Happy Tiger Records | |
---|---|
Parent company | Flying Tigers |
Founded | 1969 |
Defunct | 1990 |
Status | Defunct |
Distributor(s) | Era Records |
Genre | Pop, rock, country, jazz |
Country of origin | U.S. |
Location | Century City, Los Angeles, California |
Happy Tiger Records was an independent American record label that was owned by the Flying Tiger Line air freight company. [1] [2] Happy Tiger operated from 1969 to 1971. During this time the label produced more than two dozen albums by Count Basie, Mason Proffit, Red Rhodes, Priscilla Paris, Paul Kelly, and the Anita Kerr Singers. The label released two albums by the post-Van Morrison Them band. [3]
Happy Tiger's offices were located at 1801 Avenue of the Stars in Century City, Los Angeles, California. The staff included engineer and producer Ray Ruff, who had previously worked for ABC-Paramount Records. [2] During its short existence Happy Tiger issued twenty-seven albums and more than eighty singles, all distributed by Era Records. [4] The label also issued eight albums of oldies under the joint Happy Tiger/Era label, including works by Phil Baugh, Dorsey Burnette and some early Beach Boys recordings. [3] They also recorded singles by such veteran performers as Kay Starr, Roberta Sherwood and Joanie Sommers. [5] By the end of October 1971, Happy Tiger's national promo chief, Dave Chackler had left to join up to Ray Ruff's record label Oak as its vice-president and man in charge of promotion merchandising. [6] Happy Tiger's final album in 1971 was Mason Proffit's Movin' Toward Happiness. The label's final single in 1972 was Richard Berry performing a song he had written and that the Kingsmen had made famous in 1963, "Louie Louie." [7] After Happy Tiger folded, Warner Bros. Records reissued Paul Kelly's Stealin' in the Name of the Lord in 1972, retitled Dirt. Warner also reissued the two Mason Proffit albums as a double LP, Come and Gone, in 1974.
Year | Artist | Title | Number | Chart | Peak |
1969 | Buddy Bohn | Places | HTR-1001 | ||
Priscilla Paris | Priscilla Loves Billy | HTR-1002 | |||
Red Rhodes and The Detours | Red Rhodes Live at the Palamino | HTR-1003 | |||
Them | Them | HTR-1004 | |||
Dan Terry | Lonely Place | HTR-1005 | |||
1970 | The Kimberlys | Kimberlys | HTR-1006 | ||
Count Basie | Basie on the Beatles | HTR-1007 | |||
Ecology | Environment/Evolution/Ecology | HTR-1008 | |||
Mason Proffit | Wanted | HTR-1009 | |||
Aorta | Aorta 2 | HTR-1010 | |||
1971 | Hal Rugg | Hal Rugg Steels the Hits of Loretta Lynn | HTR-1011 | ||
Them | Them in Reality | HTR-1012 | |||
The Kimberlys | New Horizon | HTR-1014 | |||
Paul Kelly | Stealin' in the Name of the Lord | HTR-1015 | Billboard Pop Singles | 49 | |
Anita Kerr Singers | A Tribute to Simon and Garfunkel | HTR-1016 | |||
Various | Early Chicago, Volume 1 | HTR-1017 | |||
Buffalo Nickel Jug Band | Buffalo Nickel Jug Band | HTR-1018 | |||
Mason Proffit | Movin' Toward Happiness | HTR-1019 | Billboard Pop Albums | 177 |
Buddah Records was an American record label founded in 1967 in New York City. The label was born out of Kama Sutra Records, an MGM Records-distributed label, which remained a key imprint following Buddah's founding. Buddah handled a variety of music genres, including bubblegum pop, folk rock (Melanie), experimental music, and soul.
Dunwich Records was an independent American record label started by Bill Traut, Eddie Higgins and George Badonsky in Chicago in 1965. Dunwich was also a production company which licensed recordings to other labels, including Atlantic, Atco, Columbia, Mercury and SGC. The label was primarily known for the release of singles from the emerging Chicago rock scene in the 1960s. Only two artists, the Shadows of Knight and Amanda Ambrose, released albums on the label.
