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| Satch and Josh...Again | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | 1978 | |||
| Recorded | September 22, 1977 | |||
| Genre | Jazz | |||
| Length | 39:15 | |||
| Label | Pablo | |||
| Producer | Norman Granz | |||
| Count Basie, Oscar Peterson chronology | ||||
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Satch and Josh...Again is a 1978 album by Oscar Peterson and Count Basie.
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [1] |
| The Rolling Stone Jazz Record Guide | [2] |
The Bay State Banner wrote that "Oscar certainly is one of piano's most accomplished masters, and he smoothly modifies his usually intricate lines to merge with the Count's sparse and relaxed tempos." [3]
Recorded September 22, 1977, Group IV Recording Studios, Hollywood, Los Angeles, California:
Oscar Emmanuel Peterson was a Canadian jazz pianist and composer. Considered a virtuoso and one of the greatest jazz pianists of all time, Peterson released more than 200 recordings, won eight Grammy Awards, as well as a lifetime achievement award from the Recording Academy, and received numerous other awards and honours. He played thousands of concerts worldwide in a career lasting more than 60 years. He was called the "Maharaja of the keyboard" by Duke Ellington, simply "O.P." by his friends, and informally in the jazz community, "the King of inside swing".
William James "Count" Basie was an American jazz pianist, organist, bandleader, and composer. In 1935, he formed the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two "split" tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, his minimalist piano style, and others.
Harry "Sweets" Edison was an American jazz trumpeter and a member of the Count Basie Orchestra. His most important contribution was as a Hollywood studio musician, whose muted trumpet can be heard backing singers, most notably Frank Sinatra.
Jazz at Santa Monica '72 is a 1972 live album by the American jazz singer Ella Fitzgerald, recorded at the Santa Monica Civic Auditorium accompanied by a jazz trio led by the pianist Tommy Flanagan, and the Count Basie Orchestra.
Discography for jazz double-bassist and cellist Ray Brown.
Coleman Hawkins Encounters Ben Webster is a studio album recorded on October 16, 1957, by Coleman Hawkins and Ben Webster, accompanied by a rhythm section led by Oscar Peterson.
Night Rider is an album by Oscar Peterson and Count Basie.
Count Basie Meets Oscar Peterson – The Timekeepers is a 1983 album by Oscar Peterson and Count Basie. It was recorded on February 21-22, 1978.
Satch and Josh is a 1974 album by Oscar Peterson and Count Basie.
Yessir, That's My Baby is an album by Oscar Peterson and Count Basie.
Oscar Peterson and Jon Faddis is a 1975 studio album by Oscar Peterson, featuring Jon Faddis.
Oscar Peterson Plays Count Basie is a 1956 album by Oscar Peterson, of music associated with Count Basie.
The History of an Artist, Vol. 1 is a 1974 studio album by Oscar Peterson, the first of two albums so titled to provide a retrospective of his career.
Basie & Zoot is a studio album by the jazz pianist Count Basie and the saxophonist Zoot Sims, released in 1976 by Pablo Records. It was recorded on April 9, 1975, during a session organized by Norman Granz, the head of the label. Granz decided against using the Count Basie Orchestra, instead inviting Sims, who played with Basie a few years prior.
Kansas City Shout is a 1980 studio album by Count Basie and his orchestra with singer Big Joe Turner and saxophonist/vocalist Eddie "Cleanhead" Vinson.
"Moten Swing" is a 1932 jazz standard by Bennie Moten and his Kansas City Orchestra. It was an important jazz standard in the move towards a freer form of orchestral jazz and the development of Swing music. Moten and his Orchestra, which included Count Basie on piano, achieved much success with it, although the song is most associated with Basie's Count Basie Orchestra, who recorded it in 1940.
John William Heard was an American bass player and artist. His recording credits include albums with Pharoah Sanders, George Duke, Oscar Peterson, Count Basie, Zoot Sims, Ahmad Jamal, Frank Morgan, George Cables. His professional jazz performance career lasted from the 1960s to the early 2010s, during which he also worked as a visual artist, producing drawings, paintings, and sculptures.
Broadway Basie's...Way is an album by pianist and bandleader Count Basie and His Orchestra featuring performances of Broadway musical songs recorded in 1966 and released on the Command label.
Basie Jazz is an album by pianist/bandleader Count Basie recorded in 1952 and released on the Clef label in 1954. Selections from this album were also released on the 1956 Clef LPs The Swinging Count! and Basie Rides Again!.
Pres and Sweets is an album by American jazz saxophonist Lester Young and trumpeter Harry Edison recorded in 1955 and originally released on the Norgran label.
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