Little Green Apples | ||||
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Studio album by Sonny Stitt | ||||
Released | 1969 | |||
Recorded | 1968 | |||
Genre | Jazz | |||
Label | Solid State SS 18047 | |||
Producer | Richard Carpenter | |||
Sonny Stitt chronology | ||||
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Little Green Apples is an album by saxophonist Sonny Stitt recorded in 1969 and released on the Solid State label. [1] [2]
Edward Hammond Boatner Jr., known professionally as Sonny Stitt, was an American jazz saxophonist of the bebop/hard bop idiom. Known for his warm tone, he was one of the best-documented saxophonists of his generation, recording more than 100 albums. He was nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern because of his relentless touring and devotion to jazz. Stitt was sometimes viewed as a Charlie Parker mimic, especially earlier in his career, but gradually came to develop his own sound and style, particularly when performing on tenor sax.
Solid State Records was a jazz record label formed in 1966 by producers Sonny Lester and Phil Ramone, with arranger Manny Albam.
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The Varitone was a woodwind pickup and effects unit, allowing direct amplification of the instrument and the introduction of various electronic effects. It was marketed in 1967 by the Selmer Company, which developed units for flute, saxophone, and clarinet. The system included an integrated pickup microphone and a control box which allowed the player to use effects such as tremolo, basic EQ, simultaneous sub-octaves and echo in conjunction with a purpose built amplifier. The ceramic microphone was developed to withstand high sound pressure and moisture levels, and built into the head joint of the flute, the neck-joint of the saxophone, and the barrel joint of the clarinet. The pickup was wired to a preamplifier and control box which was either mounted to the bottom key guard, clipped to the player's belt, or hung on a cord around the players neck.
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B♭ (while the Alto is pitched in the key of E♭), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F♯ key have a range from A♭2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists".
The baritone saxophone or "bari sax" is one of the larger members of the saxophone family, only being smaller than the bass, contrabass and subcontrabass saxophones. It is the lowest-pitched saxophone in common use. The baritone saxophone uses a mouthpiece, reed, and ligature in order to produce sound. It is larger than the tenor, alto and soprano saxophones, which are the other commonly found members of the family. The baritone saxophone is commonly used in classical music such as concert band, chamber music, military bands, jazz. It also is occasionally employed in marching bands, though less frequently than other saxophones due to its size and weight.
New York Jazz is an album by saxophonist Sonny Stitt recorded in 1956 and originally released on the Verve label.
The Bop Session is an album by jazz legends Dizzy Gillespie, Sonny Stitt, John Lewis, Hank Jones, Percy Heath and Max Roach recorded in 1975 and released on the Swedish Sonet label.
Blues Up & Down is an album by saxophonists Eddie "Lockjaw" Davis and Johnny Griffin recorded in 1961 and released on the Jazzland label.
The Hard Swing is an album by saxophonist Sonny Stitt's Quartet recorded in 1959 and released on the Verve label.
Saxophone Supremacy is an album by saxophonist Sonny Stitt recorded in 1959 and released on the Verve label.
Rearin' Back is an album by saxophonist Sonny Stitt recorded in 1962 and released on the Argo label.
Sonny Stitt & the Top Brass is an album by saxophonist Sonny Stitt recorded in 1962 and released on the Atlantic label.
Sonny Stitt Plays is an album by saxophonist Sonny Stitt recorded in 1955 and originally released on the Roost label.
The Saxophones of Sonny Stitt is an album by saxophonist Sonny Stitt recorded in 1958 and originally released on the Roost label.
A Little Bit of Stitt is an album by saxophonist Sonny Stitt recorded in 1959 and originally released on the Roost label.
The Sonny Side of Stitt is an album by saxophonist Sonny Stitt recorded in 1959 and originally released on the Roost label.
Sonny Side Up is an album by saxophonist Sonny Stitt recorded in 1960 and originally released on the Roost label.
I Keep Comin' Back! is an album by saxophonist Sonny Stitt recorded in 1966 and released on the Roulette label. The album represents Stitt's second album featuring the varitone, an electronic amplification device which altered the saxophone's sound.
The Matadors Meet the Bull is an album by saxophonist Sonny Stitt recorded in 1965 and released on the Roulette label. The album was Stitt's first for the label; he had recorded many albums for Roost which Roulette had taken over.
Pow! is an album by saxophonist Sonny Stitt featuring trombonist Benny Green recorded in 1965 and released on the Prestige label in 1967.
Night Crawler is an album by saxophonist Sonny Stitt with organist Don Patterson recorded in 1965 and released on the Prestige label.
All Star Sessions is an album by saxophonist Gene Ammons recorded between 1950 and 1955 and released on the Prestige label.
Funk You! is an album by organist Don Patterson recorded in 1968 and released on the Prestige label.
Come Hither is an album by saxophonist Sonny Stitt recorded in 1969 and released on the Solid State label.
My Buddy: Sonny Stitt Plays for Gene Ammons is an album by saxophonist Sonny Stitt featuring selections associated with his fellow musician Gene Ammons recorded in 1975 and released on the Muse label in 1976.