Blue Hour | ||||
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Studio album by | ||||
Released | March 1961 [1] | |||
Recorded | June 29 & December 16, 1960 | |||
Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
Genre | Jazz | |||
Length | 37:30original LP 84:25 The Complete Sessions | |||
Label | Blue Note BST 84057 | |||
Producer | Alfred Lion | |||
Stanley Turrentine chronology | ||||
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The Three Sounds chronology | ||||
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Blue Hour is a collaboration album by jazz saxophonist Stanley Turrentine and The Three Sounds recorded for the Blue Note label and performed by Turrentine with Gene Harris, Andrew Simpkins and Bill Dowdy. [2] The album was reissued in 2000 with an additional disc of unreleased recordings, as Blue Hour: The Complete Sessions (Blue Note 24586). [3]
Review scores | |
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Source | Rating |
Allmusic | [3] |
The Penguin Guide to Jazz Recordings | [4] |
The Allmusic review by Ken Dryden awarded the 2000 2CD Reissue 3 stars and describes it as "a very relaxed and bluesy release". [3] The original album was awarded 4½ stars by Michael Erlewine of Allmusic.
Original LP
Bonus tracks on Blue Hour: The Complete Sessions CD 2:
Recorded on December 16, 1960 (original LP & CD 2 tracks 1–3) and June 29, 1960 (CD 2 tracks 4–8).
Gene Harris was an American jazz pianist known for his warm sound and blues and gospel infused style that is known as soul jazz.
Midnight Blue is a 1963 album by jazz guitarist Kenny Burrell featuring Stanley Turrentine on tenor saxophone, Major Holley on double bass, Bill English on drums and Ray Barretto on conga, and is one of Burrell's best-known works for Blue Note. Jazz Improv magazine lists the album among its top five recommended recordings for Burrell, indicating that "[i]f you need to know 'the Blue Note sound', here it is". In 2005, NPR included the album in its "Basic Jazz Library", describing it as "one of the great jazzy blues records". The album has been re-issued by Blue Note.
All or Nothing at All is a studio album by Billie Holiday, released in 1958 on Verve Records, catalog MGV8329. There are 12 songs on the LP taken from five different recording sessions that took place in 1956 and 1957. Holiday was backed by a "relaxed and understanding" small combo which included the trumpeter Harry "Sweets" Edison and the saxophonist Ben Webster. A 1959 New York Times article noted that Holiday's voice "had become a very limited instrument which she used with the craft and guile of an aging pitcher who can no longer pour his fast one across the plate."
Jubilee Shout!!! is an album by jazz saxophonist Stanley Turrentine, recorded for the Blue Note label in 1962, but not released until 1986. The selection was originally included on the double LP Jubilee Shouts, together with some tracks later appeared as Comin' Your Way. Said LP, however, omitted some tracks which may be found on the CD editions of both albums.
Never Let Me Go is the eighth album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label and performed by Turrentine with Shirley Scott, Major Holley, Ray Barretto and Al Harewood, with Sam Jones and Clarence Johnston replacing Holley, Barretto and Harewood on two tracks.
Easy Walker is an album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label in 1966 and performed by Turrentine with McCoy Tyner, Bob Cranshaw and Mickey Roker. One additional track from an unreleased session arranged by Duke Pearson was added to the original CD release and another four bonus tracks recorded in 1969 and originally released on Ain't No Way were added to the 1997 CD reissue.
Common Touch is an album by jazz saxophonist Stanley Turrentine featuring Shirley Scott recorded for the Blue Note label in 1968 and performed by Turrentine with Shirley Scott, Jimmy Ponder, Bob Cranshaw and Leo Morris. The CD reissue added one bonus track recorded in a different session and originally released on Ain't No Way. The other four tracks may be found on the CD reissue of Easy Walker.
Let It Go is an album by jazz saxophonist Stanley Turrentine recorded for the Impuse! label in 1966 and performed by Turrentine with Shirley Scott, Ron Carter and Mack Simpkins. The CD release added four bonus tracks, three of which originally released on Scott's Everybody Loves a Lover recorded in 1964 and featuring Bob Cranshaw and Otis Finch in place of Carter and Simpkins.
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Feelin' Good is an album by jazz group The Three Sounds featuring performances recorded in 1960 and released on the Blue Note label. It was released on CD only in Japan.
Here We Come is an album by jazz group The Three Sounds, featuring performances recorded in 1960 and released on the Blue Note label.
Black Orchid is an album by jazz group The Three Sounds featuring performances recorded in 1962 and released on the Blue Note label. The 1998 limited CD reissue features another seven unissued tracks recorded at different sessions. It was also issued in Japan in 2015, on SHM-CD, featuring different bonus tracks recorded at the same sessions.
Out of This World is an album by jazz group The Three Sounds featuring performances recorded in 1962 and released on the Blue Note label.
It Just Got to Be is an album by the jazz group The Three Sounds with performances recorded in 1960. It was released on the Blue Note label in 1963. It was reissued on CD only in Japan, with two bonus tracks.
Live at the Lighthouse is a live album by jazz group The Three Sounds featuring performances recorded in 1967 at the Lighthouse Club in California and released on the Blue Note label.
Kaleidoscope is an album by saxophonist Sonny Stitt compiling tracks recorded in 1950-52 and released on the Prestige label in 1957. The 1991 CD reissue added four bonus tracks to the original LP.
Lonely and Blue is an album by jazz vocalist Etta Jones which was recorded in 1962 and released on the Prestige label.
Reunion with Chet Baker is an album recorded in 1957 by saxophonist Gerry Mulligan's Quartet with trumpeter Chet Baker which was released by World Pacific. It was Baker's first recording after moving to New York City.
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