Satan | ||||
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Studio album by Sonny Stitt | ||||
Released | 1974 | |||
Recorded | 1974 Sound Exchange Studios, New York City | |||
Genre | Jazz | |||
Length | 36:21 | |||
Label | Cadet CA 50060 | |||
Producer | Esmond Edwards | |||
Sonny Stitt chronology | ||||
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Satan is an album by saxophonist Sonny Stitt recorded in 1974 and released on the Cadet label. [1] [2]
Edward Hammond Boatner Jr., known professionally as Sonny Stitt, was an American jazz saxophonist of the bebop/hard bop idiom. Known for his warm tone, he was one of the best-documented saxophonists of his generation, recording more than 100 albums. He was nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern because of his relentless touring and devotion to jazz. Stitt was sometimes viewed as a Charlie Parker mimic, especially earlier in his career, but gradually came to develop his own sound and style, particularly when performing on tenor sax.
Cadet Records was an American record label that began as Argo Records in 1955 as the jazz subsidiary of Chess Records. Argo changed its name in 1965 to Cadet to avoid confusion with the similarly named label in the UK. Cadet stopped releasing records around 1974, when its artists were moved to Chess.
All compositions by Roland Hanna except as indicated
The alto saxophone, also referred to as the alto sax, is a member of the saxophone family of woodwind instruments invented by Belgian instrument designer Adolphe Sax in the 1840s, and patented in 1846. It is pitched in E♭, and is smaller than the tenor, but larger than the soprano. The alto sax is the most common saxophone and is commonly used in concert bands, chamber music, solo repertoire, military bands, marching bands, and jazz. The fingerings of the different saxophones are all the same so a saxophone player can play any type of saxophone.
Roland Pembroke Hanna was an American jazz pianist, composer, and teacher.
An electric piano is an electric musical instrument which produces sounds when a performer presses the keys of the piano-style musical keyboard. Pressing keys causes mechanical hammers to strike metal strings, metal reeds or wire tines, leading to vibrations which are converted into electrical signals by magnetic pickups, which are then connected to an instrument amplifier and loudspeaker to make a sound loud enough for the performer and audience to hear. Unlike a synthesizer, the electric piano is not an electronic instrument. Instead, it is an electro-mechanical instrument. Some early electric pianos used lengths of wire to produce the tone, like a traditional piano. Smaller electric pianos used short slivers of steel to produce the tone. The earliest electric pianos were invented in the late 1920s; the 1929 Neo-Bechstein electric grand piano was among the first. Probably the earliest stringless model was Lloyd Loar's Vivi-Tone Clavier. A few other noteworthy producers of electric pianos include Baldwin Piano and Organ Company and the Wurlitzer Company.
New York Jazz is an album by saxophonist Sonny Stitt recorded in 1956 and originally released on the Verve label.
God Bless Jug and Sonny is a live album by saxophonists Sonny Stitt and Gene Ammons recorded in Baltimore in 1973 and released on the Prestige label in 2001.
Left Bank Encores is a live album by saxophonists Sonny Stitt and Gene Ammons recorded in Baltimore in 1973 and released on the Prestige label in 2002. The album was recorded at the same concert that produced God Bless Jug and Sonny.
Together Again for the Last Time is an album by saxophonists Sonny Stitt and Gene Ammons recorded in 1973 and released on the Prestige label in 1976. The album was the final recording by the pair, who had a long history of collaboration, prior to the death of Ammons in 1974.
Kaleidoscope is an album by saxophonist Sonny Stitt compiling tracks recorded in 1950-52 and released on the Prestige label in 1957. The 1991 CD reissue added four bonus tracks to the original LP.
Sonny Stitt is an eponymous album by saxophonist Sonny Stitt recorded in Chicago in 1958 and originally released on the Argo label.
Sonny Stitt Swings the Most is an album by saxophonist Sonny Stitt recorded in 1959 and released on the Verve label.
Saxophone Supremacy is an album by saxophonist Sonny Stitt recorded in 1959 and released on the Verve label.
Sonny Stitt & the Top Brass is an album by saxophonist Sonny Stitt recorded in 1962 and released on the Atlantic label.
Jazz at the Hi-Hat is a live album by saxophonist Sonny Stitt and Eddie Davis recorded in Boston in 1954 and originally released on the Roost label as a four track 10 inch LP. The original album has been expanded with additional material and released on CD in two volumes.
Sonny Stitt Plays Arrangements from the Pen of Quincy Jones is an album by saxophonist Sonny Stitt recorded in 1955 and originally released on the Roost label.
Sonny Stitt Plays is an album by saxophonist Sonny Stitt recorded in 1955 and originally released on the Roost label.
Stittsville is an album by saxophonist Sonny Stitt recorded in 1960 and originally released on the Roost label.
Stitt in Orbit is an album by saxophonist Sonny Stitt recorded in 1960 and 1962 and originally released on the Roost label.
I Keep Comin' Back! is an album by saxophonist Sonny Stitt recorded in 1966 and released on the Roulette label. The album represents Stitt's second album featuring the varitone, an electronic amplification device which altered the saxophone's sound.
Inter-Action is an album by saxophonists Sonny Stitt and Zoot Sims recorded in Chicago in 1965 and released on the Cadet label.
Soul in the Night is an album by saxophonists Sonny Stitt and Bunky Green recorded in Chicago in 1966 and released on the Cadet label.
Deuces Wild is an album by saxophonist Sonny Stitt recorded in 1966 and released on the Atlantic label. The album featured Robin Kenyatta's recording debut. The 4 Stitt organ trio tracks can be found as bonus tracks to the My Mother's Eye's CD
Constellation is an album by saxophonist Sonny Stitt recorded in 1972 and released on the Cobblestone label.
Mr. Bojangles is an album by saxophonist Sonny Stitt recorded in 1973 and released on the Cadet label.