Elliott Randall | |
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Background information | |
Born | June 15, 1947 |
Origin | United States |
Genres | Rock |
Occupation | Session musician |
Instrument | Guitar |
Elliott Randall (born June 15, 1947) is an American guitarist, best known for being a session musician and performing with popular music artists. Randall played the well-known guitar solos on Steely Dan's song "Reelin' in the Years" and Irene Cara's song "Fame". The former solo was ranked as the 40th best guitar solo of all time by the readers of Guitar World magazine [1] and the eighth best guitar solo by Q4 Music. [2]
Randall began taking piano lessons at age five. At nine, in 1956, he switched to guitar. He attended New York City's High School of Music & Art, where he was classmates with Laura Nyro and Michael Kamen. [3] In 1963, at sixteen, Randall met Richie Havens in Greenwich Village and began gigging. Randall did some early work behind the Capris and the Ronettes, and by 1964 was recording "small-time" demos.
Between 1966 and 1967, he taught music in Ohio. Returning to New York, he began working as a staff musician for the Musicor record company. During 1968, he recorded with the Druids of Stonehenge with a brief cameo appearance on the Joe Franklin show. He began recording with friends around 1968, including Tim Rose, and made demo recordings with Donald Fagen and Walter Becker—who at the time were with Jay and the Americans. In 1969 he recorded on the album Electric Black Man , featuring Eric Mercury, and toured with the ensemble, which included Bill Lordan on drums, later to perform in the Robin Trower Band and with Sly Stone. In 1969, he joined the band Seatrain, opting for that band rather than joining Wilson Pickett in Muscle Shoals. In 1970, Randall signed with the Robert Stigwood Organization, which managed Cream, The Bee Gees, John Mayall and The Staple Singers. He formed a band called Randall's Island, which recorded a few albums on Polydor.
In 1972, The Stigwood Organization bought the rights to Jesus Christ Superstar and produced the show on Broadway. They hired Randall's band to perform the music. There, Randall met guitarist Vinnie Bell, who was experimenting with various electronic effects. Randall began to dabble in electronics as well, and whenever Bell couldn't make a gig, he recommended Randall.
In 1972, Randall left New York for California. He reunited with Becker, Fagen and childhood friend Jeff 'Skunk' Baxter, and recorded the first Steely Dan album, Can't Buy a Thrill . Randall's guitar work on "Reelin' in the Years" became popular as the song became a chart success, and soon, as the solo gained fame and respect, Randall began getting calls from other artists.
Randall has had a history of turning down permanent gigs, instead favoring session work. He did become a touring member of Sha Na Na in 1974, exiting amicably in 1975. Becker and Fagen asked Randall to become a permanent member of Steely Dan, but Randall politely declined, as he felt that the band's dynamics would make the band dissolve after the third album—which happened. Later, Randall played with Steely Dan on their fourth and fifth albums, Katy Lied (1975) and The Royal Scam (1976). In 1980, John Belushi asked Randall to be musical director for The Blues Brothers, a position he also turned down. Jeff Porcaro and David Paich offered Randall the chance to be a founding member of Toto, and he rejected that too.
As a session player, Randall played with artists such as The Doobie Brothers, Tom Rush, Elkie Brooks, Carly Simon, Carl Wilson, Peter Wolf, Peter Frampton, James Galway, Rochester Philharmonic Orchestra and The American Symphony Orchestra, among many others. He was also a music consultant for the American late-night live television sketch comedy and variety show Saturday Night Live and for American film director, screenwriter and producer Oliver Stone and did projects with music producers Gary Katz, David Kershenbaum, The Tokens, Steve Lillywhite, Eddie Kramer and Jerry Wexler. A full list of artists and producers with whom Randall has recorded can be found at elliott-randall.com. [4]
In addition to artistic projects, Elliott has also played, produced, and composed myriad advertisements (jingles) for television, radio and cinema, for clients including Coca-Cola, PepsiCo, Miller Beer, Budweiser, Cadillac, Ford, McDonald's, Burger King, Wendy's, CitiBank, General Mills, Nabisco, Procter & Gamble, MTV, ESPN, CBS, ABC, BBC-TV and countless others. Since the advent of MIDI in the early 1980s, Randall has worked as independent consultant for a wide range of companies - including Akai, Roland, Korg and Yamaha - in musical instrument and amplifier development, recording and sampling technology, software design, and education.
