| Look Out! | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | November 1960 [1] | |||
| Recorded | June 18, 1960 | |||
| Genre | Jazz | |||
| Length | 54:21 | |||
| Label | Blue Note 4039 | |||
| Producer | Alfred Lion | |||
| Stanley Turrentine chronology | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| Allmusic |   |
Look Out! is an album by jazz saxophonist Stanley Turrentine featuring his earliest recordings as a leader on the Blue Note label performed by Turrentine with Horace Parlan, George Tucker and Al Harewood. [3]
The Allmusic review by Steve Leggett awarded the album 4½ stars and states "Although he is best known for his bluesy soul-jazz outings, tenor saxophonist Stanley Turrentine's first Blue Note session as a leader was a much more traditional bop affair, and the resulting album... shows as much artful restraint as it does groove. Not that this is a bad thing, since it allows Turrentine's big, clear tone to shine through in all its muscular sweetness, giving Look Out! a wonderful and flowing coherence". [2]
The Time Is Right is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label and performed by Donaldson with Blue Mitchell, Horace Parlan, Laymon Jackson, Dave Bailey, and Ray Barretto with Sam Jones and Al Harewood replacing Jackson and Bailey on one track. The album was awarded 3 stars in an Allmusic review. It was released on CD only in Japan.
Sunny Side Up is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label and performed by Donaldson with Bill Hardman, Horace Parlan, Sam Jones, Al Harewood, with Laymon Jackson replacing Jones on four tracks.
Blue Hour is a collaboration album by jazz saxophonist Stanley Turrentine and The Three Sounds recorded for the Blue Note label and performed by Turrentine with Gene Harris, Andrew Simpkins and Bill Dowdy. The album was reissued in 2000 with an additional disc of unreleased recordings, as Blue Hour: The Complete Sessions.
Comin' Your Way is an album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label and performed by Turrentine with his brother Tommy Turrentine, Horace Parlan, George Tucker and Al Harewood. Selections from this album had previously been issued, with additional tracks later appeared as Jubilee Shout!!! (1986), as Jubilee Shouts.
Up at "Minton's" is a live album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label and performed by Turrentine with Grant Green, Horace Parlan, George Tucker, and Al Harewood. The album was originally released as two separate volumes on LP and later as a double CD set.
Dearly Beloved is an album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label and performed by Turrentine with Shirley Scott and Roy Brooks.
Jubilee Shout!!! is an album by jazz saxophonist Stanley Turrentine, recorded for the Blue Note label in 1962, but not released until 1986. The selection was originally included on the double LP Jubilee Shouts, together with some tracks later appeared as Comin' Your Way. Said LP, however, omitted some tracks which may be found on the CD editions of both albums.
Never Let Me Go is the eighth album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label and performed by Turrentine with Shirley Scott, Major Holley, Ray Barretto and Al Harewood, with Sam Jones and Clarence Johnston replacing Holley, Barretto and Harewood on two tracks.
A Chip Off the Old Block is an album by American jazz saxophonist Stanley Turrentine. The album features tunes associated with bandleader Count Basie, and was released by Blue Note. Music was performed by Turrentine with organist Shirley Scott, trumpeter Blue Mitchell, bassist Earl May, and drummer Al Harewood.
The Spoiler is an album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label in 1966 and performed by Turrentine with Blue Mitchell, James Spaulding, Pepper Adams, McCoy Tyner, Julian Priester, Bob Cranshaw, and Mickey Roker with arrangements by Duke Pearson.
A Bluish Bag is an album by jazz saxophonist Stanley Turrentine consisting of two sessions recorded for the Blue Note label in 1967 and arranged by Duke Pearson, the first featuring Donald Byrd and the second McCoy Tyner, among others.
Sugar is an album by jazz saxophonist Stanley Turrentine, his first recorded for the CTI Records label following his long association with Blue Note, featuring performances by Turrentine with Freddie Hubbard, George Benson, Ron Carter, and Billy Kaye with Lonnie Liston Smith added on the title track and Butch Cornell and Richard "Pablo" Landrum on the other two tracks on the original release. The CD rerelease added a live version of the title track recorded at the Hollywood Palladium in 1971.
Salt Song is an album by jazz saxophonist Stanley Turrentine recorded for the CTI Note label featuring performances by Turrentine with an orchestra arranged by Eumir Deodato. The CD rerelease added another track.
Let It Go is an album by jazz saxophonist Stanley Turrentine recorded for the Impuse! label in 1966 and performed by Turrentine with Shirley Scott, Ron Carter and Mack Simpkins. The CD release added four bonus tracks, three of which originally released on Scott's Everybody Loves a Lover recorded in 1964 and featuring Bob Cranshaw and Otis Finch in place of Carter and Simpkins.
Speakin' My Piece is an album by American jazz pianist Horace Parlan featuring performances recorded and released on the Blue Note label in 1960.
On the Spur of the Moment is an album by American jazz pianist Horace Parlan featuring performances recorded and released on the Blue Note label in 1961.
Up & Down is an album by American jazz pianist Horace Parlan featuring performances recorded in 1961 and released on the Blue Note label.
Doin' Allright is an album by American jazz saxophonist Dexter Gordon recorded in 1961 and released on the Blue Note label.
Prayer Meetin' is an album by American jazz organist Jimmy Smith featuring performances recorded in 1963 and released on the Blue Note label. The album was rereleased on CD with two bonus tracks from the same session.
Manhattan Fever is an album by American jazz saxophonist Frank Foster recorded in 1968 and released on the Blue Note label. The CD reissue added five previously unreleased recordings from a 1969 session as bonus tracks.