Katy Lied | ||||
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Studio album by | ||||
Released | March 1, 1975 | |||
Recorded | November 1974–January 1975 | |||
Studio | ABC, Los Angeles, California | |||
Genre | Pop rock | |||
Length | 35:20 | |||
Label | ABC | |||
Producer | Gary Katz | |||
Steely Dan chronology | ||||
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Singles from Katy Lied | ||||
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Katy Lied is the fourth studio album by American rock band Steely Dan, released in March 1975, by ABC Records; reissues have since been released by MCA Records due to ABC's acquisition by the former in 1979. It was the first album the group made after they stopped touring, as well as their first to feature backing vocals by Michael McDonald.
In the United States, the album peaked at number 13 on the Billboard Top LPs & Tape chart, and it has been certified Gold by the Recording Industry Association of America (RIAA). [2] The single "Black Friday" charted at number 37 on the Billboard Hot 100. [3]
The album was the first one recorded by Steely Dan after guitarist Jeff "Skunk" Baxter and drummer Jim Hodder left the group as a result of Walter Becker and Donald Fagen's decision to stop touring and focus solely on recording with various studio musicians. Guitarist Denny Dias, a founding member of Steely Dan, contributed to the album as a session musician, as did vocalist Michael McDonald and drummer Jeff Porcaro, who were both members of Steely Dan's final touring band. Then only 20 years old, Porcaro played drums on every track on the album except "Any World (That I'm Welcome To)", which features session drummer Hal Blaine. Larry Carlton, who became a regular collaborator of the group, made his first appearance on a Steely Dan album playing guitar on "Daddy Don't Live in That New York City No More".
Band leaders Becker and Fagen said they were dissatisfied with the album's sound quality because of an equipment malfunction with the then-new dbx noise reduction system. [4] The damage was mostly repaired after consulting with the engineers at dbx, but Becker and Fagen still refused to listen to the completed album.
"Black Friday", which features Michael Omartian on piano and David Paich on Hohner electric piano and was released as the first single from the album, relates the story of a crooked speculator who makes his fortune and absconds to Muswellbrook, New South Wales, Australia, as, according to Fagen, "It was the place most far away from LA we could think of". The town also "fit[s] the metre of the song and rhyme[s] with 'book'", [5] though Fagen did not realise that locals pronounce it "Musselbrook" (omitting the "w"), which makes the song grating for Australian fans. [6]
The album's title comes from the lyrics of "Doctor Wu" ("Katy lies / You can see it in her eyes"), and the album cover is a picture of a katydid, a "singing" (stridulating) insect related to crickets and grasshoppers, as a pun on the title. Walter Becker told Rolling Stone , during the band's 2009 tour: "It's about that uneasy relationship between the patient and doctor. People put faith in doctors, yet they abuse their power and become dangerous." [7] The back cover photograph of Donald Fagen (in reindeer sweater) and Denny Dias (in overalls and sombrero and holding a tank of helium) was taken by Becker during the session (sometime in 1972-73) for their Schlitz beer jingle. [8]
Review scores | |
---|---|
Source | Rating |
AllMusic | [9] |
Chicago Tribune | [10] |
Christgau's Record Guide | A− [11] |
Encyclopedia of Popular Music | [12] |
The Great Rock Discography | 8/10 [13] |
MusicHound Rock | 4/5 [14] |
Pitchfork | 9.1/10 [15] |
The Rolling Stone Album Guide | [16] |
Select | [17] |
Tom Hull – on the Web | A [18] |
Reviewing the album in 1975 for The Village Voice , Robert Christgau said that, while Katy Lied might be Steely Dan's "biggest" album to that point, he found it "slightly disappointing" on a musical level, citing the loss of lead guitarist Baxter and what he perceived as "cool, cerebral, one-dimensional" jazz guitar influences. Nonetheless, Christgau admitted that he played the album frequently, [19] and he voted it the third-best album of the year on his ballot for the 1975 Pazz & Jop critics poll, [20] on which it placed sixth. [21] John Mendelsohn was more critical in Rolling Stone , writing that "however immaculately tasteful and intelligent" Steely Dan's music may be in theory, it did not register with him emotionally and remained "exemplarily well-crafted and uncommonly intelligent schlock". Mendelsohn found the lyrics interesting, but inscrutable, the musicianship tasteful and well-performed, but not stimulating, and Fagen's singing unique-sounding, but seemingly passionless. [22] In a review in Rolling Stone from 1977, Cameron Crowe called the album "anonymous, absolutely impeccable swing-pop" with "no cheap displays of human emotion". [23]
