"Where or When" | |
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Song | |
Published | 1937 by Chappell & Co. |
Genre | Showtune |
Composer(s) | Richard Rodgers |
Lyricist(s) | Lorenz Hart |
"Where or When" is a show tune from the 1937 Rodgers and Hart musical Babes in Arms . It was first performed by Ray Heatherton and Mitzi Green. That same year, Hal Kemp recorded a popular version. The song also appeared in the film version of Babes in Arms two years later.
"Where or When" | ||||
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Single by Dion and the Belmonts | ||||
from the album Presenting Dion and the Belmonts | ||||
B-side | "That's My Desire" | |||
Released | December 1959 | |||
Recorded | 1959 | |||
Genre | ||||
Length | 2:37 | |||
Label | Laurie | |||
Songwriter(s) | Richard Rodgers, Lorenz Hart | |||
Dion and the Belmonts singles chronology | ||||
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"Where or When" is the first number to appear in the original Broadway production of Babes in Arms. The musical opens in fictional Seaport, Long Island on a hectic morning that finds most of the adult population embarking on a five-month vaudeville tour. Soon after his parents' departure, 20-year-old Valentine LaMar (played by Ray Heatherton) discovers at his doorstep a young hitchhiker named Billie Smith (played by Mitzi Green). Instantly smitten, he engages her in a discussion of movie stars, self-defense maneuvers, and Nietzsche's theory of individualism, at which point Val impulsively steals a kiss. Both admit to a powerful sense of déjà vu and sing "Where or When" as a duet. [2]
MGM bought the screen rights to the play in 1938, and the following year the studio released Babes in Arms , starring Mickey Rooney and Judy Garland. The picture bore little resemblance to its stage predecessor, with the characters and plot substantially revised by 10 studio writers, and only two numbers being retained from the score. [2] "Where or When" appeared 37 minutes into the film, [3] sung in a duet by Betty Jaynes and Douglas McPhail, and partially reprised solo by Garland. [4]
The lyrics of Where or When illustrate a memory phenomenon known as déjà vu. The line "Some things that happened for the first time...", as interpreted by artists such as Ella Fitzgerald [5] is sung as "Some things that happen for the first time...," which gives it a somewhat different meaning.
Ultimately, the uncertainty of whether the couple had met before is never resolved in the lyrics, just wistfully chalked up to "tricks that your mind can play" in the final line of the second verse, which is not often recorded: [6]
Where or When has become part of the Great American Songbook, having been recorded by scores of popular artists over the decades, starting with a successful cover by Hal Kemp and his Orchestra shortly after its debut in 1937.
Other memorable recordings [6] include those by:
More contemporary interpretations have been done by Barbra Streisand, Carly Simon, Judy Collins, Harry Connick Jr., George Michael, Bryan Ferry, Mandy Patinkin, Diana Krall, Michael Buble and Laufey. [6]
Instrumental versions were recorded by Count Basie, Dave Brubeck, Duke Ellington, Etta Jones and others.
Babes in Arms is a 1937 coming-of-age musical comedy with music by Richard Rodgers, lyrics by Lorenz Hart, and book by Rodgers and Hart. It concerns a group of small-town Long Island teenagers who put on a show to avoid being sent to a work farm by the town sheriff. Several songs in Babes in Arms became pop standards, including the title song, "Where or When", and "The Lady Is a Tramp." The film version, released in 1939, starred Judy Garland and Mickey Rooney and was directed by Busby Berkeley.
That's Entertainment! is a 1974 American compilation film released by Metro-Goldwyn-Mayer to celebrate the studio's 50th anniversary. The success of the retrospective prompted a 1976 sequel, the related 1985 film That's Dancing!, and a third installment in 1994.
Broadway Melody of 1938 is a 1937 American musical film produced by Metro-Goldwyn-Mayer and directed by Roy Del Ruth. The film is essentially a backstage musical revue, featuring high-budget sets and cinematography in the MGM musical tradition. The film stars Eleanor Powell and Robert Taylor and features Buddy Ebsen, George Murphy, Judy Garland, Sophie Tucker, Raymond Walburn, Robert Benchley and Binnie Barnes.
Babes on Broadway is a 1941 American musical film starring Mickey Rooney and Judy Garland and directed by Busby Berkeley, with Vincente Minnelli directing Garland's big solo numbers. The film, which features Fay Bainter and Virginia Weidler, was the third in the "Backyard Musical" series about kids who put on their own show, following Babes in Arms (1939) and Strike Up the Band (1940). Songs in the film include "Babes on Broadway" by Burton Lane (music) and E.Y. "Yip" Harburg (lyrics), and "How About You?" by Lane with lyrics by Ralph Freed, the brother of producer Arthur Freed. The movie ends with a minstrel show performed by the main cast in blackface.
