Oscar Peterson Plays Duke Ellington | ||||
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Studio album by | ||||
Released | 1953 | |||
Recorded | December 1952 | |||
Genre | Jazz | |||
Label | Clef | |||
Producer | Norman Granz | |||
Oscar Peterson chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
Oscar Peterson Plays Duke Ellington is an album by Canadian jazz pianist Oscar Peterson, of songs associated with Duke Ellington released in 1953 on Clef Records. Peterson re-recorded much of the music for his 1959 album Oscar Peterson Plays the Duke Ellington Song book . [2]
All music composed by Duke Ellington, with the exception of "Take the "A" Train", "Things Ain't What They Used to Be", and "John Hardy's Wife", other composers and lyricists indicated.
Ella and Duke at the Cote D'Azur is a 1967 live album by Ella Fitzgerald, accompanied by the big band of Duke Ellington.
The Complete Ella Fitzgerald Song Books were a series of eight studio albums released in irregular intervals between 1956 and 1964, recorded by the American jazz singer Ella Fitzgerald, supported by a variety of orchestras, big bands, and small jazz combos.
Ella Fitzgerald Sings the Duke Ellington Song Book is a 1957 studio album by the American jazz singer Ella Fitzgerald, accompanied by Duke Ellington and his orchestra, focusing on Ellington's songs.
The Blanton–Webster Band is a compilation album that combines the master takes of all the recordings by Duke Ellington's Orchestra during the years of 1940 to 1942, involving bassist Jimmy Blanton and tenor saxophonist Ben Webster. The recordings were originally made for RCA Victor during what many critics regard as the Ellington orchestra's golden period. The three CDs contain many numbers which were to become classics, and the arrangements were frequently inventive and innovative.
"Things Ain't What They Used to Be" is a 1942 jazz standard with music by Mercer Ellington and lyrics by Ted Persons.
The Great Paris Concert is a 1973 live double album by jazz pianist Duke Ellington preserving pieces of a series of performances given in Paris during February 1963, a decade prior the release. For the 1989 CD reissue, 10 additional recordings from the same series of Paris concerts were added to the release. These 10 performances had previously been released on the 1967 LP Duke Ellington's Greatest Hits: Recorded "Live" In Concert.
Never No Lament: The Blanton-Webster Band is a 2003 three-disc compilation combining the master takes of all the recordings by Duke Ellington's Orchestra during the years of 1940 to 1942 with an additional nine tracks, including five alternative takes and four additional masters. An expanded version of The Blanton–Webster Band, this reissue, according to Allmusic, "truly worth either an initial investment or reinvestment". All About Jazz: New York observed that these performances, from what is often considered "the band in its prime", "not only set the standard for big bands and jazz orchestras, but created an ideal near insurmountable to improve upon". The Penguin Guide to Jazz selected this compilation as part of its suggested "Core Collection."
Digital at Montreux is a 1979 live album by Oscar Peterson, accompanied by Niels-Henning Ørsted Pedersen, recorded at the 1979 Montreux Jazz Festival.
Oscar Peterson in Russia is a live album by Oscar Peterson, accompanied by Niels-Henning Ørsted Pedersen, recorded in the Soviet Union.
Soul Call is a 1967 live album by Duke Ellington and his orchestra, recorded live at the Juan-les-Pins/Antibes Jazz Festival on the Côte d'Azur. Ella Fitzgerald appeared with Ellington and his band at the same festival, and a more complete version of Ellington's appearance at the festival is documented on the 1998 album Ella and Duke at the Cote D'Azur.
The Popular Duke Ellington is a studio album by American pianist, composer and bandleader Duke Ellington featuring many of the tunes associated with his orchestra rerecorded in 1966 and released on the RCA label in 1967.
Piano in the Background is an album by American pianist, composer and bandleader Duke Ellington recorded and released on the Columbia label in 1960.
Live at the Blue Note is a live album by American pianist, composer and bandleader Duke Ellington recorded at The Blue Note nightclub in Chicago for the Roulette label in 1959.
Duke Ellington at the Alhambra is a live album by American pianist, composer and bandleader Duke Ellington recorded in 1958 at the Alhambra Theater, Paris and released on the Pablo label in 2002.
Featuring Paul Gonsalves is an album by American jazz pianist, composer, and bandleader Duke Ellington. Without new material to work with, Ellington recorded the album with his orchestra and saxophonist Paul Gonsalves in 1962 during a four-hour recording session. It was not released until 1985 by Fantasy Records.
Dance Concerts, California 1958 is the second volume of The Private Collection a series documenting recordings made by American pianist, composer and bandleader Duke Ellington for his personal collection which was first publicly released on the LMR label in 1987 and later on the Saja label.
The Greatest Jazz Concert in the World is a 1967 live album featuring Duke Ellington and his orchestra, Ella Fitzgerald, Oscar Peterson, T-Bone Walker, Coleman Hawkins, Clark Terry and Zoot Sims. It was released in 1975.
Ellington Is Forever is an album by guitarist Kenny Burrell featuring compositions associated with Duke Ellington recorded in 1975 and released on the Fantasy Records label. Originally released as a double album set in 1975 it was rereleased on CD in 1993 as Ellington Is Forever Volume 1.
All Star Road Band is a live album by American pianist, composer and bandleader Duke Ellington recorded at Sunset Ballroom in Carrolltown, Pennsylvania for radio broadcast and first released as a double LP on Bob Thiele's Doctor Jazz label in 1983. The album was rereleased on CD under the title All Star Road Band Volume One.
We Got It Good and That Ain't Bad: An Ellington Songbook is a 1999 album by André Previn accompanied by bassist David Finck of the music of Duke Ellington.