Sweet Poppa Lou | ||||
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Studio album by Lou Donaldson | ||||
Released | 1981 | |||
Recorded | January 7, 1981 | |||
Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
Genre | Jazz | |||
Label | Muse | |||
Producer | Joe Fields | |||
Lou Donaldson chronology | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic | |
The Rolling Stone Jazz Record Guide |
Sweet Poppa Lou is a 1981 album by jazz saxophonist Lou Donaldson, his first recording for the Muse label, featuring Donaldson's quartet with Herman Foster, Calvin Hill, Idris Muhammad, and additional percussion on three tracks by Ralph Dorsey. [3]
Jazz is a music genre that originated in the African-American communities of New Orleans, United States, in the late 19th and early 20th centuries, and developed from roots in blues and ragtime. Jazz is seen by many as "America's classical music". Since the 1920s Jazz Age, jazz has become recognized as a major form of musical expression. It then emerged in the form of independent traditional and popular musical styles, all linked by the common bonds of African-American and European-American musical parentage with a performance orientation. Jazz is characterized by swing and blue notes, call and response vocals, polyrhythms and improvisation. Jazz has roots in West African cultural and musical expression, and in African-American music traditions including blues and ragtime, as well as European military band music. Intellectuals around the world have hailed jazz as "one of America's original art forms".
Lou Donaldson is a jazz alto saxophonist. He is best known for his soulful, bluesy approach to playing the alto saxophone, although in his formative years he was, as many were of the bebop era, heavily influenced by Charlie Parker.
Muse Records was a jazz record company and label founded in New York City by Joe Fields in 1972.
The album was awarded three stars in an Allmusic review. [4]
All compositions by Lou Donaldson except where noted
The alto saxophone, also referred to as the alto sax, is a member of the saxophone family of woodwind instruments invented by Belgian instrument designer Adolphe Sax in the 1840s, and patented in 1846. It is pitched in E♭, and is smaller than the tenor, but larger than the soprano. The alto sax is the most common saxophone and is commonly used in concert bands, chamber music, solo repertoire, military bands, marching bands, and jazz. The fingerings of the different saxophones are all the same so a saxophone player can play any type of saxophone.
Herman Foster was an American bebop jazz pianist.
The piano is an acoustic, stringed musical instrument invented in Italy by Bartolomeo Cristofori around the year 1700, in which the strings are struck by hammers. It is played using a keyboard, which is a row of keys that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings.
Wailing With Lou is an album by jazz saxophonist Lou Donaldson released on the Blue Note label in 1957 featuring performances by Donaldson's Quintet with Donald Byrd, Herman Foster, Peck Morrison and Art Taylor.
Swing and Soul is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label and performed by Donaldson's Quintet with Herman Foster, Peck Morrison, Dave Bailey, and Ray Barretto. The album was awarded 3 stars by Allmusic reviewers.
Light-Foot is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label and performed by Donaldson's Quintet with Herman Foster, Peck Morrison, Jimmy Wormsworth, and Ray Barretto. The album was awarded 3 stars by Stephen Thomas Erlewine in an Allmusic review which stated "With Light Foot, Donaldson still was pretty firmly grounded in bop, but the tempos began to slow down, and his blues influence came to the forefront; furthermore, the bop tracks are hard bop, not straight bop, which tended to dominate his previous recordings. That diversity makes Light Foot an interesting listen, but the record suffers from slightly uneven material and performances."
Gravy Train is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1961 and performed by Donaldson with Herman Foster, Ben Tucker, Dave Bailey, and Alec Dorsey.
Cole Slaw is an album by jazz saxophonist Lou Donaldson recorded for the Argo label in 1964 and performed by Donaldson with Herman Foster, Earl May, Bruno Carr, and Ray Barretto.
Blowing in the Wind is an album by jazz saxophonist Lou Donaldson recorded for the Cadet label in 1966 and performed by Donaldson with Herman Foster, Sam Jones, Leo Morris and Richard Landrum.
Alligator Bogaloo is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1967 and featuring Donaldson with Melvin Lastie, Lonnie Smith, George Benson, and Leo Morris.
Mr. Shing-A-Ling is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1967 and featuring Donaldson with Blue Mitchell, Lonnie Smith, Jimmy Ponder, and Leo Morris.
Midnight Creeper is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1968 and featuring Donaldson with Blue Mitchell, Lonnie Smith, George Benson, and Leo Morris.
Everything I Play is Funky is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label featuring Donaldson with Blue Mitchell, Lonnie Smith, Melvin Sparks, Jimmy Lewis and Idris Muhammad and two tracks with Eddie Williams and Charles Earland replacing Mitchell and Smith.
Pretty Things is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label featuring Donaldson with Blue Mitchell, Leon Spencer, Ted Dunbar, and Idris Muhammad and one track with Lonnie Smith and Melvin Sparks replacing Spencer & Dunbar and Jimmy Lewis added.
The Scorpion: Live at the Cadillac Club is a live album by jazz saxophonist Lou Donaldson recorded in Newark, New Jersey in 1970 for the Blue Note label featuring a performance by Donaldson with Fred Ballard, Leon Spencer, Melvin Sparks, and Idris Muhammad.
Cosmos is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label featuring Donaldson with Ed Williams, Leon Spencer, Melvin Sparks, Jerry Jemmott, Idris Muhammad, and Ray Armando, with vocals by Mildred Brown, Rosalyn Brown, and Naomi Thomas, arranged by Jimmy Briggs.
Sweet Lou is an album by jazz saxophonist Lou Donaldson, his final recorded for the Blue Note label, featuring Donaldson with a big band arranged and conducted by Horace Ott.
Forgotten Man is an album by jazz saxophonist Lou Donaldson, his first recording for the Timeless label, featuring Donaldson's quartet with Herman Foster, Geoff Fuller, and Victor Jones.
Back Street is an album by jazz saxophonist Lou Donaldson, his second recording for the Muse label, featuring Donaldson's quartet with Herman Foster, Jeff Fuller, and Victor Jones.
Live in Bologna is a live album by jazz saxophonist Lou Donaldson, his second recording for the Timeless label, featuring Donaldson's quartet with Herman Foster, Jeff Fuller, and Victor Jones.
Play the Right Thing is an album by jazz saxophonist Lou Donaldson, his first recording for the Milestone label, featuring Donaldson with Lonnie Smith, Peter Bernstein, Bernard Purdie, and Ralph Dorsey.
Birdseed is an album by jazz saxophonist Lou Donaldson, his second recording for the Milestone label, featuring Donaldson with David Braham, Peter Bernstein, Fukushi Tainaka, and Ralph Dorsey.
Peace and Rhythm is the second album led by jazz drummer Idris Muhammad which was recorded for the Prestige label in 1971.