Boss Tenors in Orbit! | ||||
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Studio album by Sonny Stitt and Gene Ammons | ||||
Released | 1962 | |||
Recorded | February 18, 1962 | |||
Genre | Jazz | |||
Length | 57:14 | |||
Label | Verve | |||
Sonny Stitt chronology | ||||
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Gene Ammons chronology | ||||
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Boss Tenors in Orbit! is a 1962 studio album by American jazz tenor saxophonists Sonny Stitt and Gene Ammons. [1]
Edward Hammond Boatner Jr., known professionally as Sonny Stitt, was an American jazz saxophonist of the bebop/hard bop idiom. Known for his warm tone, he was one of the best-documented saxophonists of his generation, recording more than 100 albums. He was nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern because of his relentless touring and devotion to jazz. Stitt was sometimes viewed as a Charlie Parker mimic, especially earlier in his career, but gradually came to develop his own sound and style, particularly when performing on tenor sax.
Eugene "Jug" Ammons, also known as "The Boss", was an American jazz tenor saxophonist. The son of boogie-woogie pianist Albert Ammons, Gene Ammons is remembered for his accessible music, steeped in soul and R&B.
The Allmusic review by Michael G. Nastos awarded the album four and a half stars and wrote: "The soulful Ammons and the bop-oriented Stitt meshed well whether playing standards, jamming on familiar melodies, or in ballad form. While not an out-and-out knock-down, drag-out event like their other recordings, this is still one of too few magical efforts with Ammons and Stitt together. Those who crave the live cutting sessions that made jazz very exciting in the early '60s might also consider this tamer studio effort." [1]
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The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B♭ (while the Alto is pitched in the key of E♭), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F♯ key have a range from A♭2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists".
Don Patterson was an American jazz organist.
The Hammond organ is an electric organ, invented by Laurens Hammond and John M. Hanert and first manufactured in 1935. Various models have been produced, most of which use sliding drawbars to specify a variety of sounds. Until 1975, Hammond organs generated sound by creating an electric current from rotating a metal tonewheel near an electromagnetic pickup, and then strengthening the signal with an amplifier so it can drive a speaker cabinet. Around two million Hammond organs have been manufactured. The organ is commonly used with, and associated with, the Leslie speaker.
Sonny Stitt Sits in with the Oscar Peterson Trio is a 1959 album by Sonny Stitt, accompanied by the Oscar Peterson trio.
Dig Him! is an album by saxophonists Gene Ammons and Sonny Stitt recorded in 1961 and originally released on the Argo label in 1962. The album was subsequently rereleased as We'll Be Together Again on the Prestige label in 1968.
Boss Tenors is an album by saxophonists Gene Ammons and Sonny Stitt recorded in Chicago in 1961 and originally released on the Verve label.
Soul Summit is an album by saxophonists Gene Ammons and Sonny Stitt with organist Jack McDuff recorded in 1962 and released on the Prestige label.
The Boss Is Back! is an album by saxophonist Gene Ammons recorded in 1969 and released on the Prestige label.
Brother Jug!' is an album by saxophonist Gene Ammons recorded in 1969 and released on the Prestige label. It contains material from the same two dates as The Boss Is Back!
You Talk That Talk! is an album by saxophonists Gene Ammons and Sonny Stitt recorded in 1971 and released on the Prestige label.
God Bless Jug and Sonny is a live album by saxophonists Sonny Stitt and Gene Ammons recorded in Baltimore in 1973 and released on the Prestige label in 2001.
Left Bank Encores is a live album by saxophonists Sonny Stitt and Gene Ammons recorded in Baltimore in 1973 and released on the Prestige label in 2002. The album was recorded at the same concert that produced God Bless Jug and Sonny.
Together Again for the Last Time is an album by saxophonists Sonny Stitt and Gene Ammons recorded in 1973 and released on the Prestige label in 1976. The album was the final recording by the pair, who had a long history of collaboration, prior to the death of Ammons in 1974.
Kaleidoscope is an album by saxophonist Sonny Stitt compiling tracks recorded in 1950-52 and released on the Prestige label in 1957. The 1991 CD reissue added four bonus tracks to the original LP.
Gene Ammons and Friends at Montreux is a live album by saxophonist Gene Ammons recorded at the Montreux Jazz Festival in 1973 and released on the Prestige label.
Soul Electricity! is an album by saxophonist Sonny Stitt recorded in 1968 and released on the Prestige label. The album features Stitt using the varitone, an electronic amplification device which altered the saxophone's sound.
Night Letter is an album by saxophonist Sonny Stitt recorded in 1969 and released on the Prestige label. The album features Stitt using the varitone, an electronic amplification device which altered the saxophone's sound.
All Star Sessions is an album by saxophonist Gene Ammons recorded between 1950 and 1955 and released on the Prestige label.
My Buddy: Sonny Stitt Plays for Gene Ammons is an album by saxophonist Sonny Stitt featuring selections associated with his fellow musician Gene Ammons recorded in 1975 and released on the Muse label in 1976.
Forecast: Sonny & Red is an album by American jazz saxophonists Sonny Stitt and Red Holloway featuring performances recorded in 1976 for the Catalyst label.