Ella and Louis | ||||
---|---|---|---|---|
Studio album by | ||||
Released | October 1956 [1] [2] [3] | |||
Recorded | 16 August 1956 | |||
Studio | Capitol (Hollywood) | |||
Genre | Jazz | |||
Length | 54:06 | |||
Label | Verve MGV 4003 Polygram 825 373-2 (1989) | |||
Producer | Norman Granz | |||
Ella Fitzgerald chronology | ||||
| ||||
Louis Armstrong chronology | ||||
|
Ella and Louis is a studio album by Ella Fitzgerald and Louis Armstrong, accompanied by the Oscar Peterson Quartet, released in October 1956. [1] [2] [3] [4] Having previously collaborated in the late 1940s for the Decca label, this was the first of three albums that Fitzgerald and Armstrong were to record together for Verve Records, later followed by 1957's Ella and Louis Again and 1959's Porgy and Bess .
Norman Granz, the founder of the Verve label, selected eleven ballads for Fitzgerald and Armstrong, mainly played in a slow or moderate tempo. Recording began 16 August 1956, at the new Capitol Studios in Hollywood. Though Granz produced the album, Armstrong was given final say over songs and keys. [5]
The success of Ella and Louis was replicated by Ella and Louis Again and Porgy and Bess . All three were released as The Complete Ella Fitzgerald & Louis Armstrong on Verve . Verve also released the album as one of the first ones in SACD.
Review scores | |
---|---|
Source | Rating |
AllMusic | [6] |
The Encyclopedia of Popular Music | [7] |
The Penguin Guide to Jazz Recordings | [8] |
The Rolling Stone Jazz Record Guide | [9] |
AllMusic's Scott Yanow wrote, "Ella Fitzgerald and Louis Armstrong make for a charming team on this CD… This is primarily a vocal set with the emphasis on tasteful renditions of ballads." [6] Jasen and Jones called the set a "pinnacle of popular singing". [10] The Penguin Guide to Jazz , compiled by Richard Cook and Brian Morton, says that while the approaches of Armstrong and Fitzgerald may not have been entirely compatible, the results are "hard to resist", and awards the album three and a half stars. [8]
In 2000 it was voted number 636 in Colin Larkin's All Time Top 1000 Albums . [11]
Björk chose the album as one of her favourites in a 1993 Q feature. "I love the way Ella and Louis work together," she remarked. "They were opposites in how they sung, but were still completely functional together, and respectful of each other."
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Can't We Be Friends?" | Paul James, Kay Swift | 3:47 |
2. | "Isn't This a Lovely Day?" | Irving Berlin | 6:16 |
3. | "Moonlight in Vermont" | John Blackburn, Karl Suessdorf | 3:42 |
4. | "They Can't Take That Away from Me" | Ira Gershwin, George Gershwin | 4:39 |
5. | "Under a Blanket of Blue" | Jerry Livingston, Al J. Neiburg, Marty Symes | 4:18 |
6. | "Tenderly" | Walter Gross, Jack Lawrence | 5:10 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "A Foggy Day" | Ira Gershwin, George Gershwin | 4:32 |
2. | "Stars Fell on Alabama" | Mitchell Parish, Frank Perkins | 3:34 |
3. | "Cheek to Cheek" | Irving Berlin | 5:53 |
4. | "The Nearness of You" | Hoagy Carmichael, Ned Washington | 5:42 |
5. | "April in Paris" | Vernon Duke, Yip Harburg | 6:33 |
Chart (2022) | Peak position |
---|---|
German Albums (Offizielle Top 100) [12] | 66 |
Norman Granz was an American jazz record producer and concert promoter. He founded the record labels Clef, Norgran, Down Home, Verve, and Pablo. Granz was acknowledged as "the most successful impresario in the history of jazz". He was also a champion of racial equality, insisting, for example, on integrating audiences at concerts he promoted.
Porgy and Bess is a studio album by jazz vocalist and trumpeter Louis Armstrong and singer Ella Fitzgerald, released on Verve Records in 1959. The third and final of the pair's albums for the label, it is a suite of selections from the George Gershwin opera Porgy and Bess. Orchestral arrangements are by Russell Garcia, who had previously arranged the 1956 jazz vocal recording The Complete Porgy and Bess.
Ella at Duke's Place is a 1965 studio album by Ella Fitzgerald and Duke Ellington, accompanied by his Orchestra. While it was the second studio album made by Fitzgerald and Ellington, following the 1957 song book recording, a live double album Ella and Duke at the Cote D'Azur was recorded in 1966. Ella at Duke’s Place was nominated for Best Female Pop Vocal Performance at the 1967 Grammy Awards.