"My Funny Valentine" is a show tune from the 1937 Richard Rodgers and Lorenz Hart coming of age musical Babes in Arms in which it was introduced by teenaged star Mitzi Green. The song became a popular jazz standard, appearing on over 1300 albums performed by over 600 artists. One of them was Chet Baker, for whom it became his signature song. In 2015 the Gerry Mulligan quartet's 1953 version of the song was inducted into the Library of Congress's National Recording Registry for its "cultural, artistic and/or historical significance to American society and the nation’s audio legacy". Mulligan also recorded the song with his Concert Jazz Band in 1960.
Little Nellie Kelly is a 1940 American musical-comedy film based on the stage musical of the same title by George M. Cohan which was a hit on Broadway in 1922 and 1923. The film was written by Jack McGowan and directed by Norman Taurog. Its cast included Judy Garland, George Murphy, Charles Winninger and Douglas McPhail.
"It's De-Lovely" is one of Cole Porter's hit songs, originally appearing in his 1936 musical, Red Hot and Blue. It was introduced by Ethel Merman and Bob Hope. The song was later used in the musical Anything Goes, first appearing in the 1956 film version ; in the 1962 revival where it was sung by Hal Linden and Barbara Lang, and in the 2004 biographical film De-Lovely, where it was performed by Robbie Williams.
Scott Fitzgerald is a Scottish singer and musical actor, who experienced international music chart success in the 1970s and later represented the UK at the 1988 Eurovision Song Contest.
Babes in Arms is the 1939 coming of age American film version of the 1937 Broadway musical of the same title. Directed by Busby Berkeley, it stars Mickey Rooney and Judy Garland, and features Charles Winninger, Guy Kibbee, June Preisser, Grace Hayes, and Betty Jaynes. It was Garland and Rooney's second film together as lead characters after their earlier successful pairing in the fourth of the Andy Hardy films. The film concerns a group of youngsters trying to put on a show to prove their vaudevillian parents wrong and make it to Broadway. The original Broadway script was significantly revamped, restructured, and rewritten to accommodate Hollywood's needs. Almost all of the Rodgers and Hart songs from the Broadway musical were discarded.
For other songs with this title, see Goodnight My Love (disambiguation)
"A Foggy Day" is a popular song composed by George Gershwin, with lyrics by Ira Gershwin. The song was introduced by Fred Astaire in the 1937 film A Damsel in Distress. It was originally titled "A Foggy Day " in reference to the pollution-induced pea soup fogs that were common in London during that period, and is often still referred to by the full title.
The commercial recording by Astaire for Brunswick was very popular in 1937.
"I Wish I Were in Love Again" is a show tune from the 1937 Rodgers and Hart musical Babes in Arms. In the original show, Dolores, the Sheriff's daughter, talks to Gus, her former boyfriend, who tries to woo her unsuccessfully. They then sing about how they do not care that their relationship is over. The song was omitted from the 1939 film version.
"Do I Love You?" is a 1939 popular song written by Cole Porter, for his musical Du Barry Was a Lady, where it was introduced by Ronald Graham and Ethel Merman.
"Johnny One Note" is a 1937 show tune from the 1937 Rodgers and Hart musical Babes in Arms, where it was introduced by Wynn Murray. Judy Garland sang it in the Rodgers & Hart biopic Words and Music (1948).
"(You'd Be So) Easy to Love" is a popular song written by Cole Porter for William Gaxton to sing in the 1934 Broadway show Anything Goes. However Gaxton was unhappy about its wide vocal range and it was cut from the musical. Porter re-wrote it for the 1936 film Born to Dance, where it was introduced by Eleanor Powell, James Stewart, and Frances Langford under its alternate title, "Easy to Love". The song was later added to the 1987 and 2011 revivals of Anything Goes under the complete title "You’d Be So Easy to Love".
Judy Garland signed her first recording contract at age 13 with Decca Records in late 1935. Garland began recording albums for Capitol Records in the 1950s. Her greatest success, Judy at Carnegie Hall (1961), was listed for 73 weeks on the Billboard 200 chart, was certified Gold, and took home five Grammy Awards.
Betty Jaynes was an American operatic singer and B-movie actress from the late 1930s to mid-1940s.
Girl Crazy is a 1943 American musical film starring Judy Garland and Mickey Rooney. Produced by the Freed Unit of Metro-Goldwyn-Mayer, it is based on the stage musical Girl Crazy – which was written by Guy Bolton and Jack McGowan, with music and lyrics by George and Ira Gershwin. It was the last of Garland and Rooney's nine movies as co-stars, the pair appearing only once more together on film, as guest stars in 1948's Words and Music.
Strike Up the Band is a 1940 American musical film produced by the Arthur Freed unit at Metro-Goldwyn-Mayer. The film was directed by Busby Berkeley and stars Mickey Rooney and Judy Garland, in the second of a series of musicals they co-starred in, after Babes in Arms, all directed by Berkeley. The story written for the 1927 stage musical Strike Up the Band, and its successful 1930 Broadway revision, bear no resemblance to this film, aside from the title song.
Georgie Stoll was a musical director, conductor, Academy Award-winning composer, and jazz violinist, associated with the Golden Age of Metro-Goldwyn-Mayer musicals and performers from the 1940s to 1960s. He was also later credited as George E. Stoll.