Forgotten Man | ||||
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Studio album by Lou Donaldson | ||||
Released | 1981 | |||
Recorded | July 2, 1981 | |||
Genre | Jazz | |||
Label | Timeless | |||
Lou Donaldson chronology | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
Forgotten Man is an album by jazz saxophonist Lou Donaldson, his first recording for the Timeless label, featuring Donaldson's quartet with Herman Foster, Geoff Fuller, and Victor Jones. [2]
The album was awarded 2½ stars in an Allmusic review by Scott Yanow who stated "Although not essential, this album should easily please Lou Donaldson's fans, for it finds him in exuberant form". [3]
All compositions by Lou Donaldson except as indicated
Lou Takes Off is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label and performed by a sextet also featuring Donald Byrd, Curtis Fuller, Sonny Clark, Jamil Nasser, and Art Taylor. The album was awarded 4½ stars by Lee Bloom in an Allmusic review which stated "This recording marks a period in his development prior to a stylistic shift away from bop and toward a stronger rhythm and blues emphasis... Overall, Lou Takes Off breaks no new musical ground, but it is a solid, swinging session of high-caliber playing. According to Donaldson, Blue Note initially didn't like any of the album, "the conga drums or the new musicians."
Topsy – Standard Book is an album by trumpeter Freddie Hubbard recorded in December 1989 and released on the Japanese Alfa Jazz label. It features performances by Hubbard, Benny Green, Carl Allen, Rufus Reid and Kenny Garrett.
Wailing With Lou is an album by jazz saxophonist Lou Donaldson released on the Blue Note label in 1957 featuring performances by Donaldson's Quintet with Donald Byrd, Herman Foster, Peck Morrison and Art Taylor.
Swing and Soul is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label and performed by Donaldson's Quintet with Herman Foster, Peck Morrison, Dave Bailey, and Ray Barretto. The album was awarded 3 stars by Allmusic reviewers.
Light-Foot is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label and performed by Donaldson's Quintet with Herman Foster, Peck Morrison, Jimmy Wormsworth, and Ray Barretto. The album was awarded 3 stars by Stephen Thomas Erlewine in an Allmusic review which stated "With Light Foot, Donaldson still was pretty firmly grounded in bop, but the tempos began to slow down, and his blues influence came to the forefront; furthermore, the bop tracks are hard bop, not straight bop, which tended to dominate his previous recordings. That diversity makes Light Foot an interesting listen, but the record suffers from slightly uneven material and performances."
The Time Is Right is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label and performed by Donaldson with Blue Mitchell, Horace Parlan, Laymon Jackson, Dave Bailey, and Ray Barretto with Sam Jones and Al Harewood replacing Jackson and Bailey on one track. The album was awarded 3 stars in an Allmusic review. It was released on CD only in Japan.
Sunny Side Up is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label and performed by Donaldson with Bill Hardman, Horace Parlan, Sam Jones, Al Harewood, with Laymon Jackson replacing Jones on four tracks.
Midnight Sun is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1960, but not released until 1980 and performed by Donaldson with Horace Parlan, George Tucker, Al Harewood, and Ray Barretto.
Gravy Train is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1961 and performed by Donaldson with Herman Foster, Ben Tucker, Dave Bailey, and Alec Dorsey.
Good Gracious! is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1963 and performed by Donaldson with Grant Green, Big John Patton, and Ben Dixon.
Cole Slaw is an album by jazz saxophonist Lou Donaldson recorded for the Argo label in 1964 and performed by Donaldson with Herman Foster, Earl May, Bruno Carr, and Ray Barretto.
Blowing in the Wind is an album by jazz saxophonist Lou Donaldson recorded for the Cadet label in 1966 and performed by Donaldson with Herman Foster, Sam Jones, Leo Morris and Richard Landrum.
Pretty Things is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label featuring Donaldson with Blue Mitchell, Leon Spencer, Ted Dunbar, and Idris Muhammad and one track with Lonnie Smith and Melvin Sparks replacing Spencer & Dunbar and Jimmy Lewis added.
The Scorpion: Live at the Cadillac Club is a live album by jazz saxophonist Lou Donaldson recorded in Newark, New Jersey in 1970 for the Blue Note label featuring a performance by Donaldson with Fred Ballard, Leon Spencer, Melvin Sparks, and Idris Muhammad.
Sassy Soul Strut is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label featuring Donaldson with Thad Jones, Garnett Brown, Seldon Powell, Buddy Lucas, Paul Griffin, Horace Ott, Hugh McCracken, David Spinozza, John Tropea, Wilbur Bascomb, Bernard Purdie, Omar Clay, and Jack Jennings, with arrangements by George Butler.
Sweet Lou is an album by jazz saxophonist Lou Donaldson, his final recorded for the Blue Note label, featuring Donaldson with a big band arranged and conducted by Horace Ott.
Sweet Poppa Lou is a 1981 album by jazz saxophonist Lou Donaldson, his first recording for the Muse label, featuring Donaldson's quartet with Herman Foster, Calvin Hill, Idris Muhammad, and additional percussion on three tracks by Ralph Dorsey.
Back Street is an album by jazz saxophonist Lou Donaldson, his second recording for the Muse label, featuring Donaldson's quartet with Herman Foster, Jeff Fuller, and Victor Jones.
Live in Bologna is a live album by jazz saxophonist Lou Donaldson, his second recording for the Timeless label, featuring Donaldson's quartet with Herman Foster, Jeff Fuller, and Victor Jones.
This Is the Moment! is an album by American jazz trumpeter Kenny Dorham featuring performances recorded in 1958 and released on the Riverside label. The album marks the recording debut of pianist Cedar Walton.