Twelve Thirty (Young Girls Are Coming to the Canyon)

Last updated
"Twelve Thirty"
TwelveThirty.jpg
French picture sleeve
Single by the Mamas & the Papas
from the album The Papas & The Mamas
B-side "Straight Shooter"
ReleasedAugust 1967 [1]
Genre
Length3:24
Label Dunhill
Songwriter(s) John Phillips [2]
Producer(s) Lou Adler
The Mamas & the Papas singles chronology
"Creeque Alley"
(1967)
"Twelve Thirty"
(1967)
"Glad to Be Unhappy"
(1967)

"Twelve Thirty" a.k.a. "Twelve-Thirty (Young Girls Are Coming to the Canyon)", is a song by the Mamas & the Papas.

Contents

After the release of the group's third album— Deliver —and their appearance as the closing act of the Monterey International Pop Festival, the group was scheduled to appear in England. The visit was catastrophic for the group, resulting in Cass Elliot leaving the group temporarily. The group had completed four tracks for their fourth album—initially titled Springboard—but when the group fracture occurred, progress on the new album stopped completely. Dunhill Records, hoping to keep the group in the public eye while personal matters were sorted out, released a greatest hits compilation, entitled Farewell to the First Golden Era, a smash hit at #5 on the charts, and certified gold. "Twelve Thirty," one of the completed songs from the fourth album, was included on the album in order to entice record buyers with new material, and simultaneously released as a single. "Twelve Thirty" would also appear on the now-retitled fourth album, The Papas & The Mamas , when finally released in the spring of 1968. The song peaked at number 20 as a single in the US, but failed to chart in the UK. The group would perform the song on The Ed Sullivan Show on 24 September 1967, in one of their last televised appearances as a group.

Song origin

The song was written by John Phillips [2] shortly after the band had relocated to Southern California in 1965. It is often cited as the band's last great single. [3] In a 1968 interview, [4] Phillips cited this arrangement as an example of "well-arranged two-part harmony moving in opposite directions". [2]

Jim Ward of Rolling Stone , said "Twelve Thirty" was "the last recording of the self-proclaimed 'Golden Era'", he added, "It's probably the best realized song the group has recorded." [5] Cash Box said that "a general aura of happiness...should give the public a feast on the new Mamas and Papas offering." [6]

The song was inspired by Laurel Canyon, a neighborhood of Los Angeles, California. [7] In the song, the writer says he used to live in "dark and dirty" New York City, where a broken clock on a church steeple was stuck at 12:30. John and Michelle had a difficult marital relationship then, and he compares this period to being in "the Canyon". [8] A popular interpretation is that girl "groupies" would party into the night at the homes of show business types in the canyon and wander home the next morning, passing the house and engaging the songwriter in conversation as they went. The song was reportedly originally sung by Scott Mckenzie. The song fades out during a repeat of the final chorus. [9] There is also an analysis of metaphor to epiphany or lifting of depression. [10] [11]

The song is featured in Drew Goddard's 2018 film Bad Times at the El Royale . [12] The song is also featured during a pivotal scene in Quentin Tarantino's 2019 film Once Upon a Time in Hollywood . [13] Chris Hemsworth's character in Bad Times at the El Royale is inspired by Charles Manson, [14] while Tarantino's film portrays members of the Manson Family, as well as Michelle Phillips and Mama Cass. In his film the song plays prophetically as Manson murderers drive up Cielo Drive in Benedict Canyon. [15]

Track listing

7" Vinyl
  1. "Twelve Thirty (Young Girls Are Coming to the Canyon)" (John Phillips) — 3:24
  2. "Straight Shooter" (John Phillips) — 2:57

Other recordings

Related Research Articles

<span class="mw-page-title-main">The Mamas & the Papas</span> Canadian-American folk rock vocal group

The Mamas & the Papas was a folk-rock vocal-group which recorded and performed from 1965 to 1968. The group was a defining force in the music scene of the counterculture of the 1960s. Formed in New York City, the group consisted of Americans John Phillips, Cass Elliot, and Michelle Phillips, and Canadian Denny Doherty. Their sound was based on vocal harmonies arranged by John Phillips, the songwriter, musician, and leader of the group, who adapted folk to the new beat style of the early 1960s.

<span class="mw-page-title-main">Cass Elliot</span> American singer (1941–1974)

Ellen Naomi Cohen, known professionally as Cass Elliot, was an American singer. She was also known as "Mama Cass", but she reportedly hated the name. She was a member of the singing group the Mamas & the Papas. After the group broke up, Elliot released five solo albums. She received the Grammy Award for Best Contemporary (R&R) Performance for "Monday, Monday" (1967). In 1998, she was posthumously inducted into the Rock and Roll Hall of Fame for her work with the Mamas & the Papas.

