This article needs additional citations for verification .(September 2014) |
"The Gypsy in My Soul" is a popular song written for the 50th anniversary of the University of Pennsylvania Mask and Wig show in 1937 by two Penn graduates, Clay Boland and Moe Jaffe. [1] Boland wrote the music and Jaffe the lyrics. Although both men had long since graduated, it had become the practice at the time for professionals, rather than students, to compose songs for the show.
Although the song did not become a big hit at the time it was written, it has become a classic over the decades, particularly in the jazz repertoire, as it has been recorded by over 100 artists. [2]
"You'll Never Know", sometimes referred to as "You'll Never Know (Just How Much I Love You)" in later years, is a popular song with music written by Harry Warren and the lyrics by Mack Gordon. The song is based on a poem written by a young Oklahoma war bride named Dorothy Fern Norris.
"Side by Side" is a popular song by Harry M. Woods written in 1927, and is now considered a standard.
"That Old Feeling" is a popular song about nostalgia written by Sammy Fain, with lyrics by Lew Brown. It was published in 1937.
"Do Nothing till You Hear from Me" is a song with music by Duke Ellington and lyrics by Bob Russell. It originated as a 1940 instrumental that was designed to highlight the playing of Ellington's lead trumpeter, Cootie Williams. Russell's words were added later. In 1944, Ellington's own recording of the song was a number one hit R&B chart for eight non-consecutive weeks and number six on the pop chart.
"Three Little Words" is a popular song with music by Harry Ruby and lyrics by Bert Kalmar, published in 1930.
"Too Marvelous for Words" is a popular song written in 1937. Johnny Mercer wrote the lyrics for music composed by Richard Whiting. It was introduced by Wini Shaw and Ross Alexander in the 1937 Warner Brothers film Ready, Willing, and Able, as well as used for a production number in a musical revue on Broadway. The song has become a pop and jazz standard and has been recorded by many artists.
"I'll Get By (As Long as I Have You)" is a popular song with music by Fred E. Ahlert and lyrics by Roy Turk that was published in 1928. Versions by Nick Lucas, Aileen Stanley and, most successfully, Ruth Etting, all charted in America in 1929.
"It's Easy to Remember " is a popular song written by Richard Rodgers with lyrics by Lorenz Hart.
"Just One of Those Things" is a popular song written by Cole Porter for the 1935 musical Jubilee.
"September in the Rain" is a popular song about nostalgia by Harry Warren and Al Dubin, published in 1937. The song was introduced by James Melton in the film Melody for Two. It has become a standard, having been recorded by many artists since, and featured in a variety of movies, including the 1937 film of the same name.
"Basin Street Blues" is a song often performed by Dixieland jazz bands, written by Spencer Williams in 1928 and recorded that year by Louis Armstrong. The verse with the lyric "Won't you come along with me / To the Mississippi..." was later added by Glenn Miller and Jack Teagarden.
"I've Got Five Dollars" is a 1931 popular song composed by Richard Rodgers, with lyrics by Lorenz Hart for the musical America's Sweetheart (1931) where it was introduced by Harriette Lake and Jack Whiting.
"Johnny One Note" is a 1937 show tune from the 1937 Rodgers and Hart musical Babes in Arms, where it was introduced by Wynn Murray. Judy Garland sang it in the Rodgers & Hart biopic Words and Music (1948).
"(You'd Be So) Easy to Love" is a popular song written by Cole Porter for William Gaxton to sing in the 1934 Broadway show Anything Goes. However Gaxton was unhappy about its wide vocal range and it was cut from the musical. Porter re-wrote it for the 1936 film Born to Dance, where it was introduced by Eleanor Powell, James Stewart, and Frances Langford under its alternate title, "Easy to Love". The song was later added to the 1987 and 2011 revivals of Anything Goes under the complete title "You’d Be So Easy to Love".
The Bewitching Miss Bassey is the second studio album by Welsh singer Shirley Bassey. Consisting of new and previously released material, this was the first album by Bassey to be issued on the 12" Long-playing record format. Tracks were taken from sessions recorded between 1956 and early 1959. All the songs were recorded in the UK with Wally Stott and his Orchestra, with production by Johnny Franz. The only exception was "The Wall" which was recorded in New York with Jimmy Carroll and his orchestra and produced by Mitch Miller. Featuring Bassey's first five hit songs, including Bassey's 1958 number one single "As I Love You" and the huge hit "Kiss Me, Honey Honey, Kiss Me". The album showcases the best of the early career of Shirley Bassey. All the songs were only recorded in mono, no stereo versions are known to exist. In the 1970s Philips did re-issue them in an "electronically enhanced" stereo. The album was re-issued in the US on the Epic label with different artwork. While this album has not been issued independently on CD, it was included in its entirety on the four-CD compilation titled Five Classic Albums Plus Bonus Singles in 2012.
"We'll Be Together Again" is a 1945 popular song composed by Carl T. Fischer, with lyrics by Frankie Laine.
"Can't We Be Friends?" is a 1929 song with lyrics by Paul James and music by Kay Swift, introduced on Broadway in The Little Show by Libby Holman. It was later recorded by many artists including Bing Crosby, Ella Fitzgerald, and Frank Sinatra.
"The Second Time Around" is a song with words by Sammy Cahn and music by Jimmy Van Heusen. It was introduced in the 1960 film High Time, sung by Bing Crosby with Henry Mancini conducting his orchestra, and was nominated for the Academy Award for Best Original Song. It lost out to "Never on Sunday".
"I Can't Believe That You're in Love with Me" is a 1926 popular song and jazz standard composed by Jimmy McHugh, with lyrics by Clarence Gaskill.
Shirley MacLaine Live at the Palace is a 1976 live album by the actress and singer Shirley MacLaine recorded live at New York City's Palace Theatre. The show replicated the success MacLaine had with a similar series of concerts earlier in the year at the London Palladium.