"Memory" is a show tune composed by Andrew Lloyd Webber, with lyrics by Trevor Nunn based on poems by T. S. Eliot. It was written for the 1981 musical Cats, where it is sung primarily by the character Grizabella as a melancholic remembrance of her glamorous past and as a plea for acceptance. "Memory" is the climax of the musical and by far its best-known song, having achieved mainstream success outside of the musical. According to musicologist Jessica Sternfeld, writing in 2006, it is "by some estimations the most successful song ever from a musical."
"You'll Never Know", sometimes referred to as "You'll Never Know " in later years, is a popular song with music written by Harry Warren and the lyrics by Mack Gordon. The song is based on a poem written by a young Oklahoma war bride named Dorothy Fern Norris.
"I Have Dreamed" is a show tune from the 1951 Rodgers and Hammerstein musical, The King and I. In the original Broadway production it was sung by Doretta Morrow and Larry Douglas. It has since become a standard, with many artists recording the song.
"People" is a song composed by Jule Styne with lyrics by Bob Merrill for the 1964 Broadway musical Funny Girl starring Barbra Streisand, who introduced the song. The song was released as a single in 1964 with "I Am Woman", a solo version of "You Are Woman, I Am Man", also from Funny Girl.
"Something Wonderful" is a show tune from the 1951 Rodgers and Hammerstein musical The King and I.
"Make Your Own Kind of Music" is a pop song written by Barry Mann and Cynthia Weil which became a top 40 hit for Cass Elliot in 1969.
"We Kiss in a Shadow" is a show tune from the 1951 Rodgers and Hammerstein musical, The King and I.
"Dedicated To The One I Love" is a song written by Lowman Pauling and Ralph Bass that was a hit for the "5" Royales, the Shirelles, the Mamas & the Papas and Bitty McLean. Pauling was the guitarist of the "5" Royales, the group that recorded the original version of the song, produced by Bass, in 1957. Their version was re-released in 1961 and charted at number 81 on the Billboard Hot 100.
The Second Barbra Streisand Album is the title of Barbra Streisand's second solo studio album. It was released in August 1963, just six months after the release of her debut album, The Barbra Streisand Album, and was recorded in four days in June 1963.
People is Barbra Streisand's fourth solo studio album, released in September 1964. The title track was a newly recorded version of the hit song from the Broadway musical Funny Girl in which Streisand starred.
"Any Place I Hang My Hat Is Home" is a popular song with music by Harold Arlen and lyrics by Johnny Mercer.
"Ding-Dong! The Witch Is Dead" is a song in the 1939 film The Wizard of Oz. It is the centerpiece of several individual songs in an extended set-piece performed by the Munchkins, Glinda and Dorothy Gale. Highlighted by the Lollipop Guild, it was also sung by studio singers as well as being sung by the Winkie soldiers. It was composed by Harold Arlen, with the lyrics written by E. Y. Harburg. The group of songs celebrate the death of the Wicked Witch of the East when Dorothy's house is dropped on her by the cyclone.
"I've Grown Accustomed to Her Face" is a song from the 1956 musical My Fair Lady, with music by Frederick Loewe and lyrics by Alan Jay Lerner. It was originally performed by Rex Harrison as Professor Henry Higgins who also performed it in the 1964 film version.
"Here in My Arms" is a popular song published in 1925, written by Richard Rodgers with lyrics by Lorenz Hart.
"That's For Me" is a popular song, written by Richard Rodgers, with the lyrics by Oscar Hammerstein II. The song was published in 1945 and included in the 1945 version of the musical film State Fair.
The Broadway Album is the twenty-fourth studio album by American singer Barbra Streisand, released by Columbia Records on November 4, 1985. Consisting mainly of classic show tunes, the album marked a major shift in Streisand's career. She had spent ten years appearing in musicals and singing standards on her albums in the 1960s. Beginning with the album Stoney End in 1971 and ending with the album Emotion in 1984, Streisand sang mostly rock, pop, folk, and disco-oriented songs for Columbia records. Noted Broadway composer Stephen Sondheim personally penned additional lyrics for the songs "Putting It Together" and "Send in the Clowns" on request of the singer. The album, originally released on the Columbia label and subsequently re-released by Columbia and Sony Records, was a critical and commercial success. First certified gold by the RIAA on January 13, 1986, it reached four times platinum on January 31, 1995.
Barbra Streisand...and Other Musical Instruments is the fourteenth studio album by American singer Barbra Streisand. It was released on November 2, 1973 by Columbia Records. The album was made available following a 1973 live television special promoted to improve Streisand's image and sound. With world music as the primary genre, the album's instrumentation varies greatly; even items such as kitchen utensils were used to create melodies and beats. With a majority of the songs on the album being cover songs, Streisand also re-recorded various tracks that originated earlier in her career. Her manager, Martin Erlichman, was credited as the album's sole and executive producer.
"Second Hand Rose" is a 1921 popular song written by Grant Clarke and James F. Hanley for Fanny Brice.
Hello, Dolly! is the soundtrack album to the 1969 musical film of the same name, performed by Barbra Streisand, Walter Matthau, and Michael Crawford. Originally released on vinyl by 20th Century Fox Records, then reissued on Casablanca Records; the soundtrack was remastered for compact disc release by Philips Records in 1994. This album marked the second time Streisand recorded for a label other than Columbia.
"On a Clear Day (You Can See Forever)" is a song written by Burton Lane (music) and Alan Jay Lerner (lyrics) for the 1965 Broadway musical On a Clear Day You Can See Forever. It was subsequently performed by American actress and vocalist Barbra Streisand in the 1970 film adaptation of the musical.
