| Say It Loud! | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1969 | |||
| Recorded | November 6, 1968 | |||
| Studio | Van Gelder Studio, Englewood Cliffs | |||
| Genre | Jazz | |||
| Length | 36:31 | |||
| Label | Blue Note BST 84299 | |||
| Producer | Francis Wolff | |||
| Lou Donaldson chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |    [1] |
| The Penguin Guide to Jazz Recordings | [2] |
Say It Loud! is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1968 and featuring Donaldson with Blue Mitchell, Charles Earland, Jimmy Ponder, and Leo Morris. [3]
The album was awarded 1½ stars in an Allmusic review by Stephen Thomas Erlewine who states "his group sounds awkward and uneasy. There are a few good moments scattered throughout the album, particularly by Mitchell, but overall, Say It Loud! is one of the weakest records in Donaldson's catalog". [1] The album featured Donaldson utilising the varitone amplification system for saxophone. [4]
Light-Foot is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label and performed by Donaldson's Quintet with Herman Foster, Peck Morrison, Jimmy Wormsworth, and Ray Barretto. The album was awarded 3 stars by Stephen Thomas Erlewine in an Allmusic review which stated "With Light Foot, Donaldson still was pretty firmly grounded in bop, but the tempos began to slow down, and his blues influence came to the forefront; furthermore, the bop tracks are hard bop, not straight bop, which tended to dominate his previous recordings. That diversity makes Light Foot an interesting listen, but the record suffers from slightly uneven material and performances."
Sunny Side Up is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label and performed by Donaldson with Bill Hardman, Horace Parlan, Sam Jones, Al Harewood, with Laymon Jackson replacing Jones on four tracks.
Midnight Sun is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1960, but not released until 1980 and performed by Donaldson with Horace Parlan, George Tucker, Al Harewood, and Ray Barretto.
Here 'Tis is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1961 and performed by Donaldson with Baby Face Willette, Grant Green, and Dave Bailey.
A Man With a Horn is an album by jazz saxophonist Lou Donaldson featuring sessions recorded for the Blue Note label in 1961 and 1963, one performed by Donaldson with Brother Jack McDuff, Grant Green and Joe Dukes, and one with Grant Green, Irvin Stokes, Big John Patton and Ben Dixon.
The Natural Soul is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1962 and performed by Donaldson with Grant Green, Tommy Turrentine, Big John Patton, and Ben Dixon.
Good Gracious! is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1963 and performed by Donaldson with Grant Green, Big John Patton, and Ben Dixon.
Fried Buzzard is a live album by jazz saxophonist Lou Donaldson recorded at the Bon Ton Club in Buffalo, NY for the Cadet label in 1965 but not released until 1970.
Blowing in the Wind is an album by jazz saxophonist Lou Donaldson recorded for the Cadet label in 1966 and performed by Donaldson with Herman Foster, Sam Jones, Leo Morris and Richard Landrum.
Lush Life is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1967 and featuring Donaldson with Freddie Hubbard, Garnett Brown, Jerry Dodgion, Wayne Shorter, Pepper Adams, McCoy Tyner, Ron Carter, and Al Harewood performing arrangements by Duke Pearson. Due to the success of Donaldson's Alligator Bogaloo (1967) the album was not released until 1980 in Japan under the title Sweet Slumber and then finally released decades later internationally.
Alligator Bogaloo is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1967 and featuring Donaldson with Melvin Lastie, Lonnie Smith, George Benson, and Leo Morris.
Mr. Shing-A-Ling is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1967 and featuring Donaldson with Blue Mitchell, Lonnie Smith, Jimmy Ponder, and Leo Morris.
Midnight Creeper is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1968 and featuring Donaldson with Blue Mitchell, Lonnie Smith, George Benson, and Leo Morris.
Hot Dog is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1969 and featuring Donaldson with Ed Williams, Charles Earland, Melvin Sparks, and Leo Morris. The album features Donaldson using the varitone amplification system for his saxophone.
Everything I Play is Funky is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label featuring Donaldson with Blue Mitchell, Lonnie Smith, Melvin Sparks, Jimmy Lewis and Idris Muhammad and two tracks with Eddie Williams and Charles Earland replacing Mitchell and Smith.
Pretty Things is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label featuring Donaldson with Blue Mitchell, Leon Spencer, Ted Dunbar, and Idris Muhammad and one track with Lonnie Smith and Melvin Sparks replacing Spencer & Dunbar and Jimmy Lewis added.
Cosmos is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label featuring Donaldson with Ed Williams, Leon Spencer, Melvin Sparks, Jerry Jemmott, Idris Muhammad, and Ray Armando, with vocals by Mildred Brown, Rosalyn Brown, and Naomi Thomas, arranged by Jimmy Briggs.
Sweet Lou is an album by jazz saxophonist Lou Donaldson, his final recorded for the Blue Note label, featuring Donaldson with a big band arranged and conducted by Horace Ott.
Open House is an album by American jazz organist Jimmy Smith featuring performances recorded in 1960, but not released on the Blue Note label until 1968. The album didn't appear on CD until being reissued in 1992, as a twofer which also included Plain Talk, compiling all the recordings from the session.
Jimmy Smith Trio + LD is an album by jazz organist Jimmy Smith and saxophonist Lou Donaldson recorded for the Blue Note label in 1957 and released only in Japan.