Retrospectively, Stephen Thomas Erlewine of AllMusic described the album as "a smoother version of Pretzel Logic" and "another excellent record" by Steely Dan. [9] Travis Elborough wrote in his 2008 book The Long-Player Goodbye: The Album from LP to iPod and Back Again that Katy Lied, while not on par with Pretzel Logic (1974) or Aja (1977), was still "up there as jazz rock staples go". [24] In The Rolling Stone Album Guide (2004), Rob Sheffield said the album completed a trilogy of Steely Dan albums (the other parts being Countdown to Ecstasy (1973) and Pretzel Logic) that is "a rock version of Chinatown , a film noir tour of L.A.'s decadent losers, showbiz kids, and razor boys". [16] Jazz historian Ted Gioia cited the album as an example of Steely Dan "proving that pop-rock could equally benefit from a healthy dose of jazz" during their initial tenure, which coincided with a period when rock musicians frequently experimented with jazz idioms and techniques. [25]
Of lead single "Black Friday", Cash Box said that it contains elements that made earlier Steely Dan singles successful, such as "Hot Fender Rhodes piano tracks, lead guitar work, rhythm that won't stop cooking and identifiable vocals and mix that lets you know Gary Katz has been hard at work on the knobs." [26]
All tracks are written by Walter Becker and Donald Fagen
No. | Title | Length |
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1. | "Black Friday" | 3:40 |
2. | "Bad Sneakers" | 3:16 |
3. | "Rose Darling" | 2:59 |
4. | "Daddy Don't Live in that New York City No More" | 3:12 |
5. | "Doctor Wu" | 3:59 |
No. | Title | Length |
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6. | "Everyone's Gone to the Movies" | 3:41 |
7. | "Your Gold Teeth II" | 4:12 |
8. | "Chain Lightning" | 2:57 |
9. | "Any World (That I'm Welcome To)" | 3:56 |
10. | "Throw Back the Little Ones" | 3:11 |
Total length: | 35:20 |
|
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Chart (1975) | Peak position |
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Australian Albums (Kent Music Report) [27] | 28 |
UK Albums (OCC) | 13 |
US Billboard Top LPs & Tape [2] | 13 |
Year | Single | Catalogue number | Peak position | Chart |
---|---|---|---|---|
1975 | "Black Friday" (B-side: "Throw Back the Little Ones") | ABC 12101 | 37 | US Billboard Hot 100 [3] |
1975 | "Bad Sneakers" (B-side: "Chain Lightning") | ABC 12128 | 103 |
Steely Dan is an American rock band formed in Annandale-on-Hudson, New York, in 1971 by Walter Becker and Donald Fagen. Originally having a full band lineup, Becker and Fagen chose to stop playing live by the end of 1974 and continued Steely Dan as a studio-only duo, utilizing a revolving cast of session musicians. Rolling Stone has called them "the perfect musical antiheroes for the seventies".
Pretzel Logic is the third studio album by American rock band Steely Dan, released on February 20, 1974, by ABC Records. It was recorded at the Village Recorder in West Los Angeles, California, with producer Gary Katz. The album was Steely Dan's last to be made and released while the group was still an active touring band, as well as the final album to feature the band's full quintet-lineup of Becker, Fagen, Denny Dias, Jim Hodder, and Jeff "Skunk" Baxter, though it also features significant contributions from many prominent Los Angeles-based studio musicians.
Donald Jay Fagen is an American musician who was the co-founder, lead singer, co-songwriter, and keyboardist of the band Steely Dan, formed in the early 1970s with musical partner Walter Becker. In addition to his work with Steely Dan, Fagen has released four solo albums, beginning with The Nightfly in 1982, which was nominated for seven Grammys.
Walter Carl Becker was an American musician, songwriter, and record producer. He was the co-founder, guitarist, bassist, and co-songwriter of the jazz rock band Steely Dan.
Can't Buy a Thrill is the debut studio album by American rock band Steely Dan, released in November 1972, by ABC Records. It was written by band members Walter Becker and Donald Fagen, and recorded in August 1972 at the Village Recorder in Los Angeles with producer Gary Katz. The album is one of Steely Dan's most stylistically eclectic, encompassing the sounds of soft rock, folk rock, jazz-rock and pop, alongside philosophical, elliptical lyrics.
Aja is the sixth studio album by the American jazz rock band Steely Dan, released on September 23, 1977, by ABC Records. On the album, band leaders Donald Fagen and Walter Becker pushed Steely Dan further into experimenting with different combinations of session players, enlisting the services of nearly 40 musicians, while pursuing longer, more sophisticated compositions and arrangements.
Countdown to Ecstasy is the second studio album by American rock band Steely Dan, released in July 1973, by ABC Records. It was recorded at the Village Recorder in West Los Angeles, California, except for Rick Derringer's slide guitar part for "Show Biz Kids", which was recorded at Caribou Ranch in Nederland, Colorado. After the departure of vocalist David Palmer from Steely Dan, the group recorded the album with Donald Fagen singing lead on every track.
