| Cole Slaw | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1964 | |||
| Recorded | June 19, 1964 | |||
| Studio | RCA Recording Studios, New York City | |||
| Genre | Jazz | |||
| Label | Argo LP-747 | |||
| Producer | Esmond Edwards | |||
| Lou Donaldson chronology | ||||
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| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [1] |
Cole Slaw is an album by jazz saxophonist Lou Donaldson recorded for the Argo label in 1964 and performed by Donaldson with pianist Herman Foster, bassist Earl May, drummer Bruno Carr, and congalero Ray Barretto. [2]
Herman Foster was an American bebop jazz pianist.
Blues Walk is an album by American jazz saxophonist Lou Donaldson, recorded on July 28, 1958 and released on Blue Note later that year.
Wailing with Lou is an album by the Lou Donaldson Quintet, recorded on January 27, 1957 and released on Blue Note later that year. The quintet features trumpeter Donald Byrd and rhythm section Herman Foster, Peck Morrison and Art Taylor.
Swing and Soul is an album by the Lou Donaldson Quintet, recorded on June 9, 1957 and released on Blue Note later that year. The quintet features rhythm section Herman Foster, Peck Morrison and Dave Bailey, with Ray Barretto on congas.
Light-Foot is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label and performed by Donaldson's Quintet with pianist Herman Foster, bassist Peck Morrison, drummer Jimmy Wormworth and congalero Ray Barretto.
The Time Is Right is an album by American jazz saxophonist Lou Donaldson recorded on October 31 and November 28, 1959 and released on Blue Note the following year.
Sunny Side Up is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label and performed by Donaldson with Bill Hardman, Horace Parlan, Sam Jones, Al Harewood, with Laymon Jackson replacing Jones on four tracks.
Midnight Sun is an album by jazz saxophonist Lou Donaldson, recorded for the Blue Note label in 1960, but not released until 1980 and performed by Donaldson with pianist Horace Parlan, bassist George Tucker, drummer Al Harewood and congalero Ray Barretto.
Gravy Train is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1961 and performed by Donaldson with pianist Herman Foster, bassist Ben Tucker, drummer Dave Bailey and percussionist Alec Dorsey.
Rough House Blues is an album by jazz alto saxophonist Lou Donaldson recorded for the Cadet label in 1964 and performed by Donaldson with an octet conducted and arranged by Oliver Nelson.
Possum Head is an album by jazz saxophonist Lou Donaldson recorded for the Argo label in 1964 and performed by Donaldson with trumpeter Bill Hardman, organist “Big” John Patton, guitarist Ray Crawford, drummer Ben Dixon and percussionist Cleopas Morris.
Blowing in the Wind is an album by jazz saxophonist Lou Donaldson recorded for the Cadet label in 1966 and performed by Donaldson with pianist Herman Foster, bassist Sam Jones, drummer Idris Muhammad and percussionist Richard Landrum.
Sweet Lou is an album by jazz saxophonist Lou Donaldson, his final recorded for the Blue Note label, featuring Donaldson with a big band arranged and conducted by Horace Ott.
Color as a Way of Life is an album by jazz saxophonist Lou Donaldson, his second recorded for the Cotillion label, featuring Donaldson with an orchestra arranged by Mike Goldberg and Dennis Williams.
Sweet Poppa Lou is a 1981 album by jazz saxophonist Lou Donaldson, his first recording for the Muse label, featuring Donaldson's quartet with Herman Foster, Calvin Hill, Idris Muhammad, and additional percussion on three tracks by Ralph Dorsey.
Forgotten Man is an album by jazz saxophonist Lou Donaldson, his first recording for the Timeless label, featuring Donaldson's quartet with Herman Foster, Geoff Fuller, and Victor Jones.
Back Street is an album by jazz saxophonist Lou Donaldson, his second recording for the Muse label, featuring Donaldson's quartet with Herman Foster, Jeff Fuller, and Victor Jones.
Live in Bologna is a live album by jazz saxophonist Lou Donaldson, his second recording for the Timeless label, featuring Donaldson's quartet with Herman Foster, Jeff Fuller, and Victor Jones.
Our Mann Flute is an album by American jazz flautist Herbie Mann released on the Atlantic label in 1966. The album features tracks from sessions that produced the albums The Common Ground (1960), My Kinda Groove (1964) along with more recent recordings.
Edward "Bruno" Carr was an American jazz drummer. Carr was a frequent collaborator with Ray Charles, and he recorded with Aretha Franklin. He was Herbie Mann's drummer from 1965 through 1969.
