Sonny Side Up | ||||
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Studio album by | ||||
Released | 1961 | |||
Recorded | August 8, 1960 | |||
Studio | Bell Sound (New York City) | |||
Genre | Jazz | |||
Label | Roost RLP 2245 | |||
Producer | Teddy Reig | |||
Sonny Stitt chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
Sonny Side Up is an album by saxophonist Sonny Stitt recorded in 1960 and originally released on the Roost label. [2]
All compositions by Sonny Stitt except as indicated
Sonny Stitt was an American jazz saxophonist of the bebop/hard bop idiom. Known for his warm tone, he was one of the best-documented saxophonists of his generation, recording more than 100 albums. He was nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern because of his tendency to rarely work with the same musicians for long despite his relentless touring and devotion to jazz. Stitt was sometimes viewed as a Charlie Parker mimic, especially earlier in his career, but gradually came to develop his own sound and style, particularly when performing on tenor saxophone and even occasionally baritone saxophone.
The Battle of Birdland is a live album by saxophonists Sonny Stitt and Eddie Davis recorded at Birdland in New York City in 1954 and originally released on the Roost label.
Jazz at the Hi-Hat is a live album by saxophonist Sonny Stitt recorded in Boston in 1954 and originally released on the Roost label as a four track 10 inch LP. The original album has been expanded with additional material and released on CD in two volumes.
Sonny Stitt Plays Arrangements from the Pen of Quincy Jones is an album by saxophonist Sonny Stitt recorded in 1955 and originally released on the Roost label.
Sonny Stitt Plays is an album by saxophonist Sonny Stitt recorded in 1955 and originally released on the Roost label.
37 Minutes and 48 Seconds with Sonny Stitt is an album by saxophonist Sonny Stitt that was released by Roost.
Sonny Stitt with the New Yorkers is an album by the saxophonist Sonny Stitt, recorded in 1957 and originally released on the Roost label.
The Saxophones of Sonny Stitt is an album by saxophonist Sonny Stitt, released in 1959 on the Roost label.
A Little Bit of Stitt is an album by saxophonist Sonny Stitt recorded in 1959 and originally released on the Roost label.
The Sonny Side of Stitt is an album by saxophonist Sonny Stitt recorded in 1959 and originally released on the Roost label.
Stittsville is an album by saxophonist Sonny Stitt recorded in 1960 and originally released on the Roost label.
Feelin's is an album by saxophonist Sonny Stitt recorded in 1962 and originally released on the Roost label.
Stitt in Orbit is an album by saxophonist Sonny Stitt recorded in 1960 and 1962 and originally released on the Roost label.
Stitt Goes Latin is an album by saxophonist Sonny Stitt recorded in 1963 and originally released on the Roost label.
The Matadors Meet the Bull is an album by saxophonist Sonny Stitt recorded in 1965 and released on the Roulette label. The album was Stitt's first for the label; he had recorded many albums for Roost which Roulette had taken over.
Inter-Action is an album by saxophonists Sonny Stitt and Zoot Sims recorded in Chicago in 1965 and released on the Cadet label.
Parallel-a-Stitt is an album by saxophonist Sonny Stitt recorded in 1967 and released on the Roulette label. The album represents Stitt's third featuring the varitone, an electronic amplification device which altered the saxophone's sound.
Soul Electricity! is an album by saxophonist Sonny Stitt recorded in 1968 and released on the Prestige label. The album features Stitt using the varitone, an electronic amplification device which altered the saxophone's sound.
Deuces Wild is an album by saxophonist Sonny Stitt recorded in 1966 and released on the Atlantic label. The album featured Robin Kenyatta's recording debut. The 4 Stitt organ trio tracks can be found as bonus tracks to the My Mother's Eye's CD
Funk You! is an album by organist Don Patterson recorded in 1968 and released on the Prestige label.