|"Strangers In the Night"|
|Single by Frank Sinatra|
|from the album Strangers in the Night|
|B-side||"Oh, You Crazy Moon"|
|Recorded||April 11, 1966|
|Frank Sinatra singles chronology|
"Strangers in the Night" is a song credited to Ivo Robic and Bert Kaempfert with English lyrics by Charles Singleton and Eddie Snyder.Kaempfert originally used it under the title "Beddy Bye" as part of the instrumental score for the movie A Man Could Get Killed. The song was made famous in 1966 by Frank Sinatra, although it was initially given to Melina Mercouri, who thought that a man's vocals would suit more to the melody and therefore declined to sing it.
Bert Kaempfert was a German orchestra leader, multi-instrumentalist, music producer, arranger, and composer. He made easy listening and jazz-oriented records and wrote the music for a number of well-known songs, including "Strangers in the Night" and "Moon Over Naples".
Charles Fowler Singleton Jr., known as Charlie "Hoss" Singleton, was an American songwriter, best known for having co-written the lyrics for "Strangers in the Night" and "Moon Over Naples".
Edward Abraham Snyder was an American composer and songwriter. Snyder is credited with co-writing the English language lyrics and music for Frank Sinatra's 1966 hit, "Strangers in the Night".
Reaching #1 on both the Billboard Hot 100 chart and the Easy Listening chart,it was the title song for Sinatra's 1966 album Strangers in the Night , which became his most commercially successful album. The song also reached #1 on the UK Singles Chart.
The Billboard Hot 100 is the music industry standard record chart in the United States for songs, published weekly by Billboard magazine. Chart rankings are based on sales, radio play, and online streaming in the United States.
The Adult Contemporary chart is published weekly by Billboard magazine and lists the most popular songs on adult contemporary radio stations in the United States. The chart is compiled based on airplay data submitted to Billboard by stations that are members of the Adult Contemporary radio panel. The chart debuted in Billboard magazine on July 17, 1961. Over the years, the chart has gone under a series of name changes, being called Easy Listening(1961–1962; 1965–1979), Middle-Road Singles(1962–1964), Pop-Standard Singles(1964–1965), Hot Adult Contemporary Tracks(1979–1982) and Adult Contemporary(1983–present).
Strangers in the Night is a 1966 studio album by Frank Sinatra. It marked Sinatra's return to number one on the pop album charts in the mid-1960s, and consolidated the comeback he started in 1965. Combining pop hits with show tunes and standards, the album creates a balance between big band and pop instrumentation. The single "Strangers in the Night" also reached number one on the pop single charts, while "Summer Wind" would slowly become a classic, used for television commercials and mood-setting entrances by the 2000s.
Sinatra's recording won him the Grammy Award for Best Male Pop Vocal Performance and the Grammy Award for Record of the Year, as well as a Grammy Award for Best Arrangement Accompanying a Vocalist or Instrumentalist for Ernie Freeman at the Grammy Awards of 1967.
The Grammy Award for Best Male Pop Vocal Performance was a Grammy Award recognizing superior vocal performance by a male in the pop category, the first of which was presented in 1959. It was discontinued after the 2011 Grammy season. The award went to the artist. Singles or tracks only are eligible.
The Grammy Award for Record of the Year is presented by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to sales or chart position." The Record of the Year award is one of the four most prestigious categories at the awards presented annually since the 1st Grammy Awards in 1959. According to the 54th Grammy Awards description guide, the award is presented:
for commercially released singles or tracks of new vocal or instrumental recordings. Tracks from a previous year's album may be entered provided the track was not entered the previous year and provided the album did not win a Grammy. Award to the artist(s), producer(s), recording engineer(s) and/or mixer(s) if other than the artist.
Ernest Aaron Freeman was an American pianist, organist, bandleader, and arranger. He was responsible for arranging many successful rhythm and blues and pop records from the 1950s to the 1970s.
In an interview, Avo Uvezian gave an account of the story behind "Strangers in the Night", stating that he originally composed the song for Frank Sinatra while in New York at the request of a mutual friend who wanted to introduce the two. He wrote the melody after which someone else put in the lyrics and the song was originally titled "Broken Guitar". He presented the song to Sinatra a week later, but Sinatra did not like the lyrics, so they were rewritten and the song was renamed and became known as "Strangers in the Night".
