Sonny Stitt Sits In with the Oscar Peterson Trio | ||||
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Studio album by | ||||
Released | 1959 | |||
Recorded | May 18, 1959 | |||
Genre | Jazz | |||
Length | 39:04 | |||
Label | Verve | |||
Producer | Norman Granz | |||
Sonny Stitt chronology | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic | |
Penguin Guide to Jazz |
Sonny Stitt Sits in with the Oscar Peterson Trio is a 1959 album by Sonny Stitt, accompanied by the Oscar Peterson trio. [1]
Edward Hammond Boatner Jr., known professionally as Sonny Stitt, was an American jazz saxophonist of the bebop/hard bop idiom. Known for his warm tone, he was one of the best-documented saxophonists of his generation, recording more than 100 albums. He was nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern because of his relentless touring and devotion to jazz. Stitt was sometimes viewed as a Charlie Parker mimic, especially earlier in his career, but gradually came to develop his own sound and style, particularly when performing on tenor sax.
Oscar Emmanuel Peterson, was a Canadian jazz pianist and composer. He was called the "Maharaja of the keyboard" by Duke Ellington, but simply "O.P." by his friends. He released over 200 recordings, won eight Grammy Awards, and received numerous other awards and honours. He is considered one of the greatest jazz pianists, and played thousands of concerts worldwide in a career lasting more than 60 years.
The Penguin Guide to Jazz rated the album three and a half stars out of four and wrote of the session, "they intermingle their respective many-noted approaches as plausibly as if this were a regular band (in fact, they never recorded together again)." [2] The Allmusic review written by Scott Yanow rated the album four and a half stars out of five. [1]
The Penguin Guide to Jazz is a reference work containing an encyclopedic directory of jazz recordings on CD which were currently available in Europe or the United States. The first nine editions were compiled by Richard Cook and Brian Morton, two well known chroniclers of jazz resident in the United Kingdom.
Scott Yanow is an American jazz reviewer, historian, and author.
The piano is an acoustic, stringed musical instrument invented in Italy by Bartolomeo Cristofori around the year 1700, in which the strings are struck by hammers. It is played using a keyboard, which is a row of keys that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings.
Raymond Matthews Brown was an American jazz double bassist known for extensive work with Oscar Peterson and Ella Fitzgerald.
The double bass, or simply the bass, is the largest and lowest-pitched bowed string instrument in the modern symphony orchestra.
"Scrapple from the Apple" is a bebop composition by Charlie Parker written in 1947, commonly recognized today as a jazz standard, written in F major. The song borrows its chord progression from "Honeysuckle Rose", a common practice for Parker, as he based many of his successful tunes over already well-known chord changes.
A Jazz Message is a jazz album recorded by Art Blakey's Quartet in 1964. The album is Blakey's second and last album for the Impulse! label.
The Oscar Peterson Trio with Roy Eldridge, Sonny Stitt and Jo Jones at Newport is a 1957 live album by Oscar Peterson, accompanied by Roy Eldridge, Sonny Stitt and Jo Jones, recorded at the 1957 Newport Jazz Festival.
Only the Blues is a 1957 album by Sonny Stitt, accompanied by Roy Eldridge and Oscar Peterson.
Personal Appearance is a 1957 album by Sonny Stitt.
Boss Tenors in Orbit! is a 1962 studio album by American jazz tenor saxophonists Sonny Stitt and Gene Ammons.
New York Jazz is an album by saxophonist Sonny Stitt recorded in 1956 and originally released on the Verve label.
The Bop Session is an album by jazz legends Dizzy Gillespie, Sonny Stitt, John Lewis, Hank Jones, Percy Heath and Max Roach recorded in 1975 and released on the Swedish Sonet label.
You Talk That Talk! is an album by saxophonists Gene Ammons and Sonny Stitt recorded in 1971 and released on the Prestige label.
Sonny Stitt is an eponymous album by saxophonist Sonny Stitt recorded in Chicago in 1958 and originally released on the Argo label.
Sonny Stitt Plays Arrangements from the Pen of Quincy Jones is an album by saxophonist Sonny Stitt recorded in 1955 and originally released on the Roost label.
Sonny Side Up is an album by saxophonist Sonny Stitt recorded in 1960 and originally released on the Roost label.
Stitt Goes Latin is an album by saxophonist Sonny Stitt recorded in 1963 and originally released on the Roost label.
Soul Electricity! is an album by saxophonist Sonny Stitt recorded in 1968 and released on the Prestige label. The album features Stitt using the varitone, an electronic amplification device which altered the saxophone's sound.
Night Letter is an album by saxophonist Sonny Stitt recorded in 1969 and released on the Prestige label. The album features Stitt using the varitone, an electronic amplification device which altered the saxophone's sound.
Mellow is an album by saxophonist Sonny Stitt recorded in 1975 and released on the Muse label.
Shangr-La is an album by saxophonist Sonny Stitt featuring organist Don Patterson recorded in 1964 and released on the Prestige label.
Funk You! is an album by organist Don Patterson recorded in 1968 and released on the Prestige label.
King of the Tenors is an album by American jazz saxophonist Ben Webster featuring tracks recorded in 1953 for the Norgran label and originally released as The Consummate Artistry of Ben Webster. The album was re-issued in 1957 on Verve Records as King of the Tenors, and has been released with that title ever since. Webster is accompanied by The Oscar Peterson Trio, and, on several tracks, by Benny Carter and Harry "Sweets" Edison.