Randall's recent projects include recording, production, and consulting on streaming Internet content. He is currently recording a new CD in London, New York and Ireland that blends Celtic, Afro-Cuban and other global musical influences. He recorded and plays with his London-based band Posse and NYC-based Randall's Rangers.
Randall appeared as a guest at London's Hammersmith Apollo on July 1, 2009 with Steely Dan to play lead guitar on "Reelin' in the Years", and did so again at London's SSE Arena on February 25, 2019.
Randall plays a 1963 Fender Stratocaster. The neck pickup is a 1969 Gibson Humbucker. He often plays through a Fender Super Reverb. He was listed as an endorser for Dimarzio pickups in the company's product brochure circa 1981.
In an article in Guitar Player magazine (July 2007) Randall was asked what rig he used to record the solo on "Reelin' in the Years". He states, "That was my '63 Fender Stratocaster with a PAF humbucker in the neck position, straight into an Ampeg SVT bass amp. The SVT wouldn't have been my first choice for an amp--or even my fifth choice--but it worked a storm on that recording!"
Eric Mercury "Electric Black Man" 1969 Avco
Steely Dan is an American rock band formed in Annandale-on-Hudson, New York, in 1971 by Walter Becker and Donald Fagen. Originally having a full band lineup, Becker and Fagen chose to stop playing live by the end of 1974 and continued Steely Dan as a studio-only duo, utilizing a revolving cast of session musicians. Rolling Stone has called them "the perfect musical antiheroes for the seventies".
Pretzel Logic is the third studio album by American rock band Steely Dan, released on February 20, 1974, by ABC Records. It was recorded at the Village Recorder in West Los Angeles, California, with producer Gary Katz. The album was Steely Dan's last to be made and released while the group was still an active touring band, as well as the final album to feature the band's full quintet-lineup of Becker, Fagen, Denny Dias, Jim Hodder, and Jeff "Skunk" Baxter, though it also features significant contributions from many prominent Los Angeles-based studio musicians.
Donald Jay Fagen is an American musician who was the co-founder, lead singer, co-songwriter, and keyboardist of the band Steely Dan, formed in the early 1970s with musical partner Walter Becker. In addition to his work with Steely Dan, Fagen has released four solo albums, beginning with The Nightfly in 1982, which was nominated for seven Grammys.
Walter Carl Becker was an American musician, songwriter, and record producer. He was the co-founder, guitarist, bassist, and co-songwriter of the jazz rock band Steely Dan.
Can't Buy a Thrill is the debut studio album by American rock band Steely Dan, released in November 1972, by ABC Records. It was written by band members Walter Becker and Donald Fagen, and recorded in August 1972 at the Village Recorder in Los Angeles with producer Gary Katz. The album is one of Steely Dan's most stylistically eclectic, encompassing the sounds of soft rock, folk rock, jazz rock and pop, alongside philosophical, elliptical lyrics.
Countdown to Ecstasy is the second studio album by American rock band Steely Dan, released in July 1973, by ABC Records. It was recorded at the Village Recorder in West Los Angeles, California, except for Rick Derringer's slide guitar part for "Show Biz Kids", which was recorded at Caribou Ranch in Nederland, Colorado. After the departure of vocalist David Palmer from Steely Dan, the group recorded the album with Donald Fagen singing lead on every track.
Katy Lied is the fourth studio album by American rock band Steely Dan, released in March 1975, by ABC Records; reissues have since been released by MCA Records due to ABC's acquisition by the former in 1979. It was the first album the group made after they stopped touring, as well as their first to feature backing vocals by Michael McDonald.
