"Mack the Knife" or "The Ballad of Mack the Knife" is a song composed by Kurt Weill with lyrics by Bertolt Brecht for their 1928 music drama The Threepenny Opera. The song tells of a knife-wielding criminal of the London underworld from the musical named Macheath, the "Mack the Knife" of the title.
"Moon River" is a song composed by Henry Mancini with lyrics by Johnny Mercer. It was originally performed by Audrey Hepburn in the 1961 film Breakfast at Tiffany's, winning an Academy Award for Best Original Song. The song also won the 1962 Grammy Awards for Record of the Year and Song of the Year. In 1999, Mancini's recording was inducted into the Grammy Hall of Fame.
Percy Faith was a Canadian–American bandleader, orchestrator, composer and conductor, known for his lush arrangements of instrumental ballads and Christmas standards. He is often credited with popularizing the "easy listening" or "mood music" format. He became a staple of American popular music in the 1950s and continued well into the 1960s. Although his professional orchestra-leading career began at the height of the swing era, he refined and rethought orchestration techniques, including use of large string sections, to soften and fill out the brass-dominated popular music of the 1940s.
"Georgia on My Mind" is a 1930 song written by Hoagy Carmichael and Stuart Gorrell and first recorded that same year by Hoagy Carmichael at the RCA Victor Studios at 155 East 24th Street in New York City. However, the song has been most often associated with soul singer Ray Charles, who was a native of the U.S. state of Georgia and recorded it for his 1960 album The Genius Hits the Road.
"Telstar" is a 1962 instrumental by the English band the Tornados, written and produced by Joe Meek. It reached number one on the UK Singles Chart and the US Billboard Hot 100 in December 1962. It was the second instrumental single to hit number one in 1962 on both the US and UK weekly charts.
"Night Fever" is a song written and performed by the Bee Gees. It first appeared on the soundtrack to Saturday Night Fever on RSO Records. Producer Robert Stigwood wanted to call the film Saturday Night, but singer Robin Gibb expressed hesitation at the title. Stigwood liked the title Night Fever but was wary of marketing a movie with that name. The song bounded up the Billboard charts while the Bee Gees’ two previous hits from Saturday Night Fever soundtrack were still in the top ten. The record debuted on the Billboard Hot 100 Chart at #76, then leaped up 44 positions to #32. It then moved: 32–17–8–5–2–1. It remained at #1 for eight weeks, and ultimately spent 13 weeks in the top 10. For the first five weeks that "Night Fever" was at #1, "Stayin' Alive" was at #2. Also, for one week in March, Bee Gees related songs held five of the top positions on the Hot 100 chart, and four of the top five positions, with "Night Fever" at the top of the list. The B-side of "Night Fever" was a live version of "Down the Road" taken from the Bee Gees 1977 album, Here at Last... Bee Gees... Live.
"It's April Again" is a popular song that first appeared in the 1952 film Moulin Rouge. It became a No. 1 hit in the UK Singles Chart when recorded by Mantovani. The music for the film was written by Georges Auric; the original French lyrics were by Jacques Larue, with the English words by William Engvick. The Auric-Engvick song was published in 1953.
"One Moment in Time" is a sentimental ballad by American singer Whitney Houston and written by Albert Hammond and John Bettis, produced by Narada Michael Walden for the 1988 Summer Olympics held in Seoul, South Korea. It was released by Arista Records on August 27, 1988, as the first single from the compilation album, 1988 Summer Olympics Album: One Moment in Time, the soundtrack for the games. The song was Houston's third number one in the UK Singles Chart, and reached number five on the US Billboard Hot 100. The song was later included on the second disc of her first greatest hits Whitney: The Greatest Hits and also on The Ultimate Collection and on the second disc of I Will Always Love You: The Best of Whitney Houston.
"When I Fall in Love" is a popular song, written by Victor Young (music) and Edward Heyman (lyrics). It was introduced in Howard Hughes' last film One Minute to Zero as the instrumental titled "Theme from One Minute to Zero". Jeri Southern sang on the first vocal recording released in April 1952 with the song's composer, Victor Young, handling the arranging and conducting duties. The song has become a standard, with many artists recording it; the first hit version was sung by Doris Day released in July 1952.
"When a Man Loves a Woman" is a song written by Calvin Lewis and Andrew Wright and first recorded by Percy Sledge in 1966 at Norala Sound Studio in Sheffield, Alabama. It made number one on both the Billboard Hot 100 and R&B singles charts. Country singer John Wesley Ryles had a minor hit with his version of the song in 1976 while singer and actress Bette Midler recorded the song 14 years later and had a Top 40 hit with her version in 1990. In 1991, Michael Bolton recorded the song and his version peaked at number one on both the Billboard Hot 100 chart and the Billboard Adult Contemporary Singles chart.
"Stuck on You" was Elvis Presley's first hit single after his two-year stint in the US Army, reaching number one in 1960 in the US.
"Handy Man" is a song written by singer Jimmy Jones and songwriter Otis Blackwell. Recordings by Del Shannon and also The Sparks Of Rhythm list Charles Merenstein as a co-writer, as does BMI. The Sparks Of Rhythm version on the Apollo 541 single version released in 1959 credits Andrew Barksdale and Merenstein as writers omitting Jimmy Jones. The song is noted for Jones singing "Come-a, come-a come-a come-a, come come-a, yeah" lyrics, which are heard at the beginning as well as in the coda of the song, before the song's fade.
"I Will Follow Him" is a popular song that was first recorded in 1961 by Franck Pourcel, as an instrumental titled "Chariot". The song achieved its widest success when it was recorded by American singer Little Peggy March with English lyrics in 1963. The music was written by Franck Pourcel and Paul Mauriat. It was adapted by Arthur Altman. The completely new English lyrics were written by Norman Gimbel.
"I Only Have Eyes for You" is a romantic love song by composer Harry Warren and lyricist Al Dubin, written for the film Dames (1934) when Dick Powell introduced it. Several successful recordings of the song were made in 1934; later, there were charted versions by the Flamingos (1959) and Art Garfunkel (1975).
"Love Letters in the Sand" is a popular song first published in 1931.
"You Light Up My Life" is a ballad written by Joseph Brooks, and originally recorded by Kasey Cisyk for the soundtrack album to the 1977 film of the same title. The song was lip synced in the film by its lead actress, Didi Conn. The best-known cover version of the song is a cover by Debby Boone, the daughter of singer Pat Boone. It held the No. 1 position on the Billboard Hot 100 chart for ten consecutive weeks in 1977 and topped Record World magazine's Top 100 Singles Chart for a record 13 weeks.
"Washington Square" is a popular instrumental from 1963 by the New York City-based jazz group The Village Stompers. The composition was written by Bobb Goldsteinn and David Shire.
"Last Date" is a 1960 instrumental written and performed by Floyd Cramer. It exemplifies the "slip note" style of piano playing that Cramer made popular. It peaked at number 11 on the country chart and at number two on the Hot 100 behind "Are You Lonesome Tonight?" by Elvis Presley. Cramer's recording inspired a number of successful cover versions, including a vocal adaptation by Conway Twitty.
"Peter Gunn" is the theme music composed by Henry Mancini for the television show of the same name. The song was the opening track on the original soundtrack album, The Music from Peter Gunn, released by RCA Victor in 1959. Mancini won an Emmy Award and two Grammys for Album of the Year and Best Arrangement. In 2005, the song was inducted into the Grammy Hall of Fame.
"Soul Coaxing" or "Âme câline", written in 1967 by French singer/songwriter Michel Polnareff, provided Raymond Lefèvre and His Orchestra with a 1968 instrumental hit.
