"Heartaches" | |
---|---|
Song | |
Published | 1931 |
Composer(s) | Al Hoffman |
Lyricist(s) | John Klenner |
"Heartaches" is a song written by composer Al Hoffman and lyricist John Klenner and originally published in 1931. A fast-tempo instrumental version of the song by Ted Weems and his Orchestra became a major hit in 1947, topping the Billboard Best Selling Singles chart. Later versions by band leader Harry James and doo-wop group the Marcels were also chart successes. "Heartaches" received renewed attention in the 2010s after several 1930s recordings of the song, including a version by Sid Phillips & his Melodians with Al Bowlly, were sampled in the Caretaker's album Everywhere at the End of Time .
Al Hoffman composed "Heartaches" after moving to New York City in a bid to become a successful songwriter; though it was not initially a major hit, it has been described by Billboard as Hoffman's first great song. [1] The song's lyrics were written by John Klenner. [2] A 1931 recording by Guy Lombardo and his Royal Canadians on Columbia (catalogue number 2390-D), was a modest success. [3] Another early version was issued by Sid Phillips & his Melodians with Al Bowlly providing the vocal. This recording was made in London in late August 1931 and released on the Edison Bell Winner label (EBW 5358). [4]
The most successful version of the song is by the American bandleader Ted Weems and his Orchestra. [5] Weems' instrumental arrangement features a prominent whistling part by Elmo Tanner over what the bandleader described as a "corny sort-of half rhumba rhythm". [3] The original recording was made in 1933 on Bluebird B-5131 in a novel, fast tempo to low record sales. Tanner later described this version as "before its time", stating "its beat was too fast and it was in samba time. Nobody knew the samba in those days." [6] In 1938, Weems and his Orchestra (including Tanner) re-recorded "Heartaches" at a slightly slower "rhumba fox trot" tempo for Decca Records. [3] Like its predecessor, this version was not a chart success upon release. [1] Weems' career was put on hold in early 1942 when he and his entire band enlisted in the United States Merchant Marine to fight in the Second World War. [7] [8]
In early 1947, Kurt Webster, a late-night disc jockey on WBT in Charlotte, North Carolina, a 50,000-watt station that reached across the East Coast, played Weems' 1938 version of "Heartaches". [3] Webster enjoyed the tune and entered it into his regular rotation, leading to listeners frequently requesting it and "Heartaches" gaining national attention. [9] To meet demand, Decca reissued the 1938 record (catalog number 25017), prompting Victor to reissue its 1933 version (catalog number 20-2175); both labels shared credit on the Billboard Best Selling Singles chart, where the song reached number 1 on March 15, 1947. [10] [11] Weems' "Heartaches" eventually sold over 2 million copies. [3]
Ted Weems, whose musical career had declined during his military service, revived his orchestra to capitalize on the success of "Heartaches". [12] He signed a new deal with Mercury Records and recruited his first manager, Howard Christensen. [12] Weems received artist royalties from the 1933 Victor recording, but not the 1938 Decca recording, having let his contract expire. He did, however, receive composer royalties for its B-side "Oh! Monah". [12] [13] In May 1947, Weems made front-page news when he publicly repaid his debt to Kurt Webster, the man who had revived "Heartaches" and thus Weems' career. Weems staged a benefit performance by his band on June 6, with all proceeds going to war veteran Webster. [14]
The success of Ted Weems' "Heartaches" prompted several other notable recordings in 1947. A version by Harry James and his Orchestra was released by Columbia Records as catalog number 37305. It first reached the Billboard magazine Best Seller chart on April 18, 1947, and lasted 3 weeks on the chart, peaking at number 8. [11] In the United Kingdom, a recording of "Heartaches" by Vera Lynn was the most successful and the song impacted the sheet music chart from July to October 1947, peaking at number 10. [15] The song features in the 1947 film of the same title. [16]
In January 1948, Billboard listed the Ted Weems version of "Heartaches" as 1947's third biggest-selling record in the United States, behind The Harmonicats' "Peg O' My Heart" and Francis Craig's "Near You". [17] Al Hoffman was listed as the year's top songwriter, having composed not only "Heartaches" but also "Chi-Baba, Chi-Baba", which had hit number 1 in June in a recording by Perry Como, formerly vocalist with Weems' orchestra. [18]
