"California Dreamin'" is a song written by John Phillips and Michelle Phillips in 1963 and first recorded by Barry McGuire. The best-known version is by the Mamas & the Papas, who sang backup on the original version and released it as a single in December 1965. The lyrics express the narrator's longing for the warmth of Los Angeles during a cold winter in New York City. It is recorded in the key of C-sharp minor.
"Danny Boy" is a song with lyrics written by English lawyer Frederic Weatherly in 1910, and set to the traditional Irish melody of "Londonderry Air" in 1913.
"Dream a Little Dream of Me" is a 1931 song with music by Fabian Andre and Wilbur Schwandt and lyrics by Gus Kahn. It was first recorded in February 1931 by Ozzie Nelson and His Orchestra, soon followed by Wayne King and His Orchestra with vocals by Ernie Birchill. A popular standard, it has seen well over 400 recorded versions.
"Make Your Own Kind of Music" is a song by American singer Mama Cass Elliot from her second studio album Make Your Own Kind of Music/It’s Getting Better (1969). It was released as the third and final single from the album in September 1969, by Dunhill Records. The song was written by Barry Mann and Cynthia Weil, while production was helmed by Steve Barri. In the United States, "Make Your Own Kind of Music" was a Top 40 hit, in which it peaked at number 36 on the Billboard Hot 100.
The Mamas & the Papas is the second studio album by the Mamas and the Papas, released in September 1966. The album peaked at number 4 on the US Billboard 200 album chart and number 24 in the UK. The lead off single, "I Saw Her Again", reached number 5 on the US Billboard Hot 100 chart and number 11 in the UK Singles Chart. The song was especially unique because of its origins."Words of Love" was released as the second single in the US peaking at number 5. In the UK, it was released as a double A-side with "Dancing in the Street" and charted at number 47 in the UK.
"Will You Love Me Tomorrow", sometimes known as "Will You Still Love Me Tomorrow", is a song with words by Gerry Goffin and music composed by Carole King. It was recorded in 1960 by the Shirelles at Bell Sound Studios in New York City, and hit number one on the Billboard Hot 100 chart. The producer was Luther Dixon.The song was the first by an African-American all-girl group to reach number one in the United States. It has since been recorded by many other artists including a 1971 version by co-writer Carole King.
"Monday, Monday" is a 1966 song written by John Phillips and recorded by the Mamas & the Papas, using background instruments played by members of the Wrecking Crew for their 1966 album If You Can Believe Your Eyes and Ears. Denny Doherty was the lead vocalist. It was the group's only #1 hit on the U.S. Billboard Hot 100.
“Creeque Alley” is an autobiographical hit single written by John Phillips and Michelle Phillips of the Mamas and the Papas in late 1966, narrating the story of how the group was formed, and its early years. The third song on the album Deliver, it peaked at #5 on the U.S. Billboard pop singles chart the week of Memorial Day 1967, becoming their last Top 10 hit. It made #9 on the UK Singles Chart, and #4 on the Australian and #1 on the Canadian charts.
The Mugwumps were a 1960s folk rock band, based in New York City. They released one self-titled album in 1967 and two singles. The Mugwumps found little success during their short time together in 1964, and are better known for launching the careers of Cass Elliot and Denny Doherty, who went on to co-found the Mamas & the Papas, and John Sebastian and Zal Yanovsky, who both co-founded the Lovin' Spoonful.
Slow Dance is a song by R. Kelly with Public Announcement from the album Born into the 90's (1992). It was released as a single by Jive Records in August 1992.
"(She's) Some Kind of Wonderful" is a song written by Canadian-American musician John Ellison and first recorded by his R&B group, Soul Brothers Six, in 1967, peaking at number 91 on the U.S. Billboard Hot 100.
Ruby Winters was an American soul singer: primarily recording in Nashville, Winters had several R&B hits from 1967 to 1974 but is best known for her 1977 UK Top Ten hit "I Will".
"I Saw Her Again" is a pop song recorded by the U.S. vocal group the Mamas & the Papas in 1966. Co-written by band members John Phillips and Denny Doherty, it was released as a single in June 1966 and peaked at number one on the RPM Canadian Singles Chart, number 11 on the UK Singles Chart, and number five on the Billboard Hot 100 pop singles chart the week of July 30, 1966. It appeared on their eponymous second album in September 1966.
"It's Getting Better" is a song written by Barry Mann and Cynthia Weil that was a sunshine pop hit single in 1969 for Mama Cass.
The Mamas & The Papas Deliver is the third studio album by the Mamas and the Papas, released in February 1967 on Dunhill Records. One song, "Creeque Alley", outlines the unique circumstances in which the band met and formed. Other songs on the album are covers of popular hits from years past.
"Move in a Little Closer, Baby" is a pop song, first recorded by Harmony Grass as "Move in a Little Closer." The song became an international hit for Cass Elliot in the spring of 1969.
"Someone That I Used to Love" is the title of a torch song written by Michael Masser and lyricist Gerry Goffin: first recorded in 1977 by Bette Midler, the song became a 1980 hit single via a recording by Natalie Cole.
The Mamas & the Papas were a vocal group from Los Angeles, California that was active from 1966 to 1969. Their discography consists of a total of five albums and 17 singles, six of which made the Billboard top ten, and sold close to 40 million records worldwide. Monday, Monday hit #1 on the Billboard Hot 100 chart in March 1966 and California Dreamin' was the top song on the Billboard Year-End Hot 100 singles of 1966.
"Should I Do It" is the title of a song composed by Layng Martine Jr. which in 1981 was a minor C&W hit for Tanya Tucker, becoming a Top 40 hit in 1982 for the Pointer Sisters.
"It's All Over" is a song by the Everly Brothers, released as a single in December 1965 from their album In Our Image.