Janus Records was a record label owned by GRT Records, also known as General Recorded Tape. The label was in operation from 1969 to 1979.
"Oh, What a Beautiful Mornin'" is the opening song from the musical Oklahoma!, which premiered on Broadway in 1943. It was written by composer Richard Rodgers and lyricist/librettist Oscar Hammerstein II. The leading male character in Oklahoma!, Curly McLain, sings the song at the beginning of the first scene of the musical. The refrain runs: "Oh, what a beautiful mornin'! / Oh, what a beautiful day! / I've got a beautiful feelin' / Ev'rythin's goin' my way." Curly's "brimming optimism is perfectly captured by Rodgers' ebullient music and Hammerstein's buoyant pastoral lyrics."
Mason Proffit was an American country rock band from Indianapolis, Indiana, that released five albums between 1969 and 1973. They are known for their song "Two Hangmen", which garnered a significant amount of Album Oriented Rock airplay.
Bob Florence was an American pianist, composer, arranger, and big band leader.
"I'm Beginning to See the Light" is a popular song and jazz standard, with music written by Duke Ellington, Johnny Hodges, and Harry James and lyrics by Don George and published in 1944.
Emil Richards was an American vibraphonist and percussionist.
David Cavanaugh, also known as Dave Cavanaugh or occasionally Big Dave Cavanaugh, was an American composer, arranger, musician and producer.
Joanie Sommers is an American singer and actress with a career concentrating on jazz, standards and popular material and show-business credits. Once billed as "The Voice of the Sixties", and associated with top-notch arrangers, songwriters and producers, Sommers' popular reputation became closely tied to her biggest, yet most uncharacteristic, hit song, "Johnny Get Angry".
Era Records was an independent American record label located in Hollywood, California.
Peter Christlieb is an American musician, playing tenor saxophone in the styles of jazz bebop, West Coast jazz, hard bop and pop music.
David Spinozza is an American guitarist and producer. He worked with former Beatles Paul McCartney, Ringo Starr and John Lennon during the 1970s, and had a long collaboration with singer-songwriter James Taylor, producing Taylor's album Walking Man.
Atlantic Studios is the recording studio network of Atlantic Records. Although the historic recording studio was located at 1841 Broadway, in New York City, Atlantic Recording Studios was initially located at 234 West 56th Street from November 1947 until mid-1956. When the Shorty Rogers and His Giants disc of 33.33 rpm called Martians Come Back! was issued in August 1956, the address of Atlantic Recording Studios had relocated to 157 W 57th Street. The studio was the first to record in stereo due to the efforts of Tom Dowd. The new Atlantic Studios includes a network of label-operated studios spanning New York, Atlanta, and California.
Truth of Truths - a Contemporary Rock Opera is a 1971 two-disc Christian rock album, which was largely conceived by promoter/producer Ray Ruff. The album is arranged as a rock opera based on significant events in the Christian Bible, with the first two sides pertaining to the Old Testament and two to the New Testament. The album has a black cover with a white title and a gold Star of David and Cross. It comes with a 17-page booklet with lyrics and biblical references for each of the songs.
Ramon Daniel Pennington was an American country music singer, songwriter, and record producer. He is known for writing the song "I'm a Ramblin' Man", and for founding the independent Step One Records label.
How About This is an album by vocalist Kay Starr and pianist and bandleader Count Basie, released in 1969 by the Paramount Records label.
Basie on the Beatles is an album by pianist and bandleader Count Basie featuring performances recorded in late 1969 and released on the short-lived Happy Tiger label. It was Basie's second album of Beatles' compositions following 1966's Basie's Beatle Bag and featured liner notes by Ringo Starr.
Oak Records is an independent record label that has released recordings by Ernie Freeman, Doug Gibbs, Five Flights Up, James Talley, Stephanie Winslow, and Dwight Yoakam. It has been releasing recordings since the 1970s.
"I'll Never Be Free" is a song written by Bennie Benjamin and George Weiss and performed by Kay Starr and Tennessee Ernie Ford. It reached #2 on the U.S. country chart and #3 on the U.S. pop chart in 1950.