The Last Trane | |
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Studio album by | |
Released | January 1966 [1] |
Recorded | August 16, 1957 (2) January 10, 1958 (1, 4) March 26, 1958 (3) |
Studio | Van Gelder Studio, Hackensack |
Genre | Jazz |
Length | 36:01 |
Label | Prestige PRLP 7378 |
Producer | Bob Weinstock |
Review scores | |
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Source | Rating |
Allmusic | [2] |
The Penguin Guide to Jazz | [3] |
The Rolling Stone Jazz Record Guide | [4] |
The Last Trane is an album credited to jazz musician John Coltrane, released in 1966 on Prestige Records, catalogue 7378.
It was assembled from unissued material from three separate recording sessions at the studio of Rudy Van Gelder in Hackensack, New Jersey in 1957 and 1958. Coltrane was a sideman on all the original sessions, which were led by trumpeter Donald Byrd, pianist Red Garland or drummer Art Taylor.
Workin' with the Miles Davis Quintet is a studio album by the Miles Davis quintet recorded in 1956 and released circa January 1960. Two sessions on May 11, 1956 and October 26 in the same year resulted in four albums—this one, Relaxin' with the Miles Davis Quintet, Steamin' with the Miles Davis Quintet and Cookin' with the Miles Davis Quintet.
Milestones is a studio album by American jazz trumpeter and composer Miles Davis, recorded with his "first great quintet" augmented as a sextet. It was released in 1958 by Columbia Records.
Bags & Trane is an album credited to jazz musicians Milt Jackson and John Coltrane, released in 1961 on Atlantic Records, catalogue SD 1368. Taking its title from Jackson and Coltrane's nicknames, it is the only collaborative record by the pair, although only Jackson contributed original compositions. In actuality, the album belongs in Jackson's discography, as he was the session leader and still signed to Atlantic under the auspices of the Modern Jazz Quartet, and not in that of Coltrane, who had left the label for Impulse Records at the time of this album's issue. However, like Prestige Records before them, as Coltrane's fame grew after he had stopped recording for the label, Atlantic used varied unissued recordings and released them with Coltrane's name more prominently displayed.
Soultrane is the fourth studio album by jazz musician John Coltrane, released in 1958 on Prestige Records, catalogue 7142. It was recorded at the studio of Rudy Van Gelder in Hackensack, New Jersey, three days after a Columbia Records session for Miles Davis and the Milestones album.
Coltrane is an album by jazz musician John Coltrane, released in 1957 on Prestige Records, catalogue 7105. The recordings took place at the studio of Rudy Van Gelder in Hackensack, New Jersey, and document Coltrane's first session as a leader. It has been reissued at times under the title of The First Trane!.
Lush Life is an album by jazz musician John Coltrane, released in early 1961 on Prestige Records. It was assembled from previously unissued tracks from three recording sessions at Van Gelder Studio in Hackensack, New Jersey in 1957 and 1958. As Coltrane's profile increased during the 1960s, some years after the end of his Prestige contract, the label used unissued recordings to create new albums without Coltrane's input or approval.
The Believer is a jazz album by John Coltrane released in 1964 on Prestige Records, catalogue 7292. It was recorded by Rudy Van Gelder in Hackensack, New Jersey in 1957 and 1958.
Settin' the Pace is an album by jazz musician John Coltrane, released in December 1961 by the Prestige label. It is assembled from previously unissued tracks from a recording session at the studio of Rudy Van Gelder in Hackensack, New Jersey in 1958. Coltrane on tenor saxophone is accompanied by the Red Garland on piano, Paul Chambers on bass, and Art Taylor on drums. With Garland and Chambers, Coltrane had played together since at least October 1955 in Miles Davis' band. With Art Taylor they were part of the Tenor Conclave recordings in September 1956. As a quartet they had already recorded two albums for Prestige, John Coltrane with the Red Garland Trio and Soultrane. The material the quartet recorded on this session were extended interpretations of three popular songs and "Little Melonae", a classic bebop tune written by Jackie McLean. Of note is Coltrane's use of the sheets of sound technique, particularly on "Little Melonae".
Black Pearls is an album by jazz musician John Coltrane, released in 1964 on Prestige Records, catalogue 7316. It was recorded at a single recording session at the studio of Rudy Van Gelder in Hackensack, New Jersey.
Bahia is an album by jazz musician John Coltrane, released in 1965 on Prestige Records, catalogue 7353. It was recorded at two sessions at the studio of Rudy Van Gelder in Hackensack, New Jersey in 1958. Prestige drew on a stockpile of Coltrane material for several years after his contract had ended without the saxophonist's input.
Stardust is an album by jazz musician John Coltrane released in July 1963 by Prestige Records. It was assembled from two separate sessions at the studio of Rudy Van Gelder in Hackensack, New Jersey in 1958.
Trane's Blues is a compact disc credited to the jazz musician John Coltrane, released in 1999 on Blue Note Records, catalogue 98240. It comprises recordings from sessions for Blue Note and United Artists Records as a sideman for Paul Chambers, Sonny Clark, Johnny Griffin, and Cecil Taylor that were issued respectively on their Whims of Chambers, Sonny's Crib, A Blowin' Session, and Hard Driving Jazz albums. Two selections are from Coltrane's own 1957 Blue Train, and "One for Four" had been previously unissued. "Trane's Blues" had been issued on the compilation High Step in 1975, previously known as "John Paul Jones" and named after himself, the bass player Chambers, and the drummer Philly Joe Jones. Like Prestige Records before them, as Coltrane's fame grew long after he had stopped recording for the label, Blue Note used varied recordings, often those where Coltrane had been merely a sideman, and reissued them as a new album with Coltrane's name prominently displayed. In this case, the Big Four conglomerate EMI continued that earlier practice.
Albert Ayler In Greenwich Village is a 1967 live album by free jazz saxophonist Albert Ayler. It was his first album for Impulse! Records, and is generally regarded as being his best for the label.
All Mornin' Long is a jazz album by pianist Red Garland, released in April 1958 on the Prestige label. It features only three pieces, which belong to the hard bop subgenre and distinguish themselves by being fast-paced and bluesy. Critic Ira Gitler found the album satisfactory and said that the title piece was a "many-splendored, deep-dish demonstration of feeling, mood and melody".
Dig It! is a jazz album by The Red Garland Quintet, recorded in 1957 and 1958 but not released on the Prestige label as PRLP 7229 until 1962.
One Flight Up is an album by American jazz saxophonist Dexter Gordon recorded in 1964 in Paris and released on the Blue Note label., featuring Donald Byrd on trumpet, pianist Kenny Drew, bassist Niels-Henning Ørsted Pedersen, and drummer Art Taylor.
Taylor's Wailers is the debut album by drummer Art Taylor, released in 1957 on Prestige. It features tracks recorded mainly on February 25, 1957 plus a track from a different session featuring John Coltrane on saxophone.
Soul Junction is an album by jazz pianist Red Garland, released in 1960 on Prestige Records. It features tracks recorded on November 15, 1957, the same day the pieces for All Mornin' Long were recorded, with the same lineup.
High Pressure is an album by jazz pianist Red Garland, recorded in 1957 but not released until 1961 on Prestige Records.
2 Trumpets is an album by trumpeters Art Farmer and Donald Byrd, recorded in 1956 and released on the Prestige label. They are joined by Jackie McLean in the front line for the uptempo pieces but have a ballad quartet track apiece.