| It Might as Well Be Swing | ||||
|---|---|---|---|---|
| | ||||
| Studio album by | ||||
| Released | August 1964 (LP) October 1986 (CD) | |||
| Recorded | June 9–12, 1964, Hollywood, Los Angeles, California | |||
| Genre | Vocal jazz, traditional pop | |||
| Length | 27:22 | |||
| Label | Reprise FS 1012 | |||
| Producer | Sonny Burke | |||
| Frank Sinatra chronology | ||||
| ||||
| Count Basie chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic | |
| Record Mirror | |
| The Rolling Stone Jazz Record Guide | |
It Might as Well Be Swing is a 1964 studio album by Frank Sinatra, accompanied by Count Basie and his orchestra. It was Sinatra's first studio recording arranged by Quincy Jones.
The recording of "Fly Me to the Moon" which appears on this album has become one of Sinatra's most popular. This was Sinatra and Basie's second collaboration after 1962's Sinatra-Basie . [1] Sinatra's cover version of "Hello, Dolly!" on the album features a new second verse improvised by Sinatra, which pays tribute to Louis Armstrong, [4] who had topped the Billboard charts with his own version of the song earlier in 1964. [5] Whilst "Wives and Lovers" was in 3
4 time, the performance in the album was in 4
4 time; according to Bacharach, the record's producer Quincy Jones said "the Basie band can't play in 3
4." [6] It Might as Well Be Swing is a reference to the title of the well known jazz standard "It Might as Well Be Spring".
The album debuted on Billboard magazine's Top LP's chart in the issue dated August 22, 1964, peaking at No. 13 during a thirty-one-week run on the chart. [7] It debuted on Cashbox magazine's Top Albums chart in the issue dated August 15, 1964, peaking at No. 13 on the Top Monoraul Albums chart during a nineteen-week run on it. The album reached No. 15 on the Top Stereo Albums chart during the same-week run on it. [8] In the UK the album reached a lower position of No. 17. [9]
The initial Record World magazine review stated that "Frank and Count Basie make a stunning combination", continuing "and along with Quincy Jones arrangements, they can't be bettered. The sound is brassy and upbeat." [4] The Record Mirror review stated that Sinatra is "better than ever on this Quincy Jones-arranged set, with his work on "Can't Stop Loving You" just about the last word in intelligent interpretation," noting "This swings for every groove of the way. So does the whole album." [2]
The retrospective by review Stephen Thomas Erlewine on AllMusic stated that "It Might as Well Be Swing, was a more structured, swing-oriented set than Sinatra-Basie , and in many ways the superior album." He also said that "Both Basie and Sinatra manage to play with the melodies and the beat, even though the album never loses sight of its purpose as a swing album. However, what makes It Might as Well Be Swing more successful is the consistently high level of the performances." [1]
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Fly Me to the Moon (In Other Words)" | Bart Howard | 2:30 |
| 2. | "I Wish You Love" | Léo Chauliac, Charles Trenet, Albert Beach | 2:56 |
| 3. | "I Believe in You" | Frank Loesser | 2:21 |
| 4. | "More (Theme from Mondo Cane)" | Riz Ortolani, Nino Oliviero, Marcello Ciorciolini, Norman Newell | 3:05 |
| 5. | "I Can't Stop Loving You" | Don Gibson | 3:00 |
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 6. | "Hello, Dolly!" | Jerry Herman | 2:45 |
| 7. | "I Wanna Be Around" | Johnny Mercer, Sadie Vimmerstedt | 2:25 |
| 8. | "The Best Is Yet to Come" | Cy Coleman, Carolyn Leigh | 3:10 |
| 9. | "The Good Life" | Sacha Distel, Jack Reardon | 2:30 |
| 10. | "Wives and Lovers" | Burt Bacharach, Hal David | 2:50 |
| Total length: | 27:22 | ||
Additional musicians
Production
| Chart (1964) | Peak position |
|---|---|
| UK Record Retailer Top Albums [9] | 17 |
| US Billboard Top LPs [7] | 13 |
| US Cashbox Top Albums [8] | 13 |
It was the same thing with Sinatra and the Count Basie band, with Quincy Jones producing. They did Wives and Lovers, which is in 3/4 time, but they did it in 4/4. I said, "Quincy, what happened?" He said: "The Basie band can't play in 3/4."