"Potato Head Blues" | |
---|---|
Song by Louis Armstrong and his Hot Seven | |
Recorded | May 10, 1927 in Chicago, Illinois |
Genre | Jazz |
Label | Okeh Records |
Songwriter(s) | Louis Armstrong |
"Potato Head Blues" is a Louis Armstrong composition regarded as one of his finest recordings. It was made by Louis Armstrong and his Hot Seven [1] for Okeh Records in Chicago, Illinois on May 10, 1927. It was recorded during a remarkably productive week in which Armstrong's usual Hot Five was temporarily expanded to seven players by the addition of tuba and drums. [2] Some scholars have suggested that a key melodic figure in "Potato Head Blues" was picked up by Hoagy Carmichael for "Stardust." [3] Its musical composition entered the public domain on January 1, 2023. [4]
The recording features clarinet work by Johnny Dodds, and the stop-time solo chorus in the last half of the recording is one of Armstrong's most famous solos. [5] The stop-time aspects of "Potato Head Blues" was derived from the tap-dancing tradition at the Sunset Café as well as the New Orleanian tradition of adding breaks and fill-ins. [6]
Author and Director of Research Collections for the Louis Armstrong House Museum, Ricky Riccardi states that when it came to taking improvised solos, Armstrong was light years ahead of his contemporaries in every way: command of his instrument, harmonic knowledge, a swinging rhythmic feel and put simply, the ability to "tell a story." 1927’s "Potato Head Blues,” with the expanded Hot Seven, again represents a joyous example of New Orleans polyphony until Armstrong steps up a takes a stop-time solo that still sounds fresh and modern today, defining the art of the improvised solo in not just jazz but all forms of popular music. [7]
Critic Thomas Ward called this recording "one of the most astonishing accomplishments in all of twentieth century music." [5] Ralph Ellison described it as "a classic demonstration of African-American elegance." [8]
In Woody Allen's 1979 film, Manhattan , the character Isaac Davis (played by Allen) lists Armstrong's recording of "Potato Head Blues" as one of the reasons that life is worth living. [9]
Joseph Nathan "King" Oliver was an American jazz cornet player and bandleader. He was particularly recognized for his playing style and his pioneering use of mutes in jazz. Also a notable composer, he wrote many tunes still played today, including "Dippermouth Blues", "Sweet Like This", "Canal Street Blues", and "Doctor Jazz". He was the mentor and teacher of Louis Armstrong. His influence was such that Armstrong claimed, "if it had not been for Joe Oliver, Jazz would not be what it is today."
William Manuel "Bill" Johnson was an American jazz musician who played banjo and double bass; he is considered the father of the "slap" style of double bass playing.
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Okeh Records is an American record label founded by the Otto Heinemann Phonograph Corporation, a phonograph supplier established in 1916, which branched out into phonograph records in 1918. The name was spelled "OkeH" from the initials of Otto K. E. Heinemann but later changed to "OKeh". Since 1965, Okeh was a subsidiary of Epic Records, a subsidiary of Sony Music. Today, OKeh is a jazz imprint, distributed by Sony Masterworks.
The Hot Five was Louis Armstrong's first jazz recording band led under his own name.
Louis Armstrong and his Hot Seven was a jazz studio group organized to make a series of recordings for Okeh Records in Chicago, Illinois, in May 1927. Some of the personnel also recorded with Louis Armstrong and His Hot Five, including Johnny Dodds (clarinet), Lil Armstrong (piano), and Johnny St. Cyr. These musicians were augmented by Dodds's brother, Baby Dodds (drums), Pete Briggs (tuba), and John Thomas. Briggs and Thomas were at the time working with Armstrong's performing group, the Sunset Stompers.
"West End Blues" is a multi-strain twelve-bar blues composition by Joe "King" Oliver. It is most commonly performed as an instrumental, although it has lyrics added by Clarence Williams.
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"(What Did I Do to Be So) Black and Blue" is a 1929 jazz standard composed by Fats Waller with lyrics by Harry Brooks and Andy Razaf. It was introduced in the Broadway musical Hot Chocolates (1929) by Edith Wilson. In the show, Wilson originally sang the song from a bed with white sheets, but the bed was removed after the first show due to the judgement that it was too suggestive. The show also included Waller's hit compositions "Ain't Misbehavin'" and "Honeysuckle Rose".
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Ollie Powers was an American jazz drummer and vocalist.