J. Russel Robinson | |
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Background information | |
Birth name | Joseph Russel Robinson |
Born | Indianapolis, Indiana, U.S. | July 8, 1892
Died | February 24, 1963 70) Palmdale, California | (aged
Genres | |
Occupation(s) | Musician, composer, lyricist |
Instrument | Piano |
Years active | 1908–1950 |
Joseph Russel Robinson (July 8, 1892 – September 30, 1963) was an American ragtime, dixieland, and blues pianist and composer. He was a member of the Original Dixieland Jass Band.
Robinson was born in Indianapolis, Indiana. In his teens he worked as a pianist in theaters to provide music for silent movies. [1] [2] With a right arm that was damaged by polio, he formed unusual techniques with his left hand. [2] With his brother John, a drummer, he toured the southern United States in the early 1910s with an extended stay in New Orleans.
He started publishing compositions in his teens; his early hits included "Sapho Rag" and "Eccentric". [3] His compositions were published as piano rolls by Imperial, the United Music Company, and QRS. He signed a contract with QRS to record blues songs from 1918 to 1921. [2] He worked as a manager for the publishing company owned by W.C. Handy.
Robinson became a member of the Original Dixieland Jass Band in 1919, replacing on piano Henry Ragas, who died on February 18, 1919, in the flu epidemic. [1] Aside from the band, in the early to middle 1920s he played piano for vocalists such as Lizzie Miles and Lucille Hegamin. [2] In the 1930s he became the head of NBC Radio's music department and was a major factor in reuniting the now scattered band. The reunion in 1936 yielded six RCA Victor recordings as "The Original Dixieland Five," several network radio appearances (one with Benny Goodman), and an appearance in a "March of Time" movie short, with J. Russel Robinson speaking on-camera.
At the end of the decade Robinson moved to California and continued to write songs. He was the composer of the title song, "Portrait of Jennie," for the 1948 film of the same name. The song subsequently became a hit for Nat King Cole. [2]
Source: [4]
"Singin' the Blues" was inducted into the Grammy Hall of Fame in a 1927 recording by Frankie Trumbauer and His Orchestra featuring Bix Beiderbecke on cornet. [5]
Ragtime, also spelled rag-time or rag time, is a musical style that had its peak from the 1890s to 1910s. Its cardinal trait is its syncopated or "ragged" rhythm. Ragtime was popularized during the early 20th century by composers such as Scott Joplin, James Scott and Joseph Lamb. Ragtime pieces are typically composed for and performed on piano, though the genre has been adapted for a variety of instruments and styles.
The Original Dixieland Jass Band (ODJB) was a Dixieland jazz band that made the first jazz recordings in early 1917. Their "Livery Stable Blues" became the first jazz record ever issued. The group composed and recorded many jazz standards, the most famous being "Tiger Rag". In late 1917, the spelling of the band's name was changed to Original Dixieland Jazz Band.
Wilbur Coleman Sweatman was an American ragtime and dixieland jazz composer, bandleader and clarinetist. Sweatman was one of the first African-American musicians to have fans nationwide. He was also a trailblazer in the racial integration of musical groups.
James Price Johnson was an American pianist and composer. A pioneer of stride piano, he was one of the most important pianists in the early era of recording, and like Jelly Roll Morton, one of the key figures in the evolution of ragtime into what was eventually called jazz. Johnson was a major influence on Count Basie, Duke Ellington, Art Tatum, Thelonious Monk, and Fats Waller, who was his student.
Artie Matthews was an American songwriter, pianist, and ragtime composer.
Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive list of jazz standards, and the list of songs deemed to be standards changes over time. Songs included in major fake book publications and jazz reference works offer a rough guide to which songs are considered standards.
Pete Wendling was an American composer and pianist, born in New York City to German immigrants. He often collaborated with fellow QRS pianist and composer, Max Kortlander.
