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Bunky Green | |
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| Birth name | Vernice Green |
| Born | April 23, 1933 Milwaukee, Wisconsin, U.S. |
| Genres | Jazz |
| Occupation(s) | Musician, educator |
| Instrument(s) | Alto saxophone |
| Years active | 1940s–1980s |
| Labels | Exodus, Argo, Vanguard, Delos, Pi, Label Bleu |
Vernice "Bunky" Green (born April 23, 1933) is an American jazz alto saxophonist and educator.
Green was raised in Milwaukee, Wisconsin, where he played the alto saxophone, mainly at a local club called "The Brass Rail".
Green's first break came when he was hired in New York City by Charles Mingus as a replacement for Jackie McLean in the 1950s. His brief stint with the bass player and composer made a deep impression. Mingus' sparing use of notation and his belief that there was no such thing as a wrong note had a lasting influence on Green's own style.
Green moved to Chicago, Illinois, where he performed with players such as Sonny Stitt, Louie Bellson, Andrew Hill, Yusef Lateef, and Ira Sullivan. Originally strongly influenced by Charlie Parker, Green spent a period reassessing his style and studying, emerging with a highly distinctive sound that has deeply influenced a number of younger saxophonists, including Steve Coleman and Greg Osby.
Green gradually withdrew from the public eye to develop a career as a jazz educator. He taught at Chicago State University from 1972–1989, and in the 1990s took up the directorship of the jazz studies program at the University of North Florida in Jacksonville, where he taught and acted as chair of Jazz Studies until his retirement in 2011. He has also served a term as the president of the International Association for Jazz Education and been elected to the Jazz Education Hall of Fame.
Green recorded several albums during the 1960s, including Step High (featuring Wynton Kelly and Jimmy Cobb), Playing for Keeps, and Soul in the Night (which paired Green with Sonny Stitt). In addition to a handful of records as a leader on the Vanguard label during the 1970s, he also recorded several albums with Elvin Jones, including Summit Meeting and Time Capsule . His 1989 session on the Delos label, Healing the Pain , commemorates the death of his parents and was awarded the coveted 5-star rating from DownBeat magazine. Green's studio album, Another Place (which features the rhythm section of Jason Moran, Lonnie Plaxico, and Nasheet Waits), also received a 5-star review from Down Beat. In July 2008, his recording The Salzau Quartet Live at Jazz Baltica was released.
With Fontella Bass
With others
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Summit Meeting is a jazz album by drummer Elvin Jones, saxophonists James Moody and Bunky Green, trumpeter Clark Terry and guitarist Roland Prince recorded in 1976 and released on the Vanguard label.
Time Capsule is a jazz album by drummer Elvin Jones recorded in 1976–77 and released on the Vanguard label.
I Keep Comin' Back! is an album by saxophonist Sonny Stitt recorded in 1966 and released on the Roulette label. The album represents Stitt's second album featuring the varitone, an electronic amplification device which altered the saxophone's sound.
Soul in the Night is an album by saxophonists Sonny Stitt and Bunky Green recorded in Chicago in 1966 and released on the Cadet label.
Mr. Bojangles is an album by saxophonist Sonny Stitt recorded in 1973 and released on the Cadet label.
Playin' for Keeps is an album by saxophonist Bunky Green recorded in Chicago and released by the Cadet label in 1966.
My Babe is an album by saxophonist Bunky Green recorded in Chicago in 1960 but not released on the Vee-Jay label until 1965. It was also released on the label subsidiary Exodus Records in 1966.
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