"On My Way" | |
---|---|
Single by Louis Armstrong | |
from the album Louis and the Good Book | |
Released | 1959 |
Format | Single |
Recorded | 1958 |
Genre | Jazz |
"On My Way" is a Louis Armstrong song that appeared on the album Louis and the Good Book in 1958 and was issued with "I'll String Along with You" as a single in 1959. [1] It features a solo section with Louis and Trummy Young. [2]
Louis Daniel Armstrong, nicknamed Satchmo, Satch, and Pops, was an American trumpeter, composer, vocalist and occasional actor who was one of the most influential figures in jazz. His career spanned five decades, from the 1920s to the 1960s, and different eras in the history of jazz. In 2017, he was inducted into the Rhythm & Blues Hall of Fame.
Louis and the Good Book is a 1958 jazz and spirituals album by Louis Armstrong.
James "Trummy" Young was an American trombonist in the swing era. He established himself as a star during his 12 years playing opposite Louis Armstrong in Armstrong's All Stars. He had one hit with his version of "Margie", which he played and sang with Jimmie Lunceford's orchestra in 1937. During his years with Armstrong, Young changed his entire trombone style in order to more closely fit the Armstrong approach to jazz music. This effort led to his becoming an outstanding and unique master of traditional jazz, belying his previous efforts in the Bop field.
A variant of I'm on My Way (traditional song), Armstrong's version starts with "On My Way" or "I'm on My Way" (or similar phrases in various versions) and then goes into a chorus "On my way now, got on my traveling shoes...".
"I'm on my way " is a traditional Gospel song. It is described a typical "going-to-Canaan" song; and possibly an Underground Railroad song.
The song is no relation to "Oh, Lawd, I'm on My Way!", a song sung by Ella Fitzgerald the previous year (1957) on the Porgy and Bess album by Fitzgerald and Armstrong. That song begins: "Porgy and all, I'm on my way to a heav'nly lan'". [3]
Ella Jane Fitzgerald was an American jazz singer sometimes referred to as the First Lady of Song, Queen of Jazz, and Lady Ella. She was noted for her purity of tone, impeccable diction, phrasing, intonation, and a "horn-like" improvisational ability, particularly in her scat singing.
Porgy and Bess is a 1958 studio album by jazz vocalist and trumpeter Louis Armstrong and singer Ella Fitzgerald, collaborating on selections from George and Ira Gershwin's Porgy and Bess. In 2001, it was awarded a Grammy Hall of Fame Award, a special achievement prize established in 1973 to honor recordings that are at least twenty-five years old, and that have "qualitative or historical significance." The album was originally issued on the Verve label as Verve MGV 4011-2, then reissued on PolyGram on CD in 1990, as Verve-PolyGram 827 475-2.
In vocal jazz, scat singing is vocal improvisation with wordless vocables, nonsense syllables or without words at all. In scat singing, the singer improvises melodies and rhythms using the voice as an instrument rather than a speaking medium.
Catfish Row, originally titled Suite from Porgy and Bess, is an orchestral work by George Gershwin based upon music from his famous opera Porgy and Bess. Gershwin completed the work in 1936 and it premiered at the Academy of Music in Philadelphia on January 21 of that year, with Alexander Smallens conducting the Philadelphia Orchestra. Gershwin played the piano part, including the piano solo in the opening moments. This piece preserves some of the darkest and most complex music Gershwin ever wrote.
Porgy and Bess: A Symphonic Picture is a 1942 album arranged by George Gershwin's good friend and sometimes assistant, Robert Russell Bennett, which includes most of the best-known songs from the Gershwin opera Porgy and Bess, although not in the exact order of their appearance. Though the Symphonic Picture is sometimes dismissed as a sequence of the opera's "greatest hits," the first well-known melody, "Summertime," is not heard until nearly seven minutes into the work. While some of the more esoteric parts of the opera are absent, many of the catchier tunes that can be heard in this suite are absent in others, including Gershwin's own Catfish Row Suite, which tended to highlight the more cerebral elements of the work.