"The Saint Louis Blues" is a popular American song composed by W. C. Handy in the blues style and published in September 1914. It was one of the first blues songs to succeed as a pop song and remains a fundamental part of jazz musicians' repertoire. Benny Goodman, Louis Armstrong, Cab Calloway, Bing Crosby, Bessie Smith, Eartha Kitt, Count Basie, Glenn Miller, Guy Lombardo, Peanuts Hucko, Art Tatum, and the Boston Pops Orchestra are among the artists who have recorded it. The song has been called "the jazzman's Hamlet". Composer William Grant Still arranged a version of the song in 1916 while working with Handy.
"Tiger Rag" is a jazz standard that was recorded and copyrighted by the Original Dixieland Jass Band in 1917. It is one of the most recorded jazz compositions. In 2003, the 1918 recording of "Tiger Rag" was entered into the U.S. Library of Congress National Recording Registry.
Henry Walter Ragas was a jazz pianist who was a member of the Original Dixieland Jazz Band, the first jazz band to record commercially.
"Palesteena", or, "Lena from Palesteena", was a 1920 song, with lyrics by Con Conrad, and music by J. Russell Robinson.
"Margie", also known as "My Little Margie", is a 1920 popular song composed in collaboration by vaudeville performer and pianist Con Conrad and ragtime pianist J. Russel Robinson, a member of the Original Dixieland Jazz Band. Lyrics were written by Benny Davis, a vaudeville performer and songwriter. The song was introduced by the Original Dixieland Jazz Band in 1920 as Victor 78, 18717-A, in a medley paired with "Singin' the Blues". The B side was "Palesteena". The ODJB recorded their instrumental version on December 1, 1920.
"Livery Stable Blues" is a jazz composition copyrighted by Ray Lopez and Alcide Nunez in 1917. It was recorded by the Original Dixieland Jass Band on February 26, 1917, and, with the A side "Dixieland Jass Band One-Step" or "Dixie Jass Band One-Step", became widely acknowledged as the first jazz recording commercially released. It was recorded by the Victor Talking Machine Company in New York City at its studio at 46 West 38th Street on the 12th floor – the top floor.
"Sensation Rag" or "Sensation" is a 1918 jazz instrumental by the Original Dixieland Jazz Band. It is one of the earliest jazz recordings. It is not related to Joseph Lamb's 1908 "Sensation Rag", which is a ragtime piano piece.
"At the Jazz Band Ball" is a 1917 jazz instrumental recorded by the Original Dixieland Jazz Band. The instrumental is one of the earliest and most recorded jazz compositions. It is a jazz classic and a standard of the genre.
"Singin' the Blues" is a 1920 jazz composition by J. Russel Robinson, Con Conrad, Sam M. Lewis, and Joe Young. It was recorded by the Original Dixieland Jass Band in 1920 as an instrumental and released as a Victor 78 as part of a medley with "Margie". The song was released with lyrics by vocalist Aileen Stanley in 1920 on Victor. In 1927, Frank Trumbauer, Bix Beiderbecke, and Eddie Lang recorded and released the song as an Okeh 78. The Trumbauer recording is considered a jazz and pop standard, greatly contributing to Frank Trumbauer and Bix Beiderbecke's reputation and influence. It is not related to the 1956 pop song "Singing the Blues" first recorded and released by Marty Robbins in 1956.
"Dixieland Jazz Band One-Step" also known as "Dixie Jass Band One-Step" and "Original Dixieland One-Step" is a 1917 jazz composition by the Original Dixieland Jass Band released as an instrumental on a 78rpm record, issued by the Victor Talking Machine Company. The song is a jazz milestone as the first commercially released "jass" or jazz song.
Ostrich Walk" is a 1917 jazz composition by the Original Dixieland Jass Band released as an instrumental as an Aeolian Vocalion and a Victor 78. Frankie Trumbauer and Bix Beiderbecke recorded the song in 1927. The song is a jazz milestone as one of the first commercially released "jass" or jazz recordings.
Maximilian Joseph Kortlander was an American composer, arranger, and pianist. He is best known for his numerous piano rolls which he performed for QRS Music Technologies, Inc. He often collaborated with fellow QRS pianist and composer, Pete Wendling. A song they wrote together in 1922, 'Whenever You're Lonesome ' has become a jazz standard.