Satch and Josh...Again | ||||
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Studio album by | ||||
Released | 1978 | |||
Recorded | September 22, 1977 | |||
Genre | Jazz | |||
Length | 39:15 | |||
Label | Pablo | |||
Producer | Norman Granz | |||
Count Basie, Oscar Peterson chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
The Rolling Stone Jazz Record Guide | [2] |
Satch and Josh...Again is a 1977 album by Oscar Peterson and Count Basie.
Recorded September 22, 1977, Group IV Recording Studios, Hollywood, Los Angeles, California:
William James "Count" Basie was an American jazz pianist, organist, bandleader, and composer. In 1935, he formed the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two "split" tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, and others. Many musicians came to prominence under his direction, including the tenor saxophonists Lester Young and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Harry "Sweets" Edison, plunger trombonist Al Grey, and singers Jimmy Rushing, Helen Humes, Thelma Carpenter, and Joe Williams.
Night Train is an album by the Oscar Peterson Trio, released in 1963 by Verve Records.
Jazz at Santa Monica '72 is a 1972 live album by the American jazz singer Ella Fitzgerald, recorded at the Santa Monica Civic Auditorium accompanied by a jazz trio led by the pianist Tommy Flanagan, and the Count Basie Orchestra.
Discography for jazz double-bassist and cellist Ray Brown.
Night Rider is a 1978 album by Oscar Peterson and Count Basie.
Count Basie Meets Oscar Peterson – The Timekeepers is a 1978 album by Oscar Peterson and Count Basie.
Satch and Josh is a 1974 album by Oscar Peterson and Count Basie.
Yessir, That's My Baby is a 1978 album by Oscar Peterson and Count Basie.
Oscar Peterson and Jon Faddis is a 1975 studio album by Oscar Peterson, featuring Jon Faddis.
Basie Straight Ahead is an album recorded at TTG Studios, Hollywood, California in October 1968 featuring Count Basie and his orchestra. This album marked the first collaboration between Basie and his long-time orchestrator, Sammy Nestico, who composed, arranged and conducted all of the songs on the record. The engineers were Ami Hadani and Thorne Nogar, and the producers were Tom Mack and Teddy Reig. The disc was issued in 1968 on Dot label and on English EMI.
The Personal Touch is a 1980 studio album by Oscar Peterson, featuring songs written by or made popular by Canadians.
Oscar Peterson Plays Count Basie is a 1956 album by Oscar Peterson, of music associated with Count Basie.
The History of an Artist, Vol. 1 is a 1972 studio album by Oscar Peterson, the first of two albums so titled to provide a retrospective of his career.
Basie Jam: Montreux '77 is a 1977 live album by Count Basie, recorded at the 1977 Montreux Jazz Festival.
"Moten Swing" is a 1932 jazz standard by Bennie Moten and his Kansas City Orchestra. It was an important jazz standard in the move towards a freer form of orchestral jazz and the development of Swing music. Moten and his Orchestra, which included Count Basie on piano, achieved much success with it, although the song is most associated with Basie's Count Basie Orchestra, who recorded it in 1940.
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Broadway Basie's...Way is an album by pianist and bandleader Count Basie and His Orchestra featuring performances of Broadway musical songs recorded in 1966 and released on the Command label.
Basie Jazz is an album by pianist/bandleader Count Basie recorded in 1952 and released on the Clef label in 1954. Selections from this album were also released on the 1956 Clef LPs The Swinging Count! and Basie Rides Again!.
Basie Rides Again! is an album by pianist/bandleader Count Basie recorded in 1952 and originally released on the Clef label in 1956. Selections from this album were previously released on the 1954 Clef LP Basie Jazz.
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