The Battle of Birdland | ||||
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Live album by | ||||
Released | 1955 | |||
Recorded | 1954 | |||
Venue | Birdland, New York City | |||
Genre | Jazz | |||
Label | Roost RLP/RST 1203 | |||
Sonny Stitt chronology | ||||
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Eddie Davis chronology | ||||
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The Battle of Birdland (also released as Tenor Battle at Birdland and Jaws N' Stitt at Birdland) is a live album by saxophonists Sonny Stitt and Eddie Davis recorded at Birdland in New York City in 1954 and originally released on the Roost label. [1]
Review scores | |
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Source | Rating |
Allmusic | [2] |
Scott Yanow, in his review for Allmusic, calls the album "a spirited and typically competitive jam session". [2] The All About Jazz review stated "both tenormen were in the prime of their great careers at this stage and the music is wonderful... this recording is a particularily[ sic ] rare and memorable item indeed". [3]
All compositions by Sonny Stitt except as indicated
Edward F. Davis, known professionally as Eddie "Lockjaw" Davis, was an American jazz tenor saxophonist. It is unclear how he acquired the moniker "Lockjaw" : it is either said that it came from the title of a tune or from his way of biting hard on the saxophone mouthpiece. Other theories have been put forward.
Sonny Stitt was an American jazz saxophonist of the bebop/hard bop idiom. Known for his warm tone, he was one of the best-documented saxophonists of his generation, recording more than 100 albums. He was nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern because of his tendency to rarely work with the same musicians for long despite his relentless touring and devotion to jazz. Stitt was sometimes viewed as a Charlie Parker mimic, especially earlier in his career, but gradually came to develop his own sound and style, particularly when performing on tenor saxophone and even occasionally baritone saxophone.
Lawrence Bernard Gales was an American jazz double-bassist.
Blackjack is an album by American trumpeter Donald Byrd featuring performances by Byrd with Sonny Red, Hank Mobley, Cedar Walton, Walter Booker, and Billy Higgins recorded in 1967 and released on the Blue Note label as BLP 4259. The CD reissue included one bonus track recorded in 1963. The title track was sampled by Gang Starr & Dream Warriors in their 1991 collaboration "I've Lost My Ignorance".
The Bop Session is an album by jazz legends Dizzy Gillespie, Sonny Stitt, John Lewis, Hank Jones, Percy Heath and Max Roach recorded in 1975 and released on the Swedish Sonet label.
Sonny Stitt/Bud Powell/J. J. Johnson is an album by saxophonist Sonny Stitt compiling tracks recorded with trombonist J. J. Johnson or pianist Bud Powell in 1949–50 and released on the Prestige label in 1957. The 1990 CD reissue added five bonus tracks to the original LP. The cover art was done by cartoonist Don Martin of MAD magazine fame.
Sonny Stitt is an album by saxophonist Sonny Stitt recorded in Chicago in 1958 and originally released on the Argo label.
Previously Unreleased Recordings is an album by saxophonist Sonny Stitt featuring compositions associated with Duke Ellington which was originally recorded in 1960 and released on the Verve label in 1973. On CD it can be found on Import as part of Rearin' Back / Tribute To Duke Ellington
Jazz at the Hi-Hat is a live album by saxophonist Sonny Stitt recorded in Boston in 1954 and originally released on the Roost label as a four track 10 inch LP. The original album has been expanded with additional material and released on CD in two volumes.
Sonny Stitt Plays Arrangements from the Pen of Quincy Jones is an album by saxophonist Sonny Stitt recorded in 1955 and originally released on the Roost label.
Sonny Stitt Plays is an album by saxophonist Sonny Stitt recorded in 1955 and originally released on the Roost label.
Stitt in Orbit is an album by saxophonist Sonny Stitt recorded in 1960 and 1962 and originally released on the Roost label.
Stitt Goes Latin is an album by saxophonist Sonny Stitt recorded in 1963 and originally released on the Roost label.
I Keep Comin' Back! is an album by saxophonist Sonny Stitt recorded in 1966 and released on the Roulette label. The album represents Stitt's second album featuring the varitone, an electronic amplification device which altered the saxophone's sound.
The Matadors Meet the Bull is an album by saxophonist Sonny Stitt recorded in 1965 and released on the Roulette label. The album was Stitt's first for the label; he had recorded many albums for Roost which Roulette had taken over.
Inter-Action is an album by saxophonists Sonny Stitt and Zoot Sims recorded in Chicago in 1965 and released on the Cadet label.
Turn It On! is an album by saxophonist Sonny Stitt recorded in 1971 and released on the Prestige label. The album features Stitt using the varitone, an electronic amplification device which altered the saxophone's sound.
Broadway Soul is an album by saxophonist Sonny Stitt recorded in 1965 and released on the Colpix label.
Black Vibrations is an album by saxophonist Sonny Stitt recorded in 1971 and released on the Prestige label.
Mellow is an album by saxophonist Sonny Stitt recorded in 1975 and released on the Muse label.