Stitt Goes Latin | ||||
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Studio album by Sonny Stitt | ||||
Released | 1963 | |||
Recorded | November 6, 1963 A & R Studios, New York City | |||
Genre | Jazz | |||
Label | Roost RLP 2253 | |||
Producer | Teddy Reig | |||
Sonny Stitt chronology | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic |
Stitt Goes Latin is an album by saxophonist Sonny Stitt recorded in 1963 and originally released on the Roost label. [2]
Edward Hammond Boatner Jr., known professionally as Sonny Stitt, was an American jazz saxophonist of the bebop/hard bop idiom. Known for his warm tone, he was one of the best-documented saxophonists of his generation, recording more than 100 albums. He was nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern because of his relentless touring and devotion to jazz. Stitt was sometimes viewed as a Charlie Parker mimic, especially earlier in his career, but gradually came to develop his own sound and style, particularly when performing on tenor sax.
Roost Records was a jazz record label established in 1949 by music producer Teddy Reig in New York City. The label was named after a club in New York City. Saxophonist Stan Getz, early in his career, recorded for the label, as did guitarist Johnny Smith. Smith was the bestselling artist on the Roost label.
All compositions by Sonny Stitt except as indicated
The alto saxophone, also referred to as the alto sax, is a member of the saxophone family of woodwind instruments invented by Belgian instrument designer Adolphe Sax in the 1840s, and patented in 1846. It is pitched in E♭, and is smaller than the tenor, but larger than the soprano. The alto sax is the most common saxophone and is commonly used in concert bands, chamber music, solo repertoire, military bands, marching bands, and jazz. The fingerings of the different saxophones are all the same so a saxophone player can play any type of saxophone.
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B♭ (while the Alto is pitched in the key of E♭), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F♯ key have a range from A♭2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists".
Thaddeus Joseph Jones was an American jazz trumpeter, composer, and bandleader who has been called "one of the all-time greatest jazz trumpet soloists."
New York Jazz is an album by saxophonist Sonny Stitt recorded in 1956 and originally released on the Verve label.
The Battle of Birdland is a live album by saxophonists Sonny Stitt and Eddie Davis recorded at Birdland in New York City in 1954 and originally released on the Roost label.
Jazz at the Hi-Hat is a live album by saxophonist Sonny Stitt and Eddie Davis recorded in Boston in 1954 and originally released on the Roost label as a four track 10 inch LP. The original album has been expanded with additional material and released on CD in two volumes.
Sonny Stitt Plays Arrangements from the Pen of Quincy Jones is an album by saxophonist Sonny Stitt recorded in 1955 and originally released on the Roost label.
Sonny Stitt Plays is an album by saxophonist Sonny Stitt recorded in 1955 and originally released on the Roost label.
37 Minutes and 48 Seconds with Sonny Stitt is an album by saxophonist Sonny Stitt recorded in late 1956 or early 1957 and originally released on the Roost label.
Sonny Stitt with the New Yorkers is an album by the saxophonist Sonny Stitt, recorded in 1957 and originally released on the Roost label.
The Saxophones of Sonny Stitt is an album by saxophonist Sonny Stitt recorded in 1958 and originally released on the Roost label.
A Little Bit of Stitt is an album by saxophonist Sonny Stitt recorded in 1959 and originally released on the Roost label.
The Sonny Side of Stitt is an album by saxophonist Sonny Stitt recorded in 1959 and originally released on the Roost label.
Stittsville is an album by saxophonist Sonny Stitt recorded in 1960 and originally released on the Roost label.
Sonny Side Up is an album by saxophonist Sonny Stitt recorded in 1960 and originally released on the Roost label.
Feelin's is an album by saxophonist Sonny Stitt recorded in 1962 and originally released on the Roost label.
Stitt in Orbit is an album by saxophonist Sonny Stitt recorded in 1960 and 1962 and originally released on the Roost label.
Sax Expressions is an album by saxophonist Sonny Stitt recorded in 1965 and originally released on the Roost label.
I Keep Comin' Back! is an album by saxophonist Sonny Stitt recorded in 1966 and released on the Roulette label. The album represents Stitt's second album featuring the varitone, an electronic amplification device which altered the saxophone's sound.
The Matadors Meet the Bull is an album by saxophonist Sonny Stitt recorded in 1965 and released on the Roulette label. The album was Stitt's first for the label; he had recorded many albums for Roost which Roulette had taken over.
Broadway Soul is an album by saxophonist Sonny Stitt recorded in 1965 and released on the Colpix label.
Constellation is an album by saxophonist Sonny Stitt recorded in 1972 and released on the Cobblestone label.
Goin' Down Slow is an album by saxophonist Sonny Stitt recorded in 1972 and released on the Prestige label.