"Everybody Loves a Lover" | ||||
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Single by Doris Day | ||||
B-side | "Instant Love" | |||
Released | 1958 | |||
Genre | Pop | |||
Length | 2:41 | |||
Label | Columbia 41195 | |||
Composer(s) | Robert Allen | |||
Lyricist(s) | Richard Adler | |||
Doris Day singles chronology | ||||
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"Everybody Loves a Lover" is a popular song which was a hit single for Doris Day in 1958. Its lyricist, Richard Adler, and its composer, Robert Allen, were both best known for collaborations with other partners. The music Allen composed, aside from this song, was usually for collaborations with Al Stillman, and Adler wrote the lyrics after the 1955 death of his usual composing partner, Jerry Ross.
The song's genesis was a comment made to Adler by his lawyer: "You know what Shakespeare said: 'All the world loves a lover.'" (In fact, this was a misattribution of a quote by Ralph Waldo Emerson.) Adler and Allen quickly wrote "Everybody Loves a Lover" in New York City. Doris Day and Adler knew each other through Day's having starred in the film version of The Pajama Game whose songs Adler and Ross had written (originally for the stage musical version of The Pajama Game), and Day had mentioned to Adler that she was looking for a new novelty song to record and Allen on a visit to Los Angeles presented "Everybody Loves a Lover" for consideration by Day, her husband-manager Marty Melcher, and Mitch Miller, who headed Columbia Records, for which company Day recorded. Although Day, Melcher and Miller all saw the song's potential as a hit for Day, Melcher made Day's recording of "Everybody Loves a Lover" conditional on the song's copyright being granted to Artists Music, the publishing firm he owned with Day – a condition to which Allen was not agreeable. However, after a few days, Melcher phoned Allen to say that Day would record the song without her and Melcher acquiring its publishing rights. [1]
Day recorded "Everybody Loves a Lover" in May 1958 with Frank DeVol producing and Earl Palmer on drums. [2] Issued as Columbia catalog number 41195, "Everybody Loves a Lover" first reached the Billboard magazine charts on July 21, 1958. On the Disk Jockey chart, it peaked at number 6; on the Best Seller chart, at number 17; and on the Hot 100 composite chart, it reached number 14. [3] The Doris Day version is noteworthy for the third verse, in which, through overdubbing, the first four lines of verse 2 are superimposed on the first four lines of verse 1, creating a counterpoint duet. The two segments end on the same word, "Pollyanna", sung in harmony. The song was Day's last big charting hit in the US, although she would hit number 4 in 1964 in the UK with the title song of her then-current movie Move Over, Darling . The Doris Day version of "Everybody Loves a Lover" was used in the soundtrack for the BBC's period drama Call the Midwife .
"Everybody Loves a Lover" | ||||
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Single by The Shirelles | ||||
B-side | "I Don't Think So" | |||
Released | 1962 | |||
Genre | R&B | |||
Length | 2:38 | |||
Label | Scepter 1243 | |||
Composer(s) | Robert Allen | |||
Lyricist(s) | Richard Adler | |||
The Shirelles singles chronology | ||||
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"Everybody Loves a Lover" was remade by the Shirelles in 1962, reaching #19 in January 1963: this version, the group's final collaboration with producer Luther Dixon, replicates the backbeat and instrumentation of the Barbara George hit "I Know (You Don't Love Me No More)".
Cash Box described it as "a contagious New Orleans-styled shuffle showcase," saying that "the gals (and the instrumentalists) polish it off in sparkling style." [4]
Besides concurrent covers for the UK market by both the Undertakers and Cliff Bennett, the Shirelles' version of "Everybody Loves a Lover" was also the template for the Sandie Shaw version recorded for her 1965 Sandie album, and also the Peaches and Herb version recorded for their 1967 album For Your Love. Also a live performance by Beryl Marsden of "Everybody Loves a Lover" with the Shirelles' version's arrangement was recorded at the Cavern Club in June 1963 and released on the multi-artist album At The Cavern released 1964. Checkmates, Ltd. released a version of the song as part of a medley on their 1967 debut album, Live! At Caesar's Palace . [5] Guy Mitchell also recorded the song in 1960.
In its original traditional pop format, "Everybody Loves a Lover" has also been recorded by The Angels (whose 1962 version bubbled under the Hot 100 with a #103 peak), Alice Babs (as "Den som glad är" Swedish), Chisu (as "Kellä Kulta, Sillä Onni" Finnish), Sacha Distel (as "Dis! O Dis!" French), Nana Gualdi (as "Junge Leute Brauchen Liebe" German), Jan Howard, Laila Kinnunen (as "Kellä Kulta, Sillä Onni" Finnish), Lill-Babs (as "Den som glad är" Swedish), Angélica María (as "Vivaracho" Spanish), Guy Mitchell, Jane Morgan, Line Renaud (as "Dis! O Dis!" French), and Keely Smith. In 2010 Australian singer Melinda Schneider recorded the song for her Doris Day tribute album Melinda Does Doris. Instrumental versions have been recorded by Joe Loss and Shirley Scott.
On 19 November 2015 a remake of "Everybody Loves a Lover" by Scott Dreier and Jane Monheit was made available for download at the Doris Day Animal Foundation website in return for a $5 donation, all donations thus raised going in their entirety to the Doris Day Animal Foundation, the song's publishers as well as the artists having waived any royalties. Recorded at EastWest Studios, the track is a preview of Dreier's upcoming tribute CD The Doris Day Project. [6]
Doris Day was an American actress and singer. She began her career as a big band singer in 1939, achieving commercial success in 1945 with two No. 1 recordings, "Sentimental Journey" and "My Dreams Are Getting Better All the Time" with Les Brown and His Band of Renown. She left Brown to embark on a solo career and recorded more than 650 songs from 1947 to 1967.
