Dumpy Mama | ||||
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Studio album by | ||||
Released | 1975 | |||
Recorded | 1975 | |||
Genre | Jazz | |||
Length | 33:20 | |||
Label | RCA/Flying Dutchman BDL 1-1197 | |||
Producer | Bob Thiele | |||
Sonny Stitt chronology | ||||
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Dumpy Mama is an album by American jazz saxophonist Sonny Stitt, featuring performances recorded in 1975 for the Flying Dutchman label. [1]
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
In his review for AllMusic, Scott Yanow stated, "The playing is up to par if not overly memorable". [2]
Edward Hammond Boatner Jr., known professionally as Sonny Stitt, was an American jazz saxophonist of the bebop/hard bop idiom. Known for his warm tone, he was one of the best-documented saxophonists of his generation, recording more than 100 albums. He was nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern because of his relentless touring and devotion to jazz yet rarely working with the same musicians for long. Stitt was sometimes viewed as a Charlie Parker mimic, especially earlier in his career, but gradually came to develop his own sound and style, particularly when performing on tenor saxophone.
The Champ is a Sonny Stitt album recorded at RCA's Studio B on April 18, 1973 and released on the Muse label.
Sonny Stitt Sits in with the Oscar Peterson Trio is a 1959 album by Sonny Stitt, accompanied by the Oscar Peterson trio.
Sonny Stitt is an eponymous album by saxophonist Sonny Stitt recorded in Chicago in 1958 and originally released on the Argo label.
Jazz at the Hi-Hat is a live album by saxophonist Sonny Stitt recorded in Boston in 1954 and originally released on the Roost label as a four track 10 inch LP. The original album has been expanded with additional material and released on CD in two volumes.
Broadway Soul is an album by saxophonist Sonny Stitt recorded in 1965 and released on the Colpix label.
Black Vibrations is an album by saxophonist Sonny Stitt recorded in 1971 and released on the Prestige label.
Tune-Up! is an album by saxophonist Sonny Stitt recorded in 1972 and released on the Cobblestone label.
Constellation is an album by saxophonist Sonny Stitt recorded in 1972 and released on the Cobblestone label.
So Doggone Good is an album by saxophonist Sonny Stitt recorded in 1972 and released on the Prestige label.
Swiss Suite is a live album by American jazz composer/arranger Oliver Nelson featuring performances by a big band with soloists Gato Barbieri and Eddie "Cleanhead" Vinson. The album was recorded at the Montreux Jazz Festival in 1971 for the Flying Dutchman label.
Skull Session is an album by American jazz composer/arranger Oliver Nelson featuring performances recorded in 1975 for the Flying Dutchman label.
My Buddy: Sonny Stitt Plays for Gene Ammons is an album by saxophonist Sonny Stitt featuring selections associated with his fellow musician Gene Ammons recorded in 1975 and released on the Muse label in 1976.
Blues for Duke is an album by saxophonist Sonny Stitt featuring selections associated with Duke Ellington recorded in 1975 and released on the Muse label in 1978.
Forecast: Sonny & Red is an album by American jazz saxophonists Sonny Stitt and Red Holloway featuring performances recorded in 1976 for the Catalyst label.
I Remember Bird is an album by American jazz saxophonist Sonny Stitt featuring performances recorded in 1976 for the Catalyst label.
Sonny Stitt with Strings: A Tribute to Duke Ellington is an album by American jazz saxophonist Sonny Stitt featuring performances of compositions associated with Duke Ellington recorded in 1977 for the Catalyst label.
Stomp Off Let's Go is an album by American jazz saxophonist Sonny Stitt, featuring performances recorded in 1976 for the Flying Dutchman label.
In Style is an album by saxophonist Sonny Stitt recorded in 1981 and released on the Muse label the following year.
Made for Each Other is an album by saxophonist Sonny Stitt recorded in 1968 but not released by the Delmark label until 1972. The album represents Stitt's fourth recording featuring the varitone, an electronic amplification device which altered the saxophone's sound.