Coleman Hawkins Encounters Ben Webster | ||||
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Studio album by | ||||
Released | November 1959 | |||
Recorded | October 16, 1957 Los Angeles | |||
Genre | Jazz | |||
Length | 36:11 | |||
Label | Verve MG V-8327 / MG VS-6066 | |||
Coleman Hawkins chronology | ||||
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Ben Webster chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
DownBeat | [2] |
The Rolling Stone Jazz Record Guide | [3] |
The Penguin Guide to Jazz Recordings | [4] |
Coleman Hawkins Encounters Ben Webster is a studio album recorded on October 16, 1957, [5] by Coleman Hawkins and Ben Webster, accompanied by a rhythm section led by Oscar Peterson. [6] [7]
In the United Kingdom, the album was released with the title Blue Saxophones. [8]
Coleman Randolph Hawkins, nicknamed "Hawk" and sometimes "Bean", was an American jazz tenor saxophonist. One of the first prominent jazz musicians on his instrument, as Joachim E. Berendt explained: "there were some tenor players before him, but the instrument was not an acknowledged jazz horn". Hawkins biographer John Chilton described the prevalent styles of tenor saxophone solos prior to Hawkins as "mooing" and "rubbery belches". Hawkins denied being first and noted his contemporaries Happy Caldwell, Stump Evans, and Prince Robinson, although he was the first to tailor his method of improvisation to the saxophone rather than imitate the techniques of the clarinet. Hawkins' virtuosic, arpeggiated approach to improvisation, with his characteristic rich, emotional, and vibrato-laden tonal style, was the main influence on a generation of tenor players that included Chu Berry, Charlie Barnet, Tex Beneke, Ben Webster, Vido Musso, Herschel Evans, Buddy Tate, and Don Byas, and through them the later tenormen, Arnett Cobb, Illinois Jacquet, Flip Phillips, Ike Quebec, Al Sears, Paul Gonsalves, and Lucky Thompson. While Hawkins became known with swing music during the big band era, he had a role in the development of bebop in the 1940s.
Benjamin Francis Webster was an American jazz tenor saxophonist.
Further Definitions is a 1962 jazz album by Benny Carter and his orchestra, rereleased on CD in 1997 coupled with his follow-up album, 1966's Additions to Further Definitions. The earlier album features an all-star octet that includes Coleman Hawkins, with whom Carter had recorded in Paris in 1937, using the same configuration of instruments: four saxophones, piano, guitar, bass, and drums.
Ben Webster Meets Oscar Peterson is a studio album by American jazz saxophonist Ben Webster backed by the Oscar Peterson Trio, featuring rhythm section Ray Brown and Ed Thigpen, recorded on November 6, 1959 and released on Verve the following year.
Soulville is a 1957 album by swing tenor saxophonist Ben Webster, recording a session from October 15, 1957, which Webster played with the Oscar Peterson Trio.
Duke Ellington Meets Coleman Hawkins is a jazz album by Duke Ellington and Coleman Hawkins that was recorded on August 18, 1962, and released in February 1963 by Impulse! Records.
Oscar Peterson Jam – Montreux '77 is a 1977 live album featuring a jam session led by Oscar Peterson. At the Grammy Awards of 1979, Peterson won the Grammy Award for Best Jazz Performance by a Soloist for his performance on this album.
The Genius of Coleman Hawkins is a 1957 album by tenor saxophonist Coleman Hawkins, featuring the Oscar Peterson quartet.
The Hawk Flies High is a 1957 album by jazz tenor saxophonist Coleman Hawkins. Apart from Barry Galbraith and Jo Jones on guitar and drums, the line-up of his accompanying sextet had a bebop background, namely J.J. Johnson on trombone, Idrees Sulieman on trumpet, pianist Hank Jones, and Oscar Pettiford on bass.
Eddie "Lockjaw" Davis 4 – Montreux '77 is a 1977 live album by Eddie "Lockjaw" Davis, recorded at the 1977 Montreux Jazz Festival in Montreux, Switzerland.
Diz and Getz is an album by Dizzy Gillespie, featuring Stan Getz.
Straight Ahead is an album by American jazz vocalist Abbey Lincoln featuring performances recorded in 1961 for the Candid label.
Very Saxy is an album by saxophonist Eddie "Lockjaw" Davis with Buddy Tate, Coleman Hawkins and Arnett Cobb recorded in 1959 for the Prestige label.
Ben Webster and Associates is an album by American jazz saxophonist Ben Webster featuring tracks recorded in 1959 for the Verve label.
Hawk Eyes is an album by saxophonist Coleman Hawkins which was recorded in 1959 and released on the Prestige label.
Night Hawk is an album by saxophonists Coleman Hawkins with Eddie "Lockjaw" Davis, recorded at the end of 1960 and released on the Swingville label.
Blues Groove is an album by guitarist Tiny Grimes with saxophonist Coleman Hawkins, recorded in 1958 and released on the Prestige label. The album was subsequently rereleased under Hawkins leadership.
King of the Tenors is an album by American jazz saxophonist Ben Webster featuring tracks recorded in 1953 for the Norgran label and originally released as The Consummate Artistry of Ben Webster. The album was re-issued in 1957 on Verve Records as King of the Tenors, and has been released with that title ever since. Webster is accompanied by The Oscar Peterson Trio, and, on several tracks, by Benny Carter and Harry "Sweets" Edison.
Coleman Hawkins and Confrères is an album by saxophonist Coleman Hawkins which was recorded in 1958 and released on the Verve label.
Rainbow Mist is an album by the American jazz saxophonist Coleman Hawkins compiling recordings from 1944 originally released by Apollo Records that was released by the Delmark label in 1992.