The Royal Scam is the fifth studio album by American rock band Steely Dan, released in May 1976, by ABC Records; reissues have since been released by MCA Records due ABC's acquisition by the former in 1979. It was produced by Gary Katz. In the United States, the album peaked at number 15 on the Billboard Top LPs & Tape chart, and it has been certified Platinum by the Recording Industry Association of America (RIAA).
Gaucho is the seventh studio album by the American rock band Steely Dan, released by MCA Records on November 21, 1980. The album marked a significant stylistic shift for the band, with more focus on rhythm and atmosphere than their earlier work, but the recording sessions demonstrated the group's typical obsessive nature and perfectionism, as they used at least 42 different musicians, spent over a year in the studio, and far exceeded the original monetary advance given by the record label. At the 24th Annual Grammy Awards, Gaucho won Best Engineered Recording – Non-Classical, and was nominated for Album of the Year and Best Pop Performance by a Duo or Group with Vocals.
The Nightfly is the debut solo studio album by American singer-songwriter Donald Fagen. Produced by Gary Katz, it was released October 1, 1982, by Warner Bros. Records. Fagen is best known for his work in the group Steely Dan, with whom he enjoyed a successful career since the 1970s. The band separated in 1981, leading Fagen to pursue a solo career. Although The Nightfly includes a number of production staff and musicians who had played on Steely Dan records, it was Fagen's first release without longtime collaborator Walter Becker.
"Deacon Blues" is a song written by Walter Becker and Donald Fagen in 1976 and recorded by their group Steely Dan on their 1977 album Aja. It peaked at number 19 on the Billboard charts and number 17 on the U.S. Cash Box Top 100 in June 1978. It also reached number 40 on the Easy Listening chart. In Canada, it peaked at number 14, a position it occupied for two weeks, and number 20 Adult Contemporary. In 2021, it was ranked No. 214 on Rolling Stone magazine's list of the "500 Greatest Songs of All Time".
Dennis Dias is an American guitarist, best known for being a founding member of Steely Dan.
"Reelin' In the Years" is a song by American rock band Steely Dan, released as the second single from their 1972 debut album, Can't Buy a Thrill. It peaked at No. 11 on the US Billboard Hot 100 chart and at No. 15 in Canada.
"Do It Again" is a 1972 song composed and performed by American rock group Steely Dan, who released it as a single from their debut album Can't Buy a Thrill as its opening track. The single version differed from the album version, shortening the intro and outro and omitting the organ solo.
"Pretzel Logic" is a song written by Walter Becker and Donald Fagen, released as a single by Steely Dan from their album Pretzel Logic, originally in 1974 by ABC Records. It reached number 57 in the Billboard charts.
"Any Major Dude Will Tell You" is a song written by Donald Fagen and Walter Becker that was first released by Steely Dan on their 1974 album Pretzel Logic. It was also released as the B-side of the first single from that album "Rikki Don't Lose That Number". It was later released on several of the band's compilation albums.
"Bad Sneakers" is a song by jazz rock band Steely Dan. It was released as the second single and track on their 1975 album Katy Lied. Producer Gary Katz later regretted not releasing the song as the first single.
"Rikki Don't Lose That Number" is a single released in 1974 by rock/jazz rock group Steely Dan and the opening track of their third album Pretzel Logic. It was the most successful single of the group's career, peaking at number 4 on the Billboard Hot 100 in the summer of 1974.
"FM (No Static at All)" is a song by American jazz-rock band Steely Dan, the title theme for the 1978 film FM. It made the US Top 40 that year when released as a single, a success relative to the film. Musically, it is a complex jazz-rock composition driven by its bass, guitar and piano parts, typical of the band's sound from this period; its lyrics look askance at the album-oriented rock format of many FM radio stations at that time, in contrast to the film's celebration of that medium.
"Aja" is a jazz rock song, with elements of jazz fusion and progressive rock, by the American rock band Steely Dan from the album of the same name, their sixth studio album, released in 1977. Composers Becker and Fagen play guitar and synthesizer, respectively, with studio musicians playing the other parts. Fagen sings lead vocals. Production duties were handled by Gary Katz; the album was released through ABC Records. Musically, it is tonally sophisticated and a structurally complex work that was praised upon release as the most ambitious track the duo had ever attempted. The song's lyrics voice the interior monologue of a man who runs to the title character to escape the stresses of his life "up on the hill." Fagen claimed that it was inspired by the relative of an acquaintance, who had married a Korean woman named Aja. He has described the song as being about the "tranquility that can come of a quiet relationship with a beautiful woman."
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