"All of You" is a popular song written by Cole Porter and published in 1954.
Ella Sings Broadway is a 1963 studio album by the American jazz singer Ella Fitzgerald, with an orchestra arranged and conducted by Frank DeVol. Shortly before the sessions for Ella Sings Broadway, Ella had recorded two singles with Marty Paich, the Antonio Carlos Jobim song 'Desafinado' and a Bossa Nova version of the jazz standard 'Stardust'. This prompted many Ella Fitzgerald fans and scholars to conclude that these sessions were also led by Paich. However, the original scores and parts exist in Ella Fitzgerald's library and it was determined that all the music was arranged by Frank DeVol. In fact, DeVol had previously worked with Ella Fitzgerald having written arrangements for Hello Love (1957), Get Happy (1957), Live Someone in Love (1957), Ella Sings Sweet Songs For Swingers (1958), and Ella Wishes You A Swinging Christmas (1960).
"April in Paris" is a popular song composed by Vernon Duke with lyrics by Yip Harburg in 1932 for the Broadway musical Walk a Little Faster. The original 1933 hit was performed by Freddy Martin, and the 1952 remake was by the Sauter-Finegan Orchestra, whose version made the Cashbox Top 50. Composer Alec Wilder writes, "There are no two ways about it: this is a perfect theater song. If that sounds too reverent, then I'll reduce the praise to 'perfectly wonderful,' or else say that if it's not perfect, show me why it isn't."
Between 1935 and 1955, American singer Ella Fitzgerald was signed to Decca Records. Her early recordings as a featured vocalist were frequently uncredited. Her first credited single was 78 RPM recording "I'll Chase the Blues Away" with the Chick Webb Orchestra. Fitzgerald continued recording with Webb until his death in 1939, after which the group was renamed Ella Fitzgerald and Her Famous Orchestra. With the introduction of 10" and 12" Long-Playing records in the late 1940s, Decca released several original albums of Fitzgerald's music and reissued many of her previous single-only releases. From 1935 to the late 1940s Decca issued Ella Fitzgerald's recordings on 78rpm singles and album collections, in book form, of four singles that included eight tracks. These recordings have been re-issued on a series of 15 compact disc by the French record label Classics Records between 1992 and 2008.
"It Might as Well Be Spring" is a song from the 1945 film State Fair. which features the only original film score by the songwriting team of Richard Rodgers and Oscar Hammerstein II. "It Might as Well Be Spring" won the Academy Award for Best Original Song for that year.
"A Fine Romance" is a popular song composed by Jerome Kern with lyrics by Dorothy Fields, published in 1936.
"This Can't Be Love" is a show tune and a popular song from the 1938 Rodgers and Hart musical The Boys from Syracuse when it was sung by Eddie Albert and Marcy Westcott. The lyrics poke fun at the common depiction of love in popular songs as a host of malignant symptoms, saying, "This can't be love because I feel so well."
"I've Got The World on a String" is a 1932 popular jazz song composed by Harold Arlen, with lyrics written by Ted Koehler. It was written for the twenty-first edition of the Cotton Club series which opened on October 23, 1932, the first of the Cotton Club Parades.
"Little Girl Blue" is a popular song with music by Richard Rodgers and lyrics by Lorenz Hart, published in 1935. The song was introduced by Gloria Grafton in the Broadway musical Jumbo.
"Manhattan" is a popular song and part of the Great American Songbook. It has been performed by the Supremes, Lee Wiley, Oscar Peterson, Blossom Dearie, Tony Martin, Dinah Washington, Ella Fitzgerald, and Mel Torme, among many others. It is often known as "We'll Have Manhattan" based on the opening line. The music was written by Richard Rodgers and the lyrics by Lorenz Hart for the 1925 revue Garrick Gaieties. It was introduced by Sterling Holloway and June Cochran.
Blossom Dearie is an album by Blossom Dearie that was recorded in 1956 and released in 1957. It was her first recording for Verve.
"The Best Is Yet to Come" is a 1959 song composed by Cy Coleman to lyrics by Carolyn Leigh. It is associated with Frank Sinatra, who recorded it on his 1964 album It Might as Well Be Swing accompanied by Count Basie under the direction of Quincy Jones. It was the last song Sinatra sang in public, on February 25, 1995, and the words "The Best is Yet to Come" are etched on Sinatra's tombstone. Although Sinatra made it popular, the song was written for and introduced by Tony Bennett.
"Thou Swell" is a show tune, a popular song and a jazz standard written in 1927.
"I Won't Dance" is a song with music by Jerome Kern that has become a jazz standard. The song has two different sets of lyrics: the first written by Oscar Hammerstein II and Otto Harbach in 1934, and second written by Dorothy Fields in 1935.
"Johnny One Note" is a 1937 show tune from the 1937 Rodgers and Hart musical Babes in Arms, where it was introduced by Wynn Murray. Judy Garland sang it in the Rodgers & Hart biopic Words and Music (1948).
"Ev'rything I've Got" is a show tune from the Rodgers and Hart musical By Jupiter (1942), in which it was introduced by Ray Bolger and Benay Venuta.
"To Keep My Love Alive" is a 1943 popular song composed by Richard Rodgers, with lyrics by Lorenz Hart for the 1943 revival of the 1927 musical A Connecticut Yankee, where it was introduced by Vivienne Segal. It was written especially for Segal. It was the last song that Hart wrote before his death from pneumonia.
"I Hear Music" is a popular song composed by Burton Lane, with lyrics by Frank Loesser for the Paramount Pictures movie Dancing on a Dime (1940). In the film it was performed by Robert Paige, Peter Lind Hayes, Frank Jenks and Eddie Quillan.
"C'est Magnifique" is a 1953 popular song written by Cole Porter for his 1953 musical Can-Can, where it was introduced by Lilo and Peter Cookson. The song became a standard. The only version to chart was by Gordon MacRae which reached No. 29 for one week.
"The Sweetest Sounds" is a popular song, with words and music written by Richard Rodgers for the 1962 musical No Strings. The song opens and closes the show for characters Barbara Woodruff and David Jordan, performed by Diahann Carroll and Richard Kiley in the original Broadway theatre production and subsequent cast recording.