<span class="mw-page-title-main">Michelle Phillips</span> American folk rock singer and actress (born 1944)

Michelle Gilliam Phillips is an American folk rock singer and film and television actress. She rose to fame as a vocalist in the musical quartet The Mamas & the Papas in the mid-1960s. Her voice was described by Time magazine as the "purest soprano in pop music." She later established a successful career as an actress in film and television beginning in the 1970s.

<span class="mw-page-title-main">Denny Doherty</span> Canadian musician (1940–2007)

Dennis Gerrard Stephen Doherty was a Canadian musician. He was a founding member of the 1960s musical group the Mamas & the Papas for which he was inducted into the Rock and Roll Hall of Fame in 1998.

<span class="mw-page-title-main">John Phillips (musician)</span> American musician (1935–2001)

John Edmund Andrew Phillips was an American folk rock musician. He was the leader of the vocal group the Mamas & the Papas and remains frequently referred to as Papa John Phillips. In addition to writing the majority of the group's compositions, he also wrote "San Francisco " in 1967 for former Journeymen bandmate Scott McKenzie, as well as the oft-covered "Me and My Uncle", which was a favorite in the repertoire of the Grateful Dead. Phillips was one of the chief organizers of the 1967 Monterey Pop Festival.

<span class="mw-page-title-main">California Dreamin'</span> Single by the Mamas & the Papas

"California Dreamin'" is a song written by John Phillips and Michelle Phillips in 1963 and first recorded by Barry McGuire. The best-known version is by the Mamas & the Papas, who sang backup on the original version and released it as a single in December 1965. The lyrics express the narrator's longing for the warmth of Los Angeles during a cold winter in New York City. It is recorded in the key of C-sharp minor.

<span class="mw-page-title-main">Wilson Phillips</span> American pop vocal group

Wilson Phillips is an American pop vocal group formed in Los Angeles in 1989. The group consists of sisters Carnie and Wendy Wilson, the daughters of Brian Wilson of The Beach Boys, and Chynna Phillips, the daughter of John and Michelle Phillips of The Mamas & The Papas.

<span class="mw-page-title-main">Scott McKenzie</span> American singer-songwriter (1939–2012)

Scott McKenzie was an American singer and songwriter who recorded the 1967 hit single and generational anthem "San Francisco ".

Laurel Canyon is a mountainous neighborhood in the Hollywood Hills region of the Santa Monica Mountains, within the Hollywood Hills West district of Los Angeles, California. The main thoroughfare of Laurel Canyon Boulevard connects the neighborhood with the more urbanized parts of Los Angeles to the north and south, between Ventura Boulevard and Hollywood Boulevard.

<span class="mw-page-title-main">Lou Adler</span> American record producer

Lester Louis Adler is an American record and film producer and the co-owner of the Roxy Theatre in West Hollywood, California. Adler has produced and developed a number of high-profile musical artists, including The Grass Roots, Jan & Dean, The Mamas & the Papas, and Carole King. King's album Tapestry, produced by Adler, won the 1972 Grammy Award for Album of the Year and has been called one of the greatest pop albums of all time.

<i>The Papas & The Mamas</i> 1968 studio album by the Mamas and the Papas

The Papas & The Mamas is the fourth studio album by the American folk rock vocal group the Mamas and the Papas, released in 1968.

"Dedicated To The One I Love" is a song written by Lowman Pauling and Ralph Bass that was a hit for the "5" Royales, the Shirelles, the Mamas & the Papas and Bitty McLean. Pauling was the guitarist of the "5" Royales, the group that recorded the original version of the song, produced by Bass, in 1957. Their version was re-released in 1961 and charted at number 81 on the Billboard Hot 100.

"Somewhere Near Japan" is a song written for the American rock band The Beach Boys. It was released on their 1989 album Still Cruisin'.

<i>All the Leaves Are Brown</i> 2001 compilation album by The Mamas & the Papas

All the Leaves are Brown: The Golden Era Collection is a 2001 release compiling the first four albums by The Mamas & the Papas in their entirety, with some single-exclusive mono versions and one non-album track. The package includes a brief history of the group and its albums by Matthew Greenwald, author of Creeque Alley: The Oral History of The Mamas & The Papas.

The Big 3 was an American folk trio consisting of singer Cass Elliot (1941–1974), singer-songwriter-banjo player Tim Rose (1940–2002), and singer-guitarist Jim Hendricks.

"Safe in My Garden" is a song written by John Phillips and recorded by The Mamas and the Papas. The single was briefly in the Top 100 pop chart in the United States. AllMusic.com calls the song "One of the group's finest latter-day records."

