"Basin Street Blues" is a song often performed by Dixieland jazz bands, written by Spencer Williams in 1928 and recorded that year by Louis Armstrong. [1] The verse with the lyric "Won't you come along with me / To the Mississippi..." was later added by Glenn Miller and Jack Teagarden.
The Basin Street of the title refers to the main street of Storyville, the red-light district of early 20th-century New Orleans, north of the French Quarter. It became a red light district in 1897. [2]
The Original Dixieland Jass Band (ODJB) was a Dixieland jazz band that made the first jazz recordings in early 1917. Their "Livery Stable Blues" became the first jazz record ever issued. The group composed and recorded many jazz standards, the most famous being "Tiger Rag". In late 1917, the spelling of the band's name was changed to Original Dixieland Jazz Band.
Ben Pollack was an American drummer and bandleader from the mid-1920s through the swing era. His eye for talent led him to employ musicians such as Benny Goodman, Jack Teagarden, Glenn Miller, Jimmy McPartland, and Harry James. This ability earned him the nickname the "Father of Swing".
Basin Street or Rue Bassin in French, is a street in New Orleans, Louisiana. It parallels Rampart Street one block lakeside, or inland, from the boundary of the French Quarter, running from Canal Street down 5 blocks past Saint Louis Cemetery. It currently then turns lakewards, flowing into Orleans Avenue.
"Stars Fell on Alabama" is a 1934 jazz standard composed by Frank Perkins with lyrics by Mitchell Parish.
Shine is a popular song with lyrics by Cecil Mack and Tin Pan Alley songwriter Lew Brown and music by Ford Dabney. It was published in 1910 by the Gotham-Attucks Music Publishing Company and used by Aida Overton Walker in His Honor the Barber, an African-American road show. According to Perry Bradford, himself a songster and publisher, the song was written about an actual man named Shine who was with George Walker when they were badly beaten during the New York City race riot of 1900.
"Too Marvelous for Words" is a popular song written in 1937. Johnny Mercer wrote the lyrics for music composed by Richard Whiting. It was introduced by Wini Shaw and Ross Alexander in the 1937 Warner Brothers film Ready, Willing and Able, as well as used for a production number in a musical revue on Broadway. The song has become a pop and jazz standard and has been recorded by many artists.
"Please Don't Talk About Me When I'm Gone" is a song published in 1930. It was written by Sam H. Stept with lyrics by Sidney Clare. The original publication also credited singer Bee Palmer as co-composer.
"The Gypsy in My Soul" is a popular song written for the 50th anniversary of the University of Pennsylvania Mask and Wig show in 1937 by two Penn graduates, Clay Boland and Moe Jaffe. Boland wrote the music and Jaffe the lyrics. Although both men had long since graduated, it had become the practice at the time for professionals, rather than students, to compose songs for the show.
"Don't Get Around Much Anymore" is a jazz standard written by composer Duke Ellington. The song was originally entitled "Never No Lament" and was first recorded by Duke Ellington and his orchestra on May 4, 1940. "Don't Get Around Much Anymore" quickly became a hit after Bob Russell wrote its lyrics in 1942.
"Nobody's Sweetheart", also known as "Nobody's Sweetheart Now" and "You're Nobody's Sweetheart Now", is a popular song, written in 1924, with music by Billy Meyers and Elmer Schoebel, and lyrics by Gus Kahn and Ernie Erdman. The song is a jazz and pop standard.
"I've Found a New Baby", also known as "I Found a New Baby", is a popular song written by Jack Palmer and Spencer Williams. It was introduced by Clarence Williams' Blue Five in 1926 and has since been recorded by many artists, making it a popular jazz standard. Popular versions in 1926 were by Ted Lewis and by Ethel Waters.
"After You've Gone" is a 1918 popular song composed by Turner Layton with lyrics by Henry Creamer.
"I Don't Stand a Ghost of a Chance With You" is a 1932 song recorded by Bing Crosby with Orchestral Accompaniment. The music was composed by Victor Young, with lyrics written by Ned Washington and Bing Crosby. The song is a jazz and pop standard recorded by many different artists.
"Bye Bye Blues" is an American popular and jazz standard written by Fred Hamm, Dave Bennett, Bert Lown, and Chauncey Gray and published in 1925.
"Way Down Yonder in New Orleans" is a popular song with music by John Turner Layton Jr. and lyrics by Henry Creamer. First published in 1922, it was advertised by Creamer and Layton as "A Southern Song, without A Mammy, A Mule, Or A Moon", a dig at some of the Tin Pan Alley clichés of the era.
"Margie", also known as "My Little Margie", is a 1920 popular song composed in collaboration by vaudeville performer and pianist Con Conrad and ragtime pianist J. Russel Robinson, a member of the Original Dixieland Jazz Band. Lyrics were written by Benny Davis, a vaudeville performer and songwriter. The song was introduced by the Original Dixieland Jazz Band in 1920 as Victor 78, 18717-A, in a medley paired with "Singin' the Blues". The B side was "Palesteena". The ODJB recorded their instrumental version on December 1, 1920.
Other popular versions in 1920-21 were by Gene Rodemich; Eddie Cantor; Ted Lewis; and Frank Crumit. The Rega Dance Orchestra recorded the song in October, 1920 for Okeh Records, 4211.
"I'm an Old Cowhand (From the Rio Grande)" is a comic song written by Johnny Mercer for the Paramount Pictures release Rhythm on the Range and sung by its star, Bing Crosby. The Crosby commercial recording was made on July 17, 1936, with Jimmy Dorsey & his Orchestra for Decca Records. It was a huge hit in 1936, reaching the No. 2 spot in the charts of the day, and it greatly furthered Mercer's career. Crosby recorded the song again in 1954 for his album Bing: A Musical Autobiography.
Members of the Western Writers of America chose it as one of the Top 100 Western songs of all time.
"Between the Devil and the Deep Blue Sea" is an American popular song published in 1931, with music by Harold Arlen and lyrics by Ted Koehler, and first recorded by Cab Calloway in 1931. It was introduced in the 1931 Cotton Club show Rhythmania and is now a widely recorded standard.
Birth of the Blues is a 1941 American musical film directed by Victor Schertzinger and starring Bing Crosby, Mary Martin and Brian Donlevy.
