"Deacon Blues" | ||||
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![]() Artwork for German vinyl single | ||||
Single by Steely Dan | ||||
from the album Aja | ||||
B-side | "Home at Last" | |||
Released | 24 March 1978 [1] | |||
Recorded | 1977 | |||
Studio | Village Recorder, Los Angeles | |||
Genre | ||||
Length | 7:36 (album Version) 6:33 (7" Version) | |||
Label | ABC | |||
Songwriter(s) | ||||
Producer(s) | Gary Katz | |||
Steely Dan singles chronology | ||||
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Audio | ||||
"Deacon Blues" on YouTube |
"Deacon Blues" is a song written by Walter Becker and Donald Fagen in 1976 and recorded by their group Steely Dan on their 1977 album Aja . [2] It peaked at number 19 on the Billboard charts [3] and number 17 on the U.S. Cash Box Top 100 in June 1978. [4] It also reached number 40 on the Easy Listening chart. [5] In Canada, it peaked at number 14, a position it occupied for two weeks, [6] and number 20 Adult Contemporary. [7] In 2021, it was ranked No. 214 on Rolling Stone magazine's list of the "500 Greatest Songs of All Time". [8]
The single's B-side, "Home at Last", another Becker and Fagen composition, was also taken from the album.
Donald Fagen said of the song's opening lines and theme:
The concept of the "expanding man" that opens the song may have been inspired by Alfred Bester's The Demolished Man . Walter and I were major sci-fi fans. The guy in the song imagines himself ascending to the levels of evolution, "expanding" his mind, his spiritual possibilities, and his options in life. [9]
The song was largely written at Fagen's house in Malibu and was prompted by his observation that "if a college football team like the University of Alabama could have a grandiose name like the 'Crimson Tide' the nerds and losers should be entitled to a grandiose name as well." [2] The song's protagonist, muses Fagen, is somewhat "autobiographical in that it reflected the dreams [Fagen and Becker had] about becoming jazz musicians while . . . living in the suburbs." [10] Characterized as a "loser" by Becker, the song's subject was meant to reflect "a broken dream of a broken man living a broken life". [2] In his 2013 memoir Eminent Hipsters, Fagen gives credit to Norman Mailer as inspiration for the narrator's persona:
[It] toyed with the cliché of the jazz musician as antihero. It was kind of a takeoff on that old essay by Norman Mailer, "The White Negro," not to mention our lives up to that point. . . . the alienated white suburban kid thinks that if he learns how to play bebop, he'll throw off the chains of repression and live the authentic life, unleash the wild seeds of art and passion and so on. [11]
On the origin of the song's name, Fagen says, it was inspired by football player Deacon Jones, as they like the sound of his name: "It also had two syllables, which was convenient, like 'Crimson'." [2] The song, however, is really about "the ultimate outsider, the flip side of the dream, boy-o . . . call me Deacon Blues." [11]
"Deacon Blues" was recorded at Village Recorders in West Los Angeles. Jazz guitarist Larry Carlton used Fagen's demos to transcribe the chords into a rhythm section that featured Carlton's guitar on the song's opening. Saxophonist Tom Scott wrote the horn arrangements for not only "Deacon Blues" but for all of the songs on Aja , a task that he completed in less than two weeks. After the song was recorded, Becker and Fagen decided to add a saxophone solo. They asked their producer, Gary Katz, to arrange for Pete Christlieb to record the part. At the time, neither Becker nor Fagen knew Christlieb by name, only by his reputation as a musician on Johnny Carson's Tonight Show. Christlieb went to the studio and recorded the solo after taping the show one evening.
They told me to play what I felt. Hey, I'm a jazz musician, that's what I do ... so I recorded my first solo ... we listened back and they said it was great. I recorded a second take and that's the one they used. I was gone in a half hour. The next thing I know I'm hearing myself in every airport bathroom in the world. [2]
About its composition, Fagen later stated: "One thing we did right on 'Deacon Blues' and all of our records: we never tried to accommodate the mass market. We worked for ourselves and still do." [2]
"Deacon Blues" was released on Steely Dan's 1977 album Aja which reached No. 3 on Billboard 's album chart, a position it held for seven consecutive weeks. [2] The song was the duo's fifth Top 20 hit on the Billboard Hot 100 chart in the US, where it peaked at number 19 the weeks of June 10 and 17, 1978. [12] [13] "Deacon Blues" remained in the Top 40 for eight weeks. [14] Billboard particularly praised the "outstanding" saxophone playing. [15] Cash Box praised the production, "jazzy guitar licks," lead vocals and "tasty keyboard touches." [16] Record World said, "from the masters of the complex lyric, musings on what it means to be an artist." [17] Village Voice critic Robert Christgau wrote that "not only is "Deacon Blues" one of their strongest songs ever, it's also one of their warmest." [18]
In a 1994 AOL chat interview, Becker discussed the inspiration for the song, "It was an outgrowth of a specific mood that pertained at a given time," and later added, "I remember the night that we mixed that one thinking that it was really good and wanting to hear it over and over which is never the case." [19] Music critic Marc Myers writes "As midlife-crisis songs go, Steely Dan's 'Deacon Blues' ranks among the most melodic and existential." [2]
The Scottish pop/rock band Deacon Blue took their name from this song. [20] William Gibson's 1988 book Mona Lisa Overdrive features a gang called the Deacon Blues. [21]
"Steely Blues" on Dan Deacon's 2015 album Gliss Riffer is named in reference to this song. [22]
Singer-songwriters Bill Callahan and Will Oldham released a cover in 2020, which appeared on their 2021 album Blind Date Party . [23]
Steely Dan is an American rock band formed in Annandale-on-Hudson, New York, in 1971 by Walter Becker and Donald Fagen. Originally having a full band lineup, Becker and Fagen chose to stop performing live by the end of 1974 and continued Steely Dan as a studio-only duo, utilizing a revolving cast of session musicians. Rolling Stone has called them "the perfect musical antiheroes for the seventies".
