Only the Blues | ||||
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Studio album by Sonny Stitt | ||||
Released | 1957 | |||
Recorded | October 11, 1957 | |||
Genre | Jazz | |||
Length | 75:03 | |||
Label | Verve | |||
Producer | Norman Granz | |||
Sonny Stitt chronology | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic |
Only the Blues is a 1957 album by Sonny Stitt, accompanied by Roy Eldridge and Oscar Peterson. [2]
An album is a collection of audio recordings issued as a collection on compact disc (CD), vinyl, audio tape, or another medium. Albums of recorded music were developed in the early 20th century as individual 78-rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP records played at 33 1⁄3 rpm. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The audio cassette was a format used alongside vinyl from the 1970s into the first decade of the 2000s.
Edward Hammond Boatner Jr., known professionally as Sonny Stitt, was an American jazz saxophonist of the bebop/hard bop idiom. Known for his warm tone, he was one of the best-documented saxophonists of his generation, recording more than 100 albums. He was nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern because of his relentless touring and devotion to jazz. Stitt was sometimes viewed as a Charlie Parker mimic, especially earlier in his career, but gradually came to develop his own sound and style, particularly when performing on tenor sax.
David Roy Eldridge, nicknamed "Little Jazz", was an American jazz trumpet player. His sophisticated use of harmony, including the use of tritone substitutions, his virtuosic solos exhibiting a departure from the dominant style of jazz trumpet innovator Louis Armstrong, and his strong impact on Dizzy Gillespie mark him as one of the most influential musicians of the swing era and a precursor of bebop.
A subsequent Fresh Sound CD issue gives tracks 5 and 6 plus I Know That You Know with only 1 alternate take.
The alto saxophone, also referred to as the alto sax, is a member of the saxophone family of woodwind instruments invented by Belgian instrument designer Adolphe Sax in the 1840s, and patented in 1846. It is pitched in E♭, and is smaller than the tenor, but larger than the soprano. The alto sax is the most common saxophone and is commonly used in concert bands, chamber music, solo repertoire, military bands, marching bands, and jazz. The fingerings of the different saxophones are all the same so a saxophone player can play any type of saxophone.
A trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group contains the instruments with the highest register in the brass family. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC; they began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips, producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century they have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape.
Oscar Emmanuel Peterson, was a Canadian jazz pianist and composer. He was called the "Maharaja of the keyboard" by Duke Ellington, but simply "O.P." by his friends. He released over 200 recordings, won eight Grammy Awards, and received numerous other awards and honours. He is considered one of the greatest jazz pianists, and played thousands of concerts worldwide in a career lasting more than 60 years.
Mitchell Herbert Ellis, known professionally as Herb Ellis, was an American jazz guitarist. During the 1950s, he was in a trio with pianist Oscar Peterson.
At the Opera House is a 1958 live album by Ella Fitzgerald. The album presents a recording of the 1957 Jazz at the Philharmonic Concerts. This series of live jazz concerts was devised by Fitzgerald's manager Norman Granz, they ran from 1944 to 1983. Featured on this occasion, in 1957, are Fitzgerald and the leading jazz players of the day in an onstage jam session. The first half of the 1990 CD edition includes a performance that was recorded on September 29, 1957 at the Chicago Opera House, whilst the second half highlights the concert recorded on October 7, 1957 at the Shrine Auditorium, in Los Angeles. The original LP obviously included only the mono tracks (#10-18).
Jonathan David Samuel Jones was an American jazz drummer. A band leader and pioneer in jazz percussion, Jones anchored the Count Basie Orchestra rhythm section from 1934 to 1948. He was sometimes known as Papa Jo Jones to distinguish him from younger drummer Philly Joe Jones.
Jazz at Santa Monica '72 is a 1972 live album by the American jazz singer Ella Fitzgerald, recorded at the Santa Monica Civic Auditorium accompanied by a jazz trio led by the pianist Tommy Flanagan, and the Count Basie Orchestra.
Discography for jazz double-bassist and cellist Ray Brown.
"In a Mellow Tone", also known as "In a Mellotone", is a 1939 jazz standard composed by Duke Ellington, with lyrics written by Milt Gabler. The song was based on the 1917 standard "Rose Room" by Art Hickman and Harry Williams, which Ellington himself had recorded in 1932. Howard Stern used a recording of this song as the opening theme to The Howard Stern Show from 1987 to 1994.
Oscar Peterson and the Trumpet Kings – Jousts is a 1974 album by Oscar Peterson, consisting of duets with the trumpeters Harry "Sweets" Edison, Jon Faddis, Clark Terry, Roy Eldridge and Dizzy Gillespie. Peterson had recently recorded individual albums with each of the trumpeters, released as Oscar Peterson and Dizzy Gillespie (1974), Oscar Peterson and Roy Eldridge (1974), Oscar Peterson and Harry Edison (1974), Oscar Peterson and Clark Terry (1975), and Oscar Peterson and Jon Faddis (1975).
Jazz Maturity...Where It's Coming From is a 1975 album featuring Oscar Peterson, Dizzy Gillespie and Roy Eldridge.
Oscar Peterson and Roy Eldridge is a 1974 album by Oscar Peterson, on which he is accompanied by Roy Eldridge.
The Giants is a 1974 album featuring Oscar Peterson, Joe Pass, and Ray Brown. At the Grammy Awards of 1978, Peterson won the Grammy Award for Best Jazz Performance by a Soloist for his performance on this album. It was reissued on CD in 1995 by Original Jazz Classics.
The Oscar Peterson Trio with Roy Eldridge, Sonny Stitt and Jo Jones at Newport is a 1957 live album by Oscar Peterson, accompanied by Roy Eldridge, Sonny Stitt and Jo Jones, recorded at the 1957 Newport Jazz Festival.
Sonny Stitt Sits in with the Oscar Peterson Trio is a 1959 album by Sonny Stitt, accompanied by the Oscar Peterson trio.
In Walked Sonny is an album by American jazz musicians Sonny Stitt and Art Blakey with The Jazz Messengers. It was released in 1975 on the small independent label Sonet Records and is among the most obscure recordings made by the musicians involved in the project.
Roy and Diz is an album by trumpeters Roy Eldridge and Dizzy Gillespie recorded in 1954 and originally released on the Clef label as two separate volumes. Selections from these sessions were also released as Trumpet Battle and The Trumpet Kings
Sonny Stitt/Bud Powell/J. J. Johnson is an album by saxophonist Sonny Stitt compiling tracks recorded with trombonist J. J. Johnson or pianist Bud Powell in 1949-50 and released on the Prestige label in 1957. The 1990 CD reissue added five bonus tracks to the original LP. The cover art was done by cartoonist Don Martin of MAD magazine fame.
Sonny Stitt Plays is an album by saxophonist Sonny Stitt recorded in 1955 and originally released on the Roost label.
Sonny Side Up is an album by saxophonist Sonny Stitt recorded in 1960 and originally released on the Roost label.
All Star Sessions is an album by saxophonist Gene Ammons recorded between 1950 and 1955 and released on the Prestige label.