James Francis Dorsey was an American jazz clarinetist, saxophonist, composer and big band leader. He recorded and composed the jazz and pop standards "I'm Glad There Is You " and "It's The Dreamer In Me". His other major recordings were "Tailspin", "John Silver", "So Many Times", "Amapola", "Brazil ", "Pennies from Heaven" with Bing Crosby, Louis Armstrong, and Frances Langford, "Grand Central Getaway", and "So Rare". He played clarinet on the seminal jazz standards "Singin' the Blues" in 1927 and the original 1930 recording of "Georgia on My Mind", which were inducted into the Grammy Hall of Fame.
Eugene Bertram Krupa was an American jazz drummer, bandleader, and composer. Krupa is widely regarded as one of the most influential drummers in the history of popular music. His drum solo on Benny Goodman's 1937 recording of "Sing, Sing, Sing" elevated the role of the drummer from that of an accompanist to that of an important solo voice in the band.
Ben Pollack was an American drummer and bandleader from the mid-1920s through the swing era. His eye for talent led him to employ musicians such as Benny Goodman, Jack Teagarden, Glenn Miller, Jimmy McPartland, and Harry James. This ability earned him the nickname the "Father of Swing".
"Sweet Georgia Brown" is a jazz standard composed in 1925 by Ben Bernie and Maceo Pinkard, with lyrics by Kenneth Casey.
"Memories of You" is a popular song about nostalgia with lyrics written by Andy Razaf and music composed by Eubie Blake and published in 1930.
"Gone with the Wind" is a popular song that's become a jazz standard. The music was written by Allie Wrubel, the lyrics by Herb Magidson and was published in 1937. A version recorded by Horace Heidt and his Brigadiers was a No. 1 song in 1937.
"All of Me" is a popular song and jazz standard written by Gerald Marks and Seymour Simons in 1931.
"The Nearness of You" is a popular song written in 1937 by Hoagy Carmichael with lyrics by Ned Washington. Intended for an unproduced Paramount film titled Romance In The Rough, the studio's publishing division Famous Music reregistered and published the song in 1940. It was first recorded by Chick Bullock and his Orchestra on Vocalion. Despite numerous accounts to the contrary, the song was never scheduled for and does not appear in the 1938 Paramount film Romance in the Dark.
"Basin Street Blues" is a song often performed by Dixieland jazz bands, written by Spencer Williams in 1928 and recorded that year by Louis Armstrong. The verse with the lyric "Won't you come along with me / To the Mississippi..." was later added by Glenn Miller and Jack Teagarden.
"Perdido" is a jazz standard composed by Juan Tizol, a longtime member of Duke Ellington's orchestra. It was first recorded for radio transcription on December 3, 1941, by Duke Ellington. The Duke Ellington Orchestra recorded it again, this time for Victor, on January 21, 1942. In 1944, Ervin Drake and Hans Lengsfelder were hired to write lyrics for the song.
"Mean to Me" is a popular song with music by Fred E. Ahlert and lyrics by Roy Turk, published in 1929. Hit versions that year were by Ruth Etting and by Helen Morgan. Ben Bernie and the Hotel Roosevelt Orchestra also recorded what might be the first male version in February 1929 with vocals by Scrappy Albert.
"In a Mellow Tone", also known as "In a Mellotone", is a 1939 jazz standard composed by Duke Ellington, with lyrics written by Milt Gabler. The song was based on the 1917 standard "Rose Room" by Art Hickman and Harry Williams, which Ellington himself had recorded in 1932. Howard Stern used a recording of this song as the opening theme to The Howard Stern Show from 1987 to 1994.
Ben Perowsky is an American drummer, percussionist, composer, and music producer. He is the drummer on stage in the 8 TONY award winning Broadway musical Hadestown. Perowsky leads the Ben Perowsky Trio, Moodswing Orchestra and Upstream Trio with Chris Speed and John Medeski. He is a founding member of the electric jazz group Lost Tribe. A prolific sideman, Perowsky has performed with Roy Ayers, John Scofield, The Lounge Lizards, Joan As Police Woman, Elysian Fields, Darryl Jenifer, Uri Caine, Dave Douglas, Mike Stern, Bob Berg, Walter Becker, Steven Bernstein., and John Zorn.
"Just Friends" is a popular song that has become a jazz standard. The song was written in 1931 by John Klenner with lyrics by Sam M. Lewis. Although introduced by Red McKenzie and His Orchestra in October 1931, it first became a hit when singer Russ Columbo performed it with Leonard Joy’s Orchestra in 1932. It charted again the same year in a version by Ben Selvin and His Orchestra and has been recorded often since.
"I Surrender Dear" is a song composed by Harry Barris with lyrics by Gordon Clifford, first performed by Gus Arnheim and His Cocoanut Grove Orchestra with Bing Crosby in 1931, which became his first solo hit. This is the song that caught the attention of William Paley, president of CBS, who signed him for $600 a week in the fall of 1931.
"Avalon" is a 1920 popular song written by Al Jolson, Buddy DeSylva and Vincent Rose referencing Avalon, California. It was introduced by Jolson and interpolated in the musicals Sinbad and Bombo. Jolson's recording rose to number two on the charts in 1921. The song was possibly written by Rose, but Jolson's popularity as a performer allowed him to claim composer co-credit. Originally, only Rose and Jolson were credited, and DeSylva's name was added later.
Swing jazz emerged as a dominant form in American music, in which some virtuoso soloists became as famous as the band leaders. Key figures in developing the "big" jazz band included bandleaders and arrangers Count Basie, Cab Calloway, Jimmy and Tommy Dorsey, Duke Ellington, Benny Goodman, Fletcher Henderson, Earl Hines, Glenn Miller, and Artie Shaw. Duke Ellington and his band members composed numerous swing era hits that have become standards: "It Don't Mean a Thing " (1932), "Sophisticated Lady" (1933) and "Caravan" (1936), among others. Other influential bandleaders of this period were Benny Goodman and Count Basie.
The period from the end of the First World War until the start of the Depression in 1929 is known as the "Jazz Age". Jazz had become popular music in America, although older generations considered the music immoral and threatening to cultural values. Dances such as the Charleston and the Black Bottom were very popular during the period, and jazz bands typically consisted of seven to twelve musicians. Important orchestras in New York were led by Fletcher Henderson, Paul Whiteman and Duke Ellington. Many New Orleans jazzmen had moved to Chicago during the late 1910s in search of employment; among others, the New Orleans Rhythm Kings, King Oliver's Creole Jazz Band and Jelly Roll Morton recorded in the city. However, Chicago's importance as a center of jazz music started to diminish toward the end of the 1920s in favor of New York.