The song was revived by American doo-wop group the Marcels in 1961. The group recorded their version of "Heartaches" on September 1, 1961, and its release followed the success of their million-selling version of "Blue Moon". [19] [20] Although the Marcels' "Heartaches" single failed to match the number 1 position on the US singles charts achieved by "Blue Moon", [21] "Heartaches" reached the Top 10, peaking at number 7, as well as number 19 on the Hot R&B Sides chart. [22] In Canada it reached number 22. [23] The Marcels version appears in the film Popstar: Never Stop Never Stopping [24] and is sampled in the 2016 Lonely Island song "I'm So Humble," featuring Adam Levine. [25]
A parody rendition by the American musician and satirist Allan Sherman features on his successful 1963 album My Son, the Nut . Titled "Headaches", Sherman's version is musically based on the Ted Weems arrangement and is lyrically a humorous commentary on aspirin advertisements ("Headaches, headaches / Aspirin commercials give me headaches"). [26] The song features the voice of a child, credited as Tom Greenleigh, who interrupts with a comically unreasonable demand "Mommy! Can't you keep Daddy's car out of the driveway?". [27]
From 2016 to 2019, English electronic musician Leyland James Kirby, also known as the Caretaker, sampled the Al Bowlly, Seger Ellis, and Guy Lombardo recordings of "Heartaches" for his final project, Everywhere at the End of Time ; all three are used multiple times in the project and serve as one of its leitmotifs, with each subsequent appearance becoming more distorted and disfigured than the last, representing the gradual distortion and destruction of memory and other mental faculties brought about by dementia. The complete edition of the project achieved viral popularity in October 2020 on TikTok as an online challenge, receiving notability from renowned publications such as The New York Times . [28] [29] [30]
Wilfred Theodore Wemyes, known professionally as Ted Weems, was an American bandleader and musician. Weems's work in music was recognized with a star on the Hollywood Walk of Fame.
"Misty" is a jazz standard written and originally recorded in 1954 by pianist Erroll Garner. He composed it as an instrumental in the traditional 32-bar format, and recorded it on July 27, 1954 for the album Contrasts. Lyrics were added later by Johnny Burke. It appeared on Johnny Mathis' 1959 album Heavenly, and this recording reached number 12 on the U.S. Pop Singles chart later that year. It has since become Mathis’ signature song.
"You Are My Sunshine" is an American standard of old-time and country music and one of the official state songs of Louisiana. Its original writer is disputed. According to the performance rights organization BMI, by the year 2000 the song had been recorded by over 350 artists and translated into 30 languages.
"I Can't Tell a Waltz from a Tango" is a popular song, written by Al Hoffman and Dick Manning and published in 1954. The best-known version in the United States was recorded by Patti Page; the best-known version in the United Kingdom by Alma Cogan, both of which were recorded in 1954. The Pee Wee King Orchestra recorded the song, reviewed as a "right smooth job" in the same month as the Patti Page's charting of the song.
"My Happiness" is a pop music standard which was initially made famous in the mid-20th century. An unpublished version of the melody with different lyrics was written by Borney Bergantine in 1933.
"If (They Made Me a King)" is a popular song with music written by Tolchard Evans and the lyrics written by Robert Hargreaves and Stanley J. Damerell. The song was written in 1934, but the most popular versions were recorded in 1950–1951. Perry Como's version, recorded November 28, 1950, was a number-one hit on the Billboard charts for eight weeks. The Como version was released under the following labels and catalog numbers:
"Abraham, Martin and John" is a 1968 song written by Dick Holler. It was first recorded by Dion, in a version that was a substantial North American chart hit in 1968–1969. Near-simultaneous cover versions by Smokey Robinson and the Miracles and Moms Mabley also charted in the U.S. in 1969, and a version that same year by Marvin Gaye became the hit version in the UK. It was also a hit as part of a medley for Tom Clay in 1971, and has subsequently been recorded by many other artists. Holler was particularly impressed that Bob Dylan covered the song.
