Oscar Peterson and Nelson Riddle | ||||
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Studio album by | ||||
Released | 1963 | |||
Recorded | November 8, 10, 1963 Radio Recorders Studio, Los Angeles, California | |||
Genre | Jazz | |||
Length | 75:03 | |||
Label | Verve V6-8562 | |||
Producer | Norman Granz | |||
Oscar Peterson chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
Oscar Peterson and Nelson Riddle is a 1963 album by Oscar Peterson with orchestra arranged and conducted by Nelson Riddle. [2] The album was produced by Norman Granz and released on Verve Records.
The album was also reissued in 1984 as Oscar Peterson: The Silver Collection with four tracks added that were recorded by his Trio in 1964, "Con Alma", "Maids of Cadiz", "My Heart Stood Still" and "Woody 'n' You", but omitting track two of the recording with Riddle ("Judy"). [3]
The original album was remastered and re-released by Verve in 2009. [4]
Riddle was nominated at the 7th Annual Grammy Awards for the Grammy Award for Best Jazz Performance – Large Group (Instrumental) for his work on this album. [5]
Billboard magazine described the album as follows: "A neat teaming of talents here brings Peterson more strongly into the pop area than at any time in the past. Riddle's arrangements blend handsomely with their 10 celli, 5 horn and 5 flute voicings, with Peterson's perhaps underplayed pianistics here. There is, in fact, a kind of Claude Thornhill quality to these proceedings, making for strong mood as well as jazz buyer appeal." [6]
The album was nominated at the 1965 Grammy Awards in the category of Best Instrumental Jazz Performance - Large Group or Soloist with Large Group. [7]
Track List for Oscar Peterson: The Silver Collection (Polygram Records October 25, 1990).
Jerome Richardson was an American jazz musician, tenor saxophonist, and flute player, who also played soprano sax, alto sax, baritone sax, clarinet, bass clarinet, alto flute and piccolo. He played with Charles Mingus, Lionel Hampton, Billy Eckstine the Thad Jones/Mel Lewis Big Band, Kenny Burrell, and later with Earl Hines' small band.
Milton "Bags" Jackson was an American jazz vibraphonist, usually thought of as a bebop player, although he performed in several jazz idioms. He is especially remembered for his cool swinging solos as a member of the Modern Jazz Quartet and his penchant for collaborating with hard bop and post-bop players.
Harry "Sweets" Edison was an American jazz trumpeter and a member of the Count Basie Orchestra. His greatest impact was as a Hollywood studio musician, whose muted trumpet can be heard backing singers, most notably Frank Sinatra.
Mitchell Herbert Ellis, known professionally as Herb Ellis, was an American jazz guitarist. During the 1950s, he was in a trio with pianist Oscar Peterson.
Edward Hammond Boatner Jr., known professionally as Sonny Stitt, was an American jazz saxophonist of the bebop/hard bop idiom. Known for his warm tone, he was one of the best-documented saxophonists of his generation, recording more than 100 albums. He was nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern because of his relentless touring and devotion to jazz yet rarely working with the same musicians for long. Stitt was sometimes viewed as a Charlie Parker mimic, especially earlier in his career, but gradually came to develop his own sound and style, particularly when performing on tenor saxophone.
"I Remember Clifford" is an instrumental jazz threnody written by jazz tenor saxophonist Benny Golson in memory of Clifford Brown, the influential and highly regarded jazz trumpeter who died in an auto accident at the age of 25. Brown and Golson had done a stint in Lionel Hampton's band together. The original recording was by Donald Byrd in January 1957.
Shirley Valerie Horn was an American jazz singer and pianist. She collaborated with many jazz musicians including Miles Davis, Dizzy Gillespie, Toots Thielemans, Ron Carter, Carmen McRae, Wynton Marsalis and others. She was most noted for her ability to accompany herself with nearly incomparable independence and ability on the piano while singing, something described by arranger Johnny Mandel as "like having two heads", and for her rich, lush voice, a smoky contralto, which was described by noted producer and arranger Quincy Jones as "like clothing, as she seduces you with her voice".
Discography for jazz double-bassist and cellist Ray Brown.
"Caravan" is an American jazz standard that was composed by Juan Tizol and Duke Ellington and first performed by Ellington in 1936. Irving Mills wrote lyrics, but they are rarely sung. The exotic sound of "Caravan" interested exotica musicians; Martin Denny, Arthur Lyman, and Gordon Jenkins all covered it. Woody Allen used the song in two of his films, Alice and Sweet and Lowdown. Steven Soderbergh used the Lyman version in his 2001 film Ocean's Eleven. The song appears often in the 2014 film Whiplash as an important plot element. The Mills Brothers recorded an a cappella version in which they imitated instruments with their voices. Johnny Mathis recorded the song in 1956. More than 350 versions have been recorded.
"Somebody Loves Me" is a popular song, with music written by George Gershwin, and lyrics by Ballard MacDonald and Buddy DeSylva. The song was published in 1924 and featured in George White's Scandals of 1924.
Ernest Andrew "Ernie" Royal was a jazz trumpeter. His older brother was clarinetist and alto saxophonist Marshal Royal, with whom he appears on the classic Ray Charles big band recording The Genius of Ray Charles (1959).
"Con Alma" is a jazz standard written by Dizzy Gillespie, appearing on his 1954 album Afro. The tune incorporates aspects of bebop jazz and Latin rhythm, and is known for its frequent changes in key centers, while still maintaining a singable melody.
"Mean to Me" is a popular song with music by Fred E. Ahlert and lyrics by Roy Turk, published in 1929. Hit versions that year were by Ruth Etting and by Helen Morgan.
Oscar Peterson and Dizzy Gillespie is an album by Oscar Peterson and Dizzy Gillespie that was released in 1974. At the Grammy Awards of 1976, Gillespie won the Grammy Award for Best Jazz Performance by a Soloist for his performance on this album.
Jazz Giants '58 is a 1958 album produced by Norman Granz featuring Stan Getz, Gerry Mulligan and Harry "Sweets" Edison, accompanied by Louis Bellson and the Oscar Peterson trio.
The recordings of American jazz saxophonist Stan Getz from 1944 to 1991.
"My Ship" is a popular song written for the 1941 Broadway musical Lady in the Dark, with music by Kurt Weill and lyrics by Ira Gershwin.
The Jazz Soul of Oscar Peterson is a 1959 album by the Oscar Peterson Trio, described by AllMusic as "a swinging, straight-ahead affair featuring superb playing throughout."
Blues in the Closet is a studio album by the jazz pianist Bud Powell. Released in 1958 by Verve, it contains a session that Powell recorded at Fine Sound Studios in New York in September 1956.