The Shirelles were an American girl group formed in Passaic, New Jersey in 1957. They consisted of schoolmates Shirley Owens, Doris Coley, Addie "Micki" Harris, and Beverly Lee.
Richard Adler was an American lyricist, writer, composer and producer of several Broadway shows.
Shirley Alston Reeves, born Shirley Owens, is an American soul singer who was the main lead singer of the hit girl group the Shirelles.
Terrence Paul "Terry" Melcher was an American record producer who was instrumental in shaping the mid-to-late 1960s California Sound and folk rock movements. His best-known contributions were producing the Byrds' first two albums Mr. Tambourine Man (1965) and Turn! Turn! Turn! (1965), as well as most of the hit recordings of Paul Revere & the Raiders and Gentle Soul. He is also known for his collaborations with Bruce Johnston and for his association with the Manson Family.
"Hey There" is a show tune from the musical play The Pajama Game, written by Richard Adler and Jerry Ross. It was published in 1954. It was introduced by John Raitt in the original production. In the show, Sid sings it to a recording device, telling himself that he's foolish to continue his advances to Babe. He plays the tape back, and after responding to his own comments, sings a duet with himself.
"Steam Heat" is a show tune from the 1954 Broadway musical The Pajama Game, written by Richard Adler and Jerry Ross.
Robert Allen Deitcher was an American pianist and an arranger and writer of music for popular songs.
"Wonderful World" is a song by American singer-songwriter Sam Cooke. Released on April 14, 1960, by Keen Records, it had been recorded during an impromptu session the previous year in March 1959, at Sam Cooke's last recording session at Keen. He signed with RCA Victor in 1960 and "Wonderful World", then unreleased, was issued as a single in competition. The song was mainly composed by songwriting team Lou Adler and Herb Alpert, but Cooke revised the lyrics to mention the subject of education more.
Sandie is the debut studio album by the British pop singer Sandie Shaw. Released in February 1965 on the Pye label, it was her only original album to enter the UK Albums Chart and peaked at Number 3. In the few months prior to the album's release, Shaw had scored two major hits with the Bacharach/David-penned "(There's) Always Something There to Remind Me" and Chris Andrews's "Girl Don't Come"; although neither track was included on this album.
"Baby It's You" is a song written by Burt Bacharach (music), Luther Dixon, and Mack David (lyrics). It was recorded by the Shirelles and the Beatles and was a hit for both. The highest-charting version of "Baby It's You" was by the band Smith, who took the track to No.5 on the US charts in 1969.
"Will You Love Me Tomorrow", sometimes known as "Will You Still Love Me Tomorrow", is a song with words by Gerry Goffin and music composed by Carole King. It was recorded in 1960 by the Shirelles at Bell Sound Studios in New York City, and hit number one on the Billboard Hot 100 chart. The song was the first by an African-American all-girl group to reach number one in the United States. It has since been recorded by many other artists, including a version by co-writer King released on her 1971 album Tapestry.
"Oh No Not My Baby" is a song written by Gerry Goffin and Carole King. The song's lyrics describe how friends and family repeatedly warn the singer about a partner's infidelities. The song is regarded as an American standard due to its long-time popularity with both music listeners and recording artists.
The Pajama Game is an album released on August 12, 1957 by Columbia Records. It contains songs from the movie of the same name, mostly sung by Doris Day and John Raitt. The catalog number was OL-5210.
The following is a complete discography for American singer and actress Doris Day, whose entertainment career spanned nearly 50 years. She started her career as a big band singer in 1939 and gained popularity with her first hit recording, "Sentimental Journey", with Les Brown and His Band of Renown in 1945. In her solo career, she recorded more than 650 recordings on the Columbia Records label from 1947 to 1967. She was one of the most popular and acclaimed singers of the 20th century.
"I Know (You Don't Love Me No More)" is an R&B song written and recorded by American singer Barbara George, released as her debut single in 1961. It became her signature song and her only major hit in United States, reaching No.1 on the Billboard R&B singles chart and No.3 in the Hot 100. It was later covered by various artists, inducing Fats Domino, Cher, Ike & Tina Turner, and Bonnie Raitt. A Spanish version by Marisela topped Billboard's Latin chart in 1988. The Shirelles borrowed the melody of "I Know" for their 1963 cover of "Everybody Loves A Lover".
My Heart is the 29th and final studio album by Doris Day, released on September 5, 2011. On September 11, 2011 the album entered the UK chart at number nine, making Doris Day, at age 89, the oldest artist to score a UK Top 10 with an album featuring new material.
Live! at Caesar's Palace is the debut album by Checkmates, Ltd., released in 1967. It reached No. 36 on the U.S. R&B chart.
"Move Over Darling" is a song originally recorded by Doris Day, which was the theme from the 1963 movie Move Over, Darling, starring Doris Day, James Garner and Polly Bergen, and was released as a single the same year. The song was written by Doris Day's son, Terry Melcher, along with Hal Kanter and Joe Lubin.
"Sha La La" is a song written by Robert Mosely and Robert Taylor. The Shirelles released the original version of the song as a single in 1964 which reached #15 on the U.S. R&B chart and #69 on the U.S. pop chart.