"Heartaches by the Number" is a popular country song written by Harlan Howard, and published in 1959. The sheet music was a best seller in both the US and Britain in January 1960.
"Deep in the Heart of Texas" is an American popular song about Texas.
"Remember (Walking in the Sand)", also known as "Remember", is a song written by George "Shadow" Morton. It originally was recorded by the girl group the Shangri-Las, who had a top five hit with it in 1964. A remake by Aerosmith in 1979 was a minor hit. There have been many other versions of the song as well.
"Since I Fell for You" is a blues ballad composed by Buddy Johnson in 1945 that was first popularized by his sister, Ella Johnson, with Buddy Johnson and His Orchestra.
"I Wonder Who's Kissing Her Now" is a popular song. The music was written by Harold Orlob, the lyrics by Will M. Hough and Frank R. Adams. Orlob worked for Joseph E. Howard generating songs for Howard's productions and Howard presented the song as his own work for several years. The song was published in 1909 and was first introduced in the 1909 musical The Prince of To-Night when it was performed by Henry Woodruff.
"Near You" is a popular song written and originally recorded by Francis Craig and His Orchestra at Castle Studio in 1947, with lyrics by Kermit Goell, which has become a pop standard.
"Don't Blame Me" is a popular song with music by Jimmy McHugh and lyrics by Dorothy Fields. The song was part of the 1932 show Clowns in Clover and was published in 1933. Popular versions that year were recorded by: Ethel Waters, Guy Lombardo, and Charles Agnew.
"That's My Desire" is a 1931 popular song with music by Helmy Kresa and lyrics by Carroll Loveday.
"Mona Lisa" is a popular song written by Ray Evans and Jay Livingston for the Paramount Pictures film Captain Carey, U.S.A. (1949), in which it was performed by Sergio de Karlo and a recurrent accordion motif. The title and lyrics refer to the renaissance portrait Mona Lisa painted by Leonardo da Vinci. The song won the Academy Award for Best Original Song in 1950.
"What You Won't Do for Love" is a song by American singer-songwriter Bobby Caldwell. It was released in September 1978 as the lead single from his eponymous debut album (1978). It was written by Caldwell and Alfons Kettner, and produced by Ann Holloway. The song has been covered and sampled numerous times, including by Tupac Shakur in the posthumous 1998 hit "Do for Love".
"Please Help Me, I'm Falling" is a 1960 song written by Don Robertson and Hal Blair and first recorded by Hank Locklin. The single was Locklin's most successful recording and was his second number one on the country charts. "Please Help Me, I'm Falling" spent 14 weeks at the top spot and spent nine months on the country chart and crossed over to the Hot 100 peaking at number eight.
William Elmo Tanner, known as Elmo Tanner was an American whistler, singer, bandleader and disc jockey, best known for his whistling on the chart-topping song “Heartaches” with the Ted Weems Orchestra. Tanner and Weems recorded the song for two record companies within five years. Neither recording was successful originally. The song became a hit for both record companies after a Charlotte, North Carolina, disk jockey played it at random in 1947.
Unforgettable – A Musical Tribute to Nat King Cole is a soundtrack album released in the UK in 1983 by the CBS Records division of Columbia in conjunction with the broadcast of American pop singer Johnny Mathis's BBC television concert special of the same name that featured Cole's daughter Natalie. The front of the original album jacket credits the concert performers as "Johnny Mathis and Natalie Cole", whereas the CD booklet reads, "Johnny Mathis with special guest Natalie Cole".