| "Let the Teardrops Fall" | ||||
|---|---|---|---|---|
 | ||||
| Single by Patsy Cline | ||||
| B-side | "Come on In" | |||
| Released | June 1, 1958 | |||
| Recorded | February 13, 1958 | |||
| Genre | ||||
| Length | 2:32 | |||
| Label | Decca | |||
| Songwriter(s) | Charles Jiles | |||
| Producer(s) | Owen Bradley | |||
| Patsy Cline singles chronology | ||||
| ||||
"Let the Teardrops Fall" is a song composed by Charles Jiles that was originally recorded by American country singer Patsy Cline. It was released as a single in 1958 via Decca Records.
In 1957, Patsy Cline had her first major hit with the country-pop crossover hit "Walkin' After Midnight." [2] However, her follow-up singles did not reach similar success. Signed to Four Star Records, Cline was given material to record by executives Paul Cohen and Bill McCall. Hoping they could score a follow-up hit single, the pair sent Cline into a recording session on February 13, 1958 where she recorded "Let the Teardrops Fall." [3] The song was composed by Charles Jiles. [4] Like her previous recordings, the session contained a mixture of traditional country, pop and rockabilly music. [2] The session was produced by Owen Bradley in Nashville, Tennessee. [3]
"Let the Teardrops Fall" was released as a single on June 1, 1958 on Decca Records. It was backed by the song "Come on In," a track Cline re-recorded during the same session in which she cut "Let the Teardrops Fall". [5] The song was unsuccessful following its release, as was future singles released in 1958. [6] The song received mixed reviews from writers and critics. Richie Unterberger of AllMusic reviewed a compilation of Cline's rock music cuts, which included "Let the Teardrops Fall." In his review, Unterberger found that Cline's style did not fit that of rock and roll: "It's not bad, but rockabilly was not Cline's forte -- she was much more at ease with ballads and midtempo numbers with a heavier pop/country feel. In comparison with '50s female rockabilly singers like Brenda Lee (who shared Cline's producer), Patsy comes off as rather stiff and inhibited." [1] Meanwhile, writer Thom Jurek named the tune an "album pick" in his review of the Cline box set titled The Patsy Cline Collection. [7]
7" vinyl single [4]
Patsy Cline was an American singer. She is considered one of the most influential vocalists of the 20th century and was one of the first country music artists to cross over into pop music. Cline had several major hits during her eight-year recording career, including two number-one hits on the Billboard Hot Country and Western Sides chart.
"Walkin' After Midnight" is a song written by Alan Block and Don Hecht and recorded by American country music artist Patsy Cline. The song was originally given to pop singer Kay Starr; however, her label rejected it. The song was left unused until Hecht rediscovered it when writing for Four Star Records. Originally Cline was not fond of "Walkin' After Midnight", but after making a compromise with her label she recorded it. However, the first released recording was by Lynn Howard with The Accents, released August 1956.
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"A Church, a Courtroom, Then Goodbye" is a song by American country music singer Patsy Cline. It was composed by Eddie Miller and W.S. Stevenson. It was released as Cline's debut single in July 1955 via Coral Records.
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"Today, Tomorrow and Forever" is a song by American country music singer Patsy Cline. It was released as a single in 1957 via Decca Records and was composed by Don Reid. It was the follow-up release to Cline's major hit of 1957, "Walkin' After Midnight." However, "Today, Tomorrow and Forever" was not successful.
"Three Cigarettes in an Ashtray" is a song by American country music singer Patsy Cline. It was released as a single in 1957 via Decca Records. It was composed by Eddie Miller and W.S. Stevenson. Released on the heels of Cline's first hit "Walkin' After Midnight," the song was not successful but received positive reviews from critics and journalists.
"Then You'll Know" is a song by American country music singer Patsy Cline. It was composed by Bobby Lile and released as a single in 1957 via Decca Records. The song was the third single released from Cline's self-titled debut album. Although not a successful single, it was received positively by critics and writers.
"I Can See an Angel" is a song written by Kay Adelman that was first recorded by American country singer Patsy Cline. It was released as a single in 1958 via Decca Records and was produced by Owen Bradley. The song was among several singles Cline released with the Decca label during the late 1950s which did not chart any major music publications.
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"Dear God" is a song first recorded by American country singer Patsy Cline. It was composed by V.F. Stewart. It was released as a single in late 1958 via Decca Records and was produced by Owen Bradley. It was among a handful of singles released on the Decca label that were unsuccessful for Cline following a major hit in 1957.
"Cry Not for Me" is a song first recorded by American country singer Patsy Cline. It was composed by Don Hecht and Jack Moon. It was released as a single in early 1959 via Decca Records and was produced by Owen Bradley. It was among a handful of singles released on the Decca label that were unsuccessful for Cline following a major hit in 1957.
"Gotta Lot of Rhythm in My Soul" is a song first recorded by American country singer Patsy Cline. It was composed by W.S. Stevenson and Barbara Vaughan. It was released as a single in 1959 via Decca Records and was produced by Owen Bradley. It was among a handful of singles released on the Decca label that were unsuccessful for Cline following a major hit in 1957.
"Crazy Dreams" is a song first recorded by American country singer Patsy Cline. It was composed by Charles Beam, Charles L. Jiles and W.S. Stevenson. It was released as a single in 1960 and was produced by Owen Bradley. It was the last single released on Cline's contract with Four Star Records, which terminated in 1960.