Electric Byrd is a jazz fusion album by Donald Byrd released by the Blue Note label in 1970.
Suite for Pops is a 1975 big band jazz album recorded by the Thad Jones/Mel Lewis Jazz Orchestra and released on the A&M Horizon label.
Standards is an album by jazz trumpeter Lee Morgan released on the Blue Note label. It was recorded on January 13, 1967, but not released until 1998 and it features performances by Morgan, Wayne Shorter, Herbie Hancock, Ron Carter, Billy Higgins, James Spaulding, Pepper Adams and Mickey Roker with arrangements by Duke Pearson.
Joyride is a 1965 studio album by jazz saxophonist Stanley Turrentine.
Lush Life is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1967 and featuring Donaldson with Freddie Hubbard, Garnett Brown, Jerry Dodgion, Wayne Shorter, Pepper Adams, McCoy Tyner, Ron Carter, and Al Harewood performing arrangements by Duke Pearson. Due to the success of Donaldson's Alligator Bogaloo (1967) the album was not released until 1980 in Japan under the title Sweet Slumber and then finally released decades later internationally.
Rough 'n' Tumble is an album by jazz saxophonist Stanley Turrentine issued in 1966 on Blue Note Records. The album reached No. 20 on the Billboard Top Soul Albums chart.
Easy Walker is an album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label in 1966 and performed by Turrentine with McCoy Tyner, Bob Cranshaw and Mickey Roker. One additional track from an unreleased session arranged by Duke Pearson was added to the original CD release and another four bonus tracks recorded in 1969 and originally released on Ain't No Way were added to the 1997 CD reissue.
The Spoiler is an album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label in 1966 and performed by Turrentine with Blue Mitchell, James Spaulding, Pepper Adams, McCoy Tyner, Julian Priester, Bob Cranshaw, and Mickey Roker with arrangements by Duke Pearson.
The Return of the Prodigal Son is an album by jazz saxophonist Stanley Turrentine consisting of two sessions recorded for the Blue Note label in 1967 and arranged by Duke Pearson featuring McCoy Tyner.
Always Something There is an album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label in 1968 and performed by Turrentine with orchestra and strings arranged by Thad Jones.
Honeybuns is the seventh album by American pianist and arranger Duke Pearson featuring performances by Pearson's nonet recorded in 1965 and released on the Atlantic label in 1966.
The Right Touch is the tenth album by American pianist and arranger Duke Pearson featuring performances recorded in 1967 and released on the Blue Note label in 1968.
Now Hear This is the thirteenth album by American pianist and arranger Duke Pearson. It features big band performances recorded in 1968 and released on the Blue Note label.
Introducing Duke Pearson's Big Band is the eleventh album by American pianist and arranger Duke Pearson, featuring big band performances recorded in 1967 and released on the Blue Note label. The album was rereleased with six bonus tracks from Now Hear This, Pearson's 1968 big band recording, on a single CD in 1998.
I Don't Care Who Knows It is an album by American pianist and arranger Duke Pearson featuring performances recorded between 1968 and 1970. The album was released on the Blue Note label in 1996.
Boss Horn is an album by American trumpeter Blue Mitchell recorded in 1966 and released on the Blue Note label.
Heads Up! is an album by American trumpeter Blue Mitchell recorded in 1967 and released on the Blue Note label.
Manhattan Fever is an album by American jazz saxophonist Frank Foster recorded in 1968 and released on the Blue Note label. The CD reissue added five previously unreleased recordings from a 1969 session as bonus tracks.
Afro-Cuban Jazz Moods is an album by Dizzy Gillespie and Machito, featuring arrangements by Chico O'Farrill, recorded in 1975 and released on the Pablo label.