The Royal Scam is the fifth studio album by American rock band Steely Dan, released in May 1976, by ABC Records; reissues have since been released by MCA Records due ABC's acquisition by the former in 1979. It was produced by Gary Katz. In the United States, the album peaked at number 15 on the Billboard Top LPs & Tape chart, and it has been certified Platinum by the Recording Industry Association of America (RIAA).
Gaucho is the seventh studio album by the American rock band Steely Dan, released by MCA Records on November 21, 1980. The album marked a significant stylistic shift for the band, with more focus on rhythm and atmosphere than their earlier work, but the recording sessions demonstrated the group's typical obsessive nature and perfectionism, as they used at least 42 different session musicians, spent over a year in the studio, and far exceeded the original monetary advance given by the record label. At the 24th Annual Grammy Awards, Gaucho won Best Engineered Recording – Non-Classical, and was nominated for Album of the Year and Best Pop Performance by a Duo or Group with Vocals.
Everything Must Go is the ninth studio album by American rock group Steely Dan. It was released on June 10, 2003, by Reprise Records. It was the band's second album following their 20-year studio hiatus spanning 1980 through 2000, when they released Two Against Nature. Everything Must Go is the band's most recent studio album and their last with founding member Walter Becker before his death in 2017.
Larry Eugene Carlton is an American guitarist who built his career as a studio musician in the 1970s and 1980s for acts such as Steely Dan and Joni Mitchell. One of the most sought after guitarists of his era, Carlton has participated in thousands of recording sessions, recorded on hundreds of albums in many genres, including more than 100 gold records, as well as for television and movies. He has been a member of the jazz fusion group the Crusaders and the smooth jazz band Fourplay, and has maintained a long solo career.
Roger Scott Nichols was an American recording engineer, producer, and inventor.
"Reelin' In the Years" is a song by American rock band Steely Dan, released as the second single from their 1972 debut album, Can't Buy a Thrill. It peaked at No. 11 on the US Billboard Hot 100 chart and at No. 15 in Canada.
"Pretzel Logic" is a song written by Walter Becker and Donald Fagen, released as a single by Steely Dan from their album Pretzel Logic, originally in 1974 by ABC Records. It reached number 57 in the Billboard charts.
Hugh Carmine McCracken was an American rock guitarist and session musician based in New York City, primarily known for his performance on guitar and also as a harmonica player. McCracken was additionally an arranger and record producer.
"FM (No Static at All)" is a song by American jazz-rock band Steely Dan, the title theme for the 1978 film FM. It made the US Top 40 that year when released as a single, a success relative to the film. Musically, it is a complex jazz-rock composition driven by its bass, guitar and piano parts, typical of the band's sound from this period; its lyrics look askance at the album-oriented rock format of many FM radio stations at that time, in contrast to the film's celebration of that medium.
"Josie" is a song written by Walter Becker and Donald Fagen and first released by Steely Dan on their 1977 album Aja. It was also released as the third single from the album and performed modestly well, reaching number 26 on the Billboard Hot 100 and number 44 on the Easy Listening chart that year. It has appeared on several Steely Dan live and compilation albums.
"Aja" is a jazz rock song, with elements of jazz fusion and progressive rock, by the American rock band Steely Dan from the album of the same name, their sixth studio album, released in 1977. Composers Becker and Fagen play guitar and synthesizer, respectively, with studio musicians playing the other parts. Fagen sings lead vocals. Production duties were handled by Gary Katz; the album was released through ABC Records. Musically, it is tonally sophisticated and a structurally complex work that was praised upon release as the most ambitious track the duo had ever attempted. The song's lyrics voice the interior monologue of a man who runs to the title character to escape the stresses of his life "up on the hill." Fagen claimed that it was inspired by the relative of an acquaintance, who had married a Korean woman named Aja. He has described the song as being about the "tranquility that can come of a quiet relationship with a beautiful woman."
"Dirty Work" is a song written by Donald Fagen and Walter Becker of Steely Dan, which appeared on the band's 1972 debut album Can't Buy a Thrill.