| High Pressure | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | End of November/early December 1961 [1] | |||
| Recorded | November 15 & December 13, 1957 Van Gelder Studio, Hackensack, NJ | |||
| Genre | Jazz | |||
| Length | 43:58 | |||
| Label | Prestige PRLP 7209 | |||
| Producer | Bob Weinstock | |||
| Red Garland chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [2] |
| The Penguin Guide to Jazz Recordings |  [3] |
High Pressure is an album by jazz pianist Red Garland, recorded in 1957 but not released until 1961 on Prestige Records. [4]
Recorded on November 15 (#3–4) and December 13 (#1–2, 5), 1957.
Coleman Randolph Hawkins, nicknamed "Hawk" and sometimes "Bean", was an American jazz tenor saxophonist. One of the first prominent jazz musicians on his instrument, as Joachim E. Berendt explained: "there were some tenor players before him, but the instrument was not an acknowledged jazz horn". Hawkins biographer John Chilton described the prevalent styles of tenor saxophone solos prior to Hawkins as "mooing" and "rubbery belches". Hawkins denied being first and noted his contemporaries Happy Caldwell, Stump Evans, and Prince Robinson, although he was the first to tailor his method of improvisation to the saxophone rather than imitate the techniques of the clarinet. Hawkins' virtuosic, arpeggiated approach to improvisation, with his characteristic rich, emotional, and vibrato-laden tonal style, was the main influence on a generation of tenor players that included Chu Berry, Charlie Barnet, Tex Beneke, Ben Webster, Vido Musso, Herschel Evans, Buddy Tate, and Don Byas, and through them the later tenormen, Arnett Cobb, Illinois Jacquet, Flip Phillips, Ike Quebec, Al Sears, Paul Gonsalves, and Lucky Thompson. While Hawkins became known with swing music during the big band era, he had a role in the development of bebop in the 1940s.
Douglas Watkins was an American jazz double bassist. He was best known for being an accompanist to various hard bop artists in the Detroit area, including Donald Byrd and Jackie McLean.
Miles: The New Miles Davis Quintet is a studio album by jazz musician Miles Davis which was released in April 1956 through Prestige Records. It is the debut record by the Miles Davis Quintet, and generally known by the original title Miles as indicated on the cover.
John Coltrane with the Red Garland Trio is the third studio album by jazz musician John Coltrane. It was issued in early 1958 on Prestige Records, catalogue 7123. It was recorded at the studio of Rudy Van Gelder in Hackensack, New Jersey.
Lush Life is an album by jazz musician John Coltrane, released in early 1961 on Prestige Records. It was assembled from previously unissued tracks from three recording sessions at Van Gelder Studio in Hackensack, New Jersey in 1957 and 1958. As Coltrane's profile increased during the 1960s, some years after the end of his Prestige contract, the label used unissued recordings to create new albums without Coltrane's input or approval.
The Last Trane is an album credited to jazz musician John Coltrane, released in 1966 on Prestige Records, catalogue 7378.
The Complete Columbia Recordings of Miles Davis with John Coltrane is a box set featuring jazz musicians Miles Davis and John Coltrane. It is the first box set in a series of eight from Columbia/Legacy compiling Davis's work for Columbia Records, and includes never-before-released alternate takes, omissions of other musicians, musician comments, false starts and a first version of compositions, some of which have made it to the 50th Anniversary 2-disc CD version of Kind of Blue. Originally issued on April 11, 2000, in a limited-edition metal slipcase, it was reissued in 2004 in an oversized book format. In conjunction with Sony, Mosaic Records released the 9-LP set.
Dig It! is a jazz album by The Red Garland Quintet, recorded in 1957 and 1958 but not released on the Prestige label as PRLP 7229 until 1962.
McLean's Scene is a studio album by saxophonist Jackie McLean. It was recorded in 1956 and 1957, but not released until 1959 on Prestige's subsidiary label New Jazz Records, as NJ 8212. It was reissued on CD in 1991. Three tracks features McLean in a quintet with trumpeter Bill Hardman, pianist William “Red” Garland, bassist Paul Chambers and drummer Art Taylor, and the remainder a quartet with pianist Mal Waldron, bassist Art Phipps and Art Taylor.
Taylor's Wailers is the debut album by drummer Art Taylor, released in 1957 on Prestige. It features tracks recorded mainly on February 25, 1957 plus a track from a different session featuring John Coltrane on saxophone.
Red Garland's Piano is an album by jazz pianist Red Garland, released in 1957 on Prestige Records. It features tracks recorded mainly on March 22, 1957.
Soul Junction is an album by jazz pianist Red Garland, released in 1960 on Prestige Records. It features tracks recorded on November 15, 1957, the same day the pieces for All Mornin' Long were recorded, with the same lineup.
Rojo is an album by jazz pianist Red Garland, released in 1961 on Prestige Records, featuring tracks recorded on August 22, 1958. Oscar Peterson, commenting on the track "Darling, Je Vous Aime Beaucoup" in 1961, criticized Garland's left-hand playing, saying: "I found this very, very monotonous. [...] primarily it's that drone-type left hand, punctuated with chords, that he used invariably".
Soul Burnin' is an album by jazz pianist Red Garland, recorded in 1960 and 1961, but not released on Prestige Records until 1964. The CD reissue features a bonus track, recorded in 1959, which originally appeared on Garland's album Satin Doll, first released in 1971.
Rediscovered Masters is a 1977 double LP by jazz pianist Red Garland releasing previously unissued recordings from sessions held between 1958 and 1961, which was issued by the Prestige label. It was later reissued on two CDs featuring one bonus track. 2 more tracks with the Richard Williams Oliver Nelson quintet can be found on the Soul Burnin' album
Groovy is an album by jazz pianist Red Garland and his trio, released in 1957 on Prestige Records.
The P.C. Blues is an album by pianist Red Garland featuring tracks recorded in 1957 at the sessions that produced Red Garland's Piano and Groovy which were first released on the Prestige label until 1970.
Red Garland Revisited! is an album by pianist Red Garland featuring tracks recorded in 1957 which were first released on the Prestige label in 1969.
Curtis Fuller with Red Garland is an album by trombonist Curtis Fuller with pianist Red Garland recorded in 1957 and originally released on the New Jazz label, a subsidiary of Prestige Records in 1963.
The Nearness of You is an album by American pianist Red Garland. Recorded in 1961, it was released on the Jazzland label in 1962.
 | This 1960s jazz album-related article is a stub. You can help Wikipedia by expanding it. |