Ella and Louis Again is a 1957 studio album by Ella Fitzgerald and Louis Armstrong. It is the "sequel" to their 1956 album, Ella and Louis; in contrast to their previous collaboration, this album does not only feature duets. It was reissued in 2006 on a 2 CD-set as Verve 0602517036918.
Ella and Louis is a 1956 studio album by Ella Fitzgerald and Louis Armstrong, accompanied by the Oscar Peterson Quartet. Having previously collaborated in the late 1940s for the Decca label, this was the first of three albums that Fitzgerald and Armstrong were to record together for Verve Records, later followed by 1957's Ella and Louis Again and 1959's Porgy and Bess.
The Complete Ella Fitzgerald & Louis Armstrong on Verve is a 1997 compilation album of recordings made by Ella Fitzgerald and Louis Armstrong for Verve between 1956 and 1957.
"It Ain't Necessarily So" is a popular song with music by George Gershwin and lyrics by Ira Gershwin. The song comes from the Gershwins' opera Porgy and Bess (1935) where it is sung by the character Sportin' Life, a drug dealer, who expresses his doubt about several statements in the Bible. The song's melody also functions as a theme for Sportin' Life's character. This song came under direct critique from composer Hall Johnson for depicting African Americans as unfaithful.
Porgy and Bess (2006), first studio cast recording directly based on the original 1935 production of George Gershwin's opera Porgy and Bess. This studio recording originated as several semi-staged performances which took place on February 24 and 25, 2006 at the Tennessee Performing Arts Center in Nashville, with Alvy Powell as Porgy, Marquita Lister as Bess, Nicole Cabell as Clara and Robert Mack as Sportin' Life. The Nashville Symphony Orchestra was conducted by John Mauceri. The recording incorporates changes Gershwin made to his original score after its first publication, which were not discovered until 1987.
"I Loves You, Porgy" is a duet from the opera Porgy and Bess with music by George Gershwin and lyrics by Ira Gershwin. It was published in 1935.
Ella Fitzgerald Live at Mister Kelly's is a live album of a 1958 Ella Fitzgerald performance at Mister Kelly's, and released in 2007.
Oscar Peterson Plays Porgy & Bess is a 1959 studio album by Oscar Peterson, playing selections from George Gershwin's 1935 opera, Porgy and Bess.
"Bess, You Is My Woman Now" is a duet with music by George Gershwin and lyrics by Ira Gershwin. This song comes from the Gershwins' opera Porgy and Bess (1935) where it is sung by the main character Porgy and his beloved Bess. They express their love for each other and say that they now belong together.
"I Got Plenty o' Nuttin' " is a song composed in 1934 by George Gershwin for the 1935 "folk-opera" Porgy and Bess (1934). The lyrics are by DuBose Heyward, the author of the novel Porgy on which the opera was based, and Ira Gershwin. It is one of the most famous songs from the opera and it has been recorded by hundreds of singers and music groups.
Porgy and Bess is a 1959 album by Sammy Davis Jr. and Carmen McRae of selections from George Gershwin's opera Porgy and Bess. Davis and McRae were accompanied by the Bill Thompson singers and the album was arranged by Buddy Bregman and conducted by Bregman, Jack Pleis and Morty Stevens.
The collaborations between Ella Fitzgerald and Louis Armstrong have attracted much attention over the years. The artists were both widely known icons not just in the areas of big band, jazz, and swing music but across 20th century popular music in general. The two African-American musicians produced three official releases together in Ella and Louis (1956), Ella and Louis Again (1957), and Porgy and Bess (1959),. Each release earned both commercial and critical success. As well, tracks related to those albums have also appeared in various forms in multi-artist collections and other such records.
Porgy & Bess Revisited, subtitled Played by a Very Unusual Cast, is an album of jazz interpretations of songs from the George Gershwin opera Porgy and Bess performed by cornetist Rex Stewart and trumpeter Cootie Williams, with saxophonists Hilton Jefferson and Pinky Williams and trombonist Lawrence Brown, that was recorded in late 1958 and released on the Warner Bros. label.
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