Avo Uvezian was an Armenian-American cigar manufacturer, jazz pianist and composer.
When asked about why someone else (Kaempfert) was claiming the song, Uvezian went on to say that since Kaempfert was a friend of his and in the industry, he asked him to publish the German version in Germany so the two could split the profits, since Uvezian did not feel he would get paid for his work on the song in the US. Uvezian stated that when he gave the music to Kaempfert the song had already been renamed and lyrics revised. Uvezian also stated that Kaempfert gave him a letter acknowledging Uvezian as the composer.
It is sometimes claimed that Croatian singer Ivo Robić was the original composer of "Strangers in the Night," and that he sold the rights to Kaempfert after entering it without success in a song contest in Yugoslavia. This has not been substantiated. Robić—often referred to as "Mr. Morgen" for his 1950s charts success with Morgen, created in collaboration with Bert Kaempfert—was rather the singer of the Croatian-language version of the song, called "Stranci u Noći." [ citation needed ]
Ivo Robić was a Croatian singer and songwriter.
It was published in 1966 by the Yugoslav record company Jugoton under the serial number EPY-3779. On the label of the record, B. Kaempfert and M. Renota are stated as authors, wherein Marija Renota is the creator of the Croatian lyrics. The original composition of "Strangers" was under the title "Beddy Bye"—referring to the lead character William Beddoes—as an instrumental for the score of the movie A Man Could Get Killed.[ citation needed ]
The phrase "Strangers in the Night" was created after the composition, when New York music publishers Roosevelt Music requested that lyricists Snyder and Singleton—fresh off "Spanish Eyes," composed by Kaempfert of "Moon Over Naples" fame—put some words to the tune. "Stranci u Noći" is a literal translation of this phrase.[ citation needed ]
In an interview on Croatian TV with a renowned Croatian composer Stjepan Mihaljinec Ivo Robic stated that he had composed a song Ta ljetna noć (That Summer Night) and sent it to a festival in former Yugoslavia, where it was rejected. Then he sang a first few tunes from that song, identical to the first few tunes from Strangers in the Night (Strangers in the night, exchanging glances...). He added that, later, Bert Kaempfert “composed” for him that very same song, which later became known as Strangers in the Night.
In 1967 French composer Michel Philippe-Gérard (more commonly known as Philippe-Gérard) established a claim that the melody of "Strangers" was based on his composition "Magic Tango", which was published in 1953 through Chappells in New York.Royalties from the song were thus frozen until a court in Paris ruled in 1971 against plagiarism, stating that many songs were based on similar constant factors.
The track was recorded on April 11, 1966, one month before the rest of the album. Hal Blaine was the drummer on the record and Glen Campbell played rhythm guitar.At the session an angry Sinatra turned on Campbell, who had been brought in at the last moment. Campbell did not know the song and faked his way through the first take while listening to the tune, making a mistake in the process. Sinatra was used to recording in a single take, and when told he would have to sing it again, he glared at Campbell and shouted, "Is that guy with us or is he sleeping?".
One of the most memorable and recognizable features of the record is Sinatra's scat improvisation of the melody (on take two) with the syllables "doo-be-doo-be-doo" as the song fades to the end.For the CD Nothing but the Best, the song was remastered and the running time is 2:45 instead of the usual 2:35. The extra ten seconds is just a continuation of Sinatra's scat singing.
Sinatra despised the song, calling it at one time "a piece of shit" and "the worst fucking song that I have ever heard."He was not afraid to voice his disapproval of playing it live. In spite of his contempt for the song, for the first time in 11 years he had a #1 hit, and it remained on the charts for 15 weeks.
"Strangers in the Night" was covered by many other artists, among them:
The song has been recorded in Spanish by several artists under the title "Extraños en la noche", among them:
|UK (Official Charts Company)||1|
|scope="row"||US Billboard Hot 100||1|
"Some Enchanted Evening" is a show tune from the 1949 Rodgers and Hammerstein musical South Pacific. It is "the single biggest popular hit to come out of any Rodgers and Hammerstein show." It is a three-verse solo for the leading male character, Emile, in which he describes seeing a stranger, knowing that he will see her again, and dreaming of her laughter. He sings that when you find your "true love", you must "fly to her side, / And make her your own".