At the Opera House is a 1958 live album by Ella Fitzgerald. The album presents a recording of the 1957 Jazz at the Philharmonic Concerts. This series of live jazz concerts was devised by Fitzgerald's manager Norman Granz; they ran from 1944 to 1983. Featured on this occasion, in 1957, are Fitzgerald and the leading jazz players of the day in an onstage jam session. The first half of the 1990 CD edition includes a performance that was recorded on September 29, 1957, at the Chicago Opera House, whilst the second half highlights the concert recorded on October 7, 1957, at the Shrine Auditorium, in Los Angeles. The original LP obviously included only the mono tracks (#10-18).
Like Someone in Love is a 1957 studio album by the American jazz singer Ella Fitzgerald, with a studio orchestra arranged and conducted by Frank DeVol. This album represents a fine example of Ella's singing from this period, recorded at the same time as her albums with Louis Armstrong.
Ella Swings Brightly with Nelson is a 1962 studio album by the American jazz singer Ella Fitzgerald, accompanied by an orchestra arranged by Nelson Riddle.
Ella Returns to Berlin is a 1961 live album by Ella Fitzgerald, with a trio led by the pianist Lou Levy, and also featuring the Oscar Peterson trio.
Ella Fitzgerald Sings Songs from the Soundtrack of "Let No Man Write My Epitaph" is a 1960 album by the American jazz singer Ella Fitzgerald, accompanied by the pianist Paul Smith. Let No Man Write My Epitaph was a 1960 Hollywood crime drama film featuring Fitzgerald.
Ella in Rome: The Birthday Concert is a live album by Ella Fitzgerald, with a jazz trio led by Lou Levy, and also featuring the Oscar Peterson trio. Recorded in 1958, it was released thirty years later.
A Perfect Match is a 1979 live album by the American jazz singer Ella Fitzgerald, accompanied by the Count Basie Orchestra, and featuring Count Basie himself on the last track.
Fitzgerald and Pass...Again is a 1976 studio album by Ella Fitzgerald, accompanied by jazz guitarist Joe Pass, the second of four duet albums they recorded together after Take Love Easy (1973).
Ella Fitzgerald Sings the Cole Porter Song Book is a 1956 studio double album by American jazz singer Ella Fitzgerald, accompanied by a studio orchestra conducted and arranged by Buddy Bregman, focusing on the songs of Cole Porter.
Ella Fitzgerald Sings the Rodgers and Hart Song Book is a 1956 studio album by the American jazz singer Ella Fitzgerald, with a studio orchestra conducted and arranged by Buddy Bregman, focusing on the songs written by Richard Rodgers and Lorenz Hart.
Ella Fitzgerald Sings the George and Ira Gershwin Song Book is a box set by American jazz singer Ella Fitzgerald that contains songs by George and Ira Gershwin with arrangements by Nelson Riddle. It was produced by Norman Granz, Fitzgerald's manager and the founder of Verve Records. Fifty-nine songs were recorded in the span of eight months in 1959. It is one of the eight album releases comprising what is possibly Fitzgerald's greatest musical legacy: Ella Fitzgerald Sings The Complete American Songbook, in which she recorded, with top arrangers and musicians, a comprehensive collection of both well-known and obscure songs from the Great American Songbook canon, written by the likes of Cole Porter, Rodgers & Hart, Irving Berlin, Duke Ellington, George and Ira Gershwin, Harold Arlen, Jerome Kern, and Johnny Mercer.
Ella and Louis Again is a studio album by Ella Fitzgerald and Louis Armstrong, released in 1957 on Verve Records. It is the sequel to their 1956 album, Ella and Louis. In contrast to their previous collaboration, this album features seven solo vocal tracks by either Armstrong or Fitzgerald amongst its dozen duet tracks. It was reissued as part of a two-compact disc set in 1995, and in The Complete Ella Fitzgerald & Louis Armstrong on Verve in 1997. It was recorded at Radio Recorders and Capitol Studios, Hollywood.
The Complete Ella Fitzgerald & Louis Armstrong on Verve is a compilation album released on Verve Records in 1997. It comprises three compact discs containing the three studio albums made for the label by Ella Fitzgerald and Louis Armstrong, released during 1956 through 1958.
Taft Jordan was an American jazz trumpeter.
Porgy and Bess is a 1976 album by pianist Oscar Peterson and guitarist Joe Pass featuring music from George Gershwin's opera Porgy and Bess. This is the only album on which Peterson plays the clavichord.
Louis Armstrong Meets Oscar Peterson is a 1959 studio album by Louis Armstrong, accompanied by Oscar Peterson.
The collaborations between Ella Fitzgerald and Louis Armstrong have attracted much attention over the years. The artists were both widely known icons not just in the areas of big band, jazz, and swing music but across 20th century popular music in general. The two African-American musicians produced three official releases together in Ella and Louis (1956), Ella and Louis Again (1957), and Porgy and Bess (1959). Each release earned both commercial and critical success. As well, tracks related to those albums have also appeared in various forms in multi-artist collections and other such records.