Notes
- 1 2 3 The Guitarguy. "A Kiss to Build a Dream On". theguitarguy.com. Retrieved October 20, 2009.
- ↑ Hischak, Thomas S. (2007). The Rodgers and Hammerstein Encyclopedia. Westport, Connecticut: Greenwood Press. p. 153. ISBN 978-0-313-34140-3.
| "A Kiss to Build a Dream On" | |
|---|---|
| Song | |
| Written | 1935, 1951 |
| Published | 1951 by Miller Music |
| Songwriter(s) | Bert Kalmar, Harry Ruby and Oscar Hammerstein II |
"A Kiss to Build a Dream On" is a song composed by Bert Kalmar, Harry Ruby and Oscar Hammerstein II. [1] In 1935, Kalmar and Ruby wrote a song called "Moonlight on the Meadow" for the Marx Brothers film A Night at the Opera (1935) but the song was not used. Hammerstein later adapted the lyrics to be "A Kiss to Build a Dream On" [2] and it was recorded by Louis Armstrong in 1951. [1]
It was also performed by Mickey Rooney with William Demarest, by Sally Forrest, and by Kay Brown (virtually the entire cast performed part or all of the song) in the 1951 film The Strip, and was a sort of recurring theme in the film. The song was nominated for the Academy Award for Best Original Song in 1951 but lost out to “In the Cool, Cool, Cool of the Evening”.
Show Boat is a musical with music by Jerome Kern and book and lyrics by Oscar Hammerstein II. It is based on Edna Ferber's best-selling 1926 novel of the same name. The musical follows the lives of the performers, stagehands and dock workers on the Cotton Blossom, a Mississippi River show boat, over 40 years from 1887 to 1927. Its themes include racial prejudice and tragic, enduring love. The musical contributed such classic songs as "Ol' Man River", "Make Believe", and "Can't Help Lovin' Dat Man".
Harry Rubenstein, known professionally as Harry Ruby, was an American pianist, composer, songwriter and screenwriter, who was inducted into the Songwriters Hall of Fame in 1970. He was married to silent film actress Eileen Percy.
Bert Kalmar was an American songwriter, who was inducted into the Songwriters Hall of Fame in 1970. He was also a screenwriter.
Hugo Winterhalter was an American easy listening arranger and composer, best known for his many arrangements and recordings for RCA Victor.
"Singin' in the Rain" is a song with lyrics by Arthur Freed and music by Nacio Herb Brown. Doris Eaton Travis introduced the song on Broadway in The Hollywood Music Box Revue in 1929. It was then widely popularized by Cliff Edwards and the Brox Sisters in The Hollywood Revue of 1929. Many contemporary artists have since recorded the song.
"Lullaby of Broadway" is a popular song with music written by Harry Warren and lyrics by Al Dubin, published in 1935. The lyrics salute the nightlife of Broadway and its denizens, who "don't sleep tight until the dawn."
"Thinking of You" is a popular song, composed by Harry Ruby with lyrics by Bert Kalmar. It was introduced in the Broadway show, The Five O'Clock Girl (1927) when it was sung by Mary Eaton and Oscar Shaw.
"Anema e core" is a popular song.
"I Have Dreamed" is a show tune from the 1951 Rodgers and Hammerstein musical, The King and I. In the original Broadway production it was sung by Doretta Morrow and Larry Douglas. It has since become a standard, with many artists recording the song.
"I Get Ideas" is a popular song which has been recorded by various musicians and used in a number of films and television episodes.
"I Whistle a Happy Tune" is a show tune from the 1951 Rodgers and Hammerstein musical, The King and I. It is sung by the Governess Anna Leonowens to her son Louis after the curtain rises on Act One of the musical, to persuade him not to be afraid as they arrive in Siam to serve the King.
The King and I is a 1956 American musical film made by 20th Century-Fox, directed by Walter Lang and produced by Charles Brackett and Darryl F. Zanuck. The screenplay by Ernest Lehman is based on the 1951 Rodgers and Hammerstein musical The King and I, which is itself based on the 1944 novel Anna and the King of Siam by Margaret Landon. That novel in turn was based on memoirs written by Anna Leonowens, who became school teacher to the children of King Mongkut of Siam in the early 1860s. Leonowens' stories were autobiographical, although various elements of them have been called into question. The film stars Deborah Kerr and Yul Brynner.
"It Might as Well Be Spring" is a song from the 1945 film State Fair. which features the only original film score by the songwriting team of Richard Rodgers and Oscar Hammerstein II. "It Might as Well Be Spring" won the Academy Award for Best Original Song for that year.
"You Made Me Love You (I Didn't Want to Do It)" is a popular song from 1913 composed by James V. Monaco with lyrics by Joseph McCarthy. It was introduced by Al Jolson in the Broadway revue The Honeymoon Express (1913), and used in the 1973 revival of the musical Irene.
"Happy Talk" is a show tune from the 1949 Rodgers and Hammerstein musical South Pacific. It is sung by Bloody Mary to the American lieutenant Joe Cable, about having a happy life, after he begins romancing her daughter Liat. Liat performs the song with hand gestures as Mary sings.
"Hello, Young Lovers" is a show tune from the 1951 Rodgers and Hammerstein musical, The King and I. It is sung by Anna, played by Gertrude Lawrence in the original Broadway production; by Valerie Hobson in the original London West End production; and by Deborah Kerr in the film version.
"I'm in Love with a Wonderful Guy" is a show tune from the 1949 Rodgers and Hammerstein musical South Pacific. It was first introduced by Mary Martin in the original Broadway production and sung by Mitzi Gaynor in the 1958 film adaptation.
"When I Grow Too Old to Dream" is a popular song with music by Sigmund Romberg and lyrics by Oscar Hammerstein II, published in 1934.
Big Brass is an album by trumpeter Benny Bailey featuring performances recorded in late 1960 and originally released on the Candid label.
A Kiss to Build a Dream On is a 2008 studio album by Jessica Molaskey, and her first with the pure jazz Arbors label. It’s named for the song composed by Bert Kalmar, Harry Ruby and Oscar Hammerstein II in 1935, and recorded by Louis Armstrong in 1951.