<span class="mw-page-title-main">The Mamas & the Papas discography</span> Cataloging of published recordings by The Mamas & the Papas

The Mamas & the Papas were a vocal group from Los Angeles, California that was active from 1966 to 1969. Their discography consists of a total of five albums and 17 singles, six of which made the Billboard top ten, and sold close to 40 million records worldwide. Monday, Monday hit #1 on the Billboard Hot 100 chart in March 1966 and California Dreamin' was the top song on the Billboard Year-End Hot 100 singles of 1966.

<i>Once Upon a Time in Hollywood</i> 2019 film by Quentin Tarantino

Once Upon a Time...in Hollywood is a 2019 comedy-drama film written and directed by Quentin Tarantino. Produced by Columbia Pictures, Bona Film Group, Heyday Films, and Visiona Romantica and distributed by Sony Pictures Releasing, it is a co-production between the United States, United Kingdom, and China. It features a large ensemble cast led by Leonardo DiCaprio, Brad Pitt, and Margot Robbie. Set in 1969 Los Angeles, the film follows a fading actor and his stunt double as they navigate the rapidly changing film industry, with the looming threat of the Tate murders hanging overhead. It features "multiple storylines in a modern fairy tale tribute to the final moments of Hollywood's golden age."

<i>Echo in the Canyon</i> 2018 film directed by Andrew Slater

Echo in the Canyon is a 2018 film directed by Andrew Slater. The film is produced by Eric Barrett and Andrew Slater under the banner of Mirror Films. The film stars Lou Adler, Fiona Apple, the Beach Boys, Beck, Tom Petty, Jackson Browne, Buffalo Springfield, the Byrds, Jade Castrinos, Eric Clapton, David Crosby, Jakob Dylan, Norah Jones, and Michelle Phillips.

Quentin Tarantino's Once Upon a Time in Hollywood is the soundtrack from the 2019 film, Once Upon a Time in Hollywood, written and directed by Quentin Tarantino. The film also contains numerous songs and scores not included on the soundtrack.

References

  1. "The Mamas and the Papas - Twelve Thirty (Young Girls Are Coming to the Canyon)".
  2. 1 2 3 John Phillips interviewed on the Pop Chronicles (1969)
  3. Greenwald, Matthew. "Twelve-Thirty: Song Review". Allmusic.
  4. Gilliland, John (1969). "O-S interviews" (audio). Pop Chronicles . University of North Texas Libraries.
  5. Ward, Jim (6 July 1968). "Album Reviews: The Mamas & The Papas". Rolling Stone Archived at Wayback Machine. Archived from the original on September 17, 2009. Retrieved 15 June 2013.{{cite web}}: CS1 maint: unfit URL (link)
  6. "CashBox Record Reviews" (PDF). Cash Box. August 26, 1967. p. 28. Retrieved 2022-01-12.
  7. Eliscu, Jenny (11 December 2008). "Hot Scene: The Return to Laurel Canyon". Rolling Stone Archived at Wayback Machine. Archived from the original on April 18, 2009. Retrieved 15 June 2013.{{cite web}}: CS1 maint: unfit URL (link)
  8. "California Dreamgirl". Vanity Fair . 20 November 2007. Archived from the original on 2020-10-21. Retrieved 2020-10-04.
  9. Kubernik, Harvey (5 March 2012). Canyon of Dreams: The Magic and the Music of Laurel Canyon (2012 (reprint) ed.). Sterling. pp. 138–139. ISBN   978-1402797613.
  10. "(18) the "Twelve-Thirty" Metaphor". 18 January 2015. Archived from the original on 2021-07-22. Retrieved 2020-09-21.
  11. "Blogger: Music Musing Music - Post a Comment". Archived from the original on 2021-07-22. Retrieved 2020-09-21.
  12. "Bad Times At The El Royale (Original Motion Picture Soundtrack)". Republic Records. October 12, 2018. Archived from the original on November 17, 2020. Retrieved July 22, 2021 via Spotify.
  13. Moran, Sarah (July 26, 2019). "Every Song in Once Upon a Time in Hollywood". Screen Rant . Archived from the original on July 27, 2019. Retrieved March 17, 2021.
  14. Lopez, Kristen (October 14, 2018). "How "Bad Times at the El Royale" Revives 60's Nostalgia". The Hollywood Reporter . Archived from the original on July 22, 2021. Retrieved July 22, 2021.
  15. Reilly, Phoebe (July 26, 2019). "Quentin Tarantino On Crafting a Vintage Soundtrack For "Once Upon a Time in Hollywood"". Billboard . Archived from the original on July 22, 2021. Retrieved July 22, 2021.
  16. Scott McKenzie, The Voice of Scott McKenzie Archived 2016-03-07 at the Wayback Machine Retrieved May 16, 2015
  17. Fajfrić, Željko; Nenad, Milan (2009). Istorija YU rock muzike od početaka do 1970. Sremska Mitrovica: Tabernakl. p. 104.