"Love Me Tender" is a 1956 song recorded by Elvis Presley and published by Elvis Presley Music from the 20th Century Fox film of the same name. The words are credited to Ken Darby under the pseudonym "Vera Matson", the name of his wife, and Elvis Presley. The RCA Victor recording by Elvis Presley was no. 1 on both the Billboard and Cashbox charts in 1956. The song was adapted from the melody for "Aura Lee", a sentimental Civil War ballad. The song is also featured in many other films such as FM, Touched By Love, This is Elvis, Porky's Revenge, Wild at Heart, Die Hard 2, Honeymoon in Vegas, Backbeat, Gaudi Afternoon, Machine Gun Molly, The Princess Diaries 2: Royal Engagement, William Eggleston in the Real World, California Dreamin', Love in Space, Devil's Due, Just Before I Go, and 90 Minutes in Heaven.
"That's Life" is a popular song written by Dean Kay and Kelly Gordon and first recorded by Marion Montgomery. The most famous version is by Frank Sinatra, released on his 1966 album of the same name. Sinatra recorded the song after hearing an earlier cover of it by O.C. Smith; the song proved successful and reached the fourth spot on the Billboard Hot 100 singles chart. Following the success of Sinatra's version, it was subsequently recorded by a number of artists including Aretha Franklin, James Booker, Shirley Bassey, James Brown, Van Morrison, David Lee Roth, Michael Bolton, Michael Bublé, Russell Watson, and Deana Martin. Sinatra's version appeared in the 1993 film A Bronx Tale and the 2004 video game Tony Hawk's Underground 2, while a cover by Bono was on the soundtrack of The Good Thief (2002).
A Man Could Get Killed is a 1966 adventure comedy film directed by Ronald Neame and Cliff Owen, shot on various locations in Portugal and starring James Garner, Melina Mercouri, Sandra Dee, Anthony Franciosa, and Robert Coote. The fourteen-year-old Jenny Agutter worked on the film but did not appear in the final cut.
"Summer Wind" is a 1965 song, originally released in Germany as "Der Sommerwind" and written by Heinz Meier and German language lyrics by Hans Bradtke. Johnny Mercer re-wrote the song into English along the same themes as the original, which talked of the changing of the seasons using the Southern European sirocco wind as a metaphor. In America, it was first recorded by Wayne Newton and subsequently by Bobby Vinton and Perry Como.
"Softly, as I Leave You" is a popular Italian song, originally titled Piano, composed by Tony De Vita with Italian lyrics by Giorgio Calabrese, translated into English by Hal Shaper.
"The More I See You" is a popular song composed by Harry Warren, with lyrics by Mack Gordon, and was originally sung by Dick Haymes in the 1945 film Diamond Horseshoe.
"Call Me" is a song composed by Tony Hatch for Petula Clark which became an easy listening standard via a hit version by Chris Montez.
Croatian popular music is the popular music of Croatia.
"The World We Knew " is a popular song recorded by Frank Sinatra in 1967. It is based on a composition by Bert Kaempfert, a German musician and composer.
"Moon Over Naples" is a 1965 instrumental composed and originally performed by German bandleader Bert Kaempfert and was the first track on his album, The Magic Music of Far Away Places for Decca Records.
I Couldn't Live Without Your Love is a Petula Clark album released in the United States and the UK in September 1966. Clark's fifth US album release, I Couldn't Live Without Your Love was the first Petula Clark album to include creative personnel besides Tony Hatch, who produced the album and arranged some of the tracks, along with Johnny Harris.
"Forget Domani" is a song introduced in the 1964 film The Yellow Rolls-Royce being a composition by Riz Ortolani, who scored the film, and lyricist Norman Newell.
Johnny Mathis Sings the Music of Bacharach & Kaempfert is an album by American pop singer Johnny Mathis that was released in the fall of 1970 by Columbia Records. While one half of the two-record set was a compilation of tracks from his previous albums that were composed by Burt Bacharach, the other consisted of new recordings of songs composed by Bert Kaempfert, including a new version of "Strangers in the Night", which Mathis had already recorded in 1966 for his LP Johnny Mathis Sings. Although the Kaempfert tribute was similar to recent Mathis albums in that he was mainly covering songs made popular by other singers, it was absent of hits from the 12 months previous to its release that had become the pattern of his output at this point. The latest US chartings of any of the Kaempfert compositions as of this album's debut came from 1967 recordings of "Lady" by Jack Jones and "The Lady Smiles" by Matt Monro.
Stranac u noći may refer to: