Eugene "Jug" Ammons, also known as "The Boss", was an American jazz tenor saxophonist. The son of boogie-woogie pianist Albert Ammons, Gene Ammons is remembered for his accessible music, steeped in soul and R&B.
Edward Hammond Boatner Jr., known professionally as Sonny Stitt, was an American jazz saxophonist of the bebop/hard bop idiom. Known for his warm tone, he was one of the best-documented saxophonists of his generation, recording more than 100 albums. He was nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern because of his relentless touring and devotion to jazz yet rarely worked with the same musicians for long. Stitt was sometimes viewed as a Charlie Parker mimic, especially earlier in his career, but gradually came to develop his own sound and style, particularly when performing on tenor saxophone.
Dillon "Curley" Russell was an American jazz musician, who played bass on many bebop recordings.
Cecil Payne was an American jazz baritone saxophonist born in Brooklyn, New York. Payne also played the alto saxophone and flute. He played with other prominent jazz musicians, in particular Dizzy Gillespie and Randy Weston, in addition to his solo work as bandleader.
"Scrapple from the Apple" is a bebop composition by Charlie Parker written in 1947, commonly recognized today as a jazz standard, written in F major. The song borrows its chord progression from "Honeysuckle Rose", a common practice for Parker, as he based many of his successful tunes over already well-known chord changes.
Charles McPherson is an American jazz alto saxophonist born in Joplin, Missouri, United States, and raised in Detroit, Michigan, who worked intermittently with Charles Mingus from 1960 to 1974, and as a performer leading his own groups.
Sonny Stitt Sits in with the Oscar Peterson Trio is a 1959 album by Sonny Stitt, accompanied by the Oscar Peterson trio.
Sonny Side Up is an album by trumpeter Dizzy Gillespie, and the tenor saxophonists Sonny Stitt and Sonny Rollins, recorded in December 1957 in New York City. It was released in 1959 on producer Norman Granz's newly launched Verve label.
Rollins Plays for Bird is a 1957 album by jazz saxophonist Sonny Rollins, recorded for the Prestige label, featuring performances by Rollins with Kenny Dorham, Wade Legge, George Morrow and Max Roach on material associated with Charlie Parker.
Burnin' is a live album by American saxophonist Sonny Stitt, recorded in 1958 in Chicago but not released on Argo until 1960.
Soul People is an album by American saxophonists Sonny Stitt and Booker Ervin, and organist Don Patterson. Just like his previous Soul Shack, Soul People features heavily blues-drenched jazz. The original album was recorded in 1964 and issued by Prestige in early 1965. In 1993, it was reissued on CD by Prestige, featuring three additional tracks.
New York Jazz is an album by saxophonist Sonny Stitt recorded in 1956 and originally released on the Verve label.
Kaleidoscope is an album by saxophonist Sonny Stitt compiling tracks recorded in 1950-52 and released on the Prestige label in 1957. The 1991 CD reissue added four bonus tracks to the original LP.
Gene Ammons and Friends at Montreux is a live album by saxophonist Gene Ammons recorded at the Montreux Jazz Festival in 1973 and released on the Prestige label.
Sonny Stitt & the Top Brass is an album by saxophonist Sonny Stitt recorded in 1962 and released on the Atlantic label.
Night Letter is an album by saxophonist Sonny Stitt recorded in 1969 and released on the Prestige label. The album features Stitt using the varitone, an electronic amplification device which altered the saxophone's sound.
My Mother's Eyes is an album by saxophonist Sonny Stitt recorded in 1963 in Los Angeles and released on the Pacific Jazz label.
All Star Sessions is an album by saxophonist Gene Ammons recorded between 1950 and 1955 and released on the Prestige label.
Made for Each Other is an album by saxophonist Sonny Stitt recorded in 1968 but not released by the Delmark label until 1972. The album represents Stitt's fourth recording featuring the varitone, an electronic amplification device which altered the saxophone's sound.
It's Magic is an album by saxophonist Sonny Stitt recorded in 1969 but not released by the Delmark label until 2005.
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