gelder Studio in Englewood Cliffs, New Jersey on August 29–30 and September 13, 1959 and released on Blue Note later that year. The quintet features horn section Blue Mitchell and Junior Cook and rhythm section Eugene Taylor and Louis Hayes.
Lou Takes Off is an album by American jazz saxophonist Lou Donaldson recorded on December 15, 1957 and released on Blue Note the following year. The sextet features brass section Donald Byrd and Curtis Fuller and rhythm section Sonny Clark, Jamil Nasser and Art Taylor.
6 Pieces of Silver is an album by the Horace Silver Quintet, recorded on November 10, 1956 and released on Blue Note later that year. The quintet features brass section Donald Byrd and Hank Mobley and rhythm section Doug Watkins and Louis Hayes.
Finger Poppin' with the Horace Silver Quintet is an album by jazz pianist Horace Silver recorded on January 31, 1959 and released on Blue Note later that year. The quintet features horn section Blue Mitchell and Junior Cook and rhythm section Gene Taylor and Louis Hayes.
Wailing with Lou is an album by the Lou Donaldson Quintet, recorded on January 27, 1957 and released on Blue Note later that year. The quintet features trumpeter Donald Byrd and rhythm section Herman Foster, Peck Morrison and Art Taylor.
Light-Foot is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label and performed by Donaldson's Quintet with pianist Herman Foster, bassist Peck Morrison, drummer Jimmy Wormworth and congalero Ray Barretto.
LD+3 is an album by American jazz saxophonist Lou Donaldson with the Three Sounds—consisting of rhythm section Gene Harris, Andrew Simpkins, and Bill Dowdy—recorded on February 18, 1959 and released on Blue Note later that year.
Dial "S" for Sonny is the debut studio album by American jazz pianist Sonny Clark recorded on July 21, 1957 and released on Blue Note later that year. The septet features horn section Art Farmer, Curtis Fuller, and Hank Mobley and rhythm section Wilbur Ware and Louis Hayes.
Off to the Races is an album by American jazz trumpeter Donald Byrd recorded on December 21, 1958 and released on Blue Note the following year.
Royal Flush is an album by American jazz trumpeter Donald Byrd recorded on September 21, 1961 and released on Blue Note the following year. Byrd's quintet features saxophonist Pepper Adams and rhythm section Herbie Hancock, Butch Warren and Billy Higgins.
Born to Be Blue is an album by American jazz guitarist Grant Green featuring performances recorded in 1962 but not released until 1985 on the Blue Note label. Green is accompanied by tenor saxophonist Ike Quebec, pianist Sonny Clark, bassist Sam Jones and drummer Louis Hayes.
Star Bright is an album by Jamaican jazz trumpeter Dizzy Reece recorded on November 19, 1959, shortly after his move to New York City, and released on Blue Note the following year.
Walkin' & Talkin' is an album by American jazz trombonist Bennie Green, recorded on January 25, 1959 and released on Blue Note later that year.
Back on the Scene is an album by American jazz trombonist Bennie Green recorded on March 23, 1958 and released on Blue Note later that year.
Davis Cup is the debut album by American jazz pianist Walter Davis Jr. recorded on August 2, 1959 and released on Blue Note the following year—Davis's sole release for the label, and one of his few recordings as leader.
Smithville is the second album by American jazz trumpeter Louis Smith, recorded in March 30, 1958 and released on Blue Note—his final album for the label.