Pretzel Logic is the third studio album by American rock band Steely Dan, released on February 20, 1974, by ABC Records. It was recorded at the Village Recorder in West Los Angeles, California, with producer Gary Katz. The album was Steely Dan's last to be made and released while the group was still an active touring band, as well as the final album to feature the band's full quintet-lineup of Becker, Fagen, Denny Dias, Jim Hodder, and Jeff "Skunk" Baxter, though it also features significant contributions from many prominent Los Angeles-based studio musicians.
Donald Jay Fagen is an American musician who was the co-founder, lead singer, co-songwriter, and keyboardist of the band Steely Dan, formed in the early 1970s with musical partner Walter Becker. In addition to his work with Steely Dan, Fagen has released four solo albums, beginning with The Nightfly in 1982, which was nominated for seven Grammys.
Aja is the sixth studio album by the American rock band Steely Dan, released on September 23, 1977, by ABC Records. For the album, band leaders Donald Fagen and Walter Becker pushed Steely Dan further into experimenting with different combinations of session players, enlisting the services of nearly 40 musicians, while pursuing longer, more sophisticated compositions and arrangements.
Countdown to Ecstasy is the second studio album by American rock band Steely Dan, released in July 1973, by ABC Records. It was recorded at the Village Recorder in West Los Angeles, California, except for Rick Derringer's slide guitar part for "Show Biz Kids", which was recorded at Caribou Ranch in Nederland, Colorado. After the departure of vocalist David Palmer from Steely Dan, the group recorded the album with Donald Fagen singing lead on every track.
Katy Lied is the fourth studio album by American rock band Steely Dan, released in March 1975, by ABC Records; reissues have since been released by MCA Records due to ABC's acquisition by the former in 1979. It was the first album the group made after they stopped touring, as well as their first to feature backing vocals by Michael McDonald.
The Royal Scam is the fifth studio album by American rock band Steely Dan, released in May 1976, by ABC Records; reissues have been released by MCA Records since it acquired ABC in 1979. It was produced by Gary Katz. In the United States, the album peaked at number 15 on the Billboard Top LPs & Tape chart, and it has been certified Platinum by the Recording Industry Association of America (RIAA).
Gaucho is the seventh studio album by the American rock band Steely Dan, released by MCA Records on November 21, 1980. The album marked a significant stylistic shift for the band, with more focus on rhythm and atmosphere than their earlier work, but the recording sessions demonstrated the group's typical obsessive nature and perfectionism, as they used at least 42 different session musicians, spent over a year in the studio, and far exceeded the original monetary advance given by the record label. At the 24th Annual Grammy Awards, Gaucho won Best Engineered Recording – Non-Classical, and was nominated for Album of the Year and Best Pop Performance by a Duo or Group with Vocals.
"Peg" is a song by the American rock group Steely Dan, first released on the band's 1977 album Aja. The track was released as a single in 1977 and reached number 11 on the US Billboard chart in 1978 and number eight on the Cash Box chart. With a chart run of 19 weeks, "Peg" is tied with "Rikki Don't Lose That Number" and "Hey Nineteen" for being Steely Dan's longest-running chart hit. In Canada, "Peg" spent three weeks at number seven in March 1978.
"Hey Nineteen" is a song by the band Steely Dan from their album Gaucho (1980).
"Reelin' In the Years" is a song by American rock band Steely Dan, released as the second single from their 1972 debut album, Can't Buy a Thrill. It peaked at No. 11 on the US Billboard Hot 100 chart and at No. 15 in Canada.
"Do It Again" is a 1972 song composed and performed by American rock group Steely Dan, who released it as a single from their debut album Can't Buy a Thrill as its opening track. The single version differed from the album version, shortening the intro and outro and omitting the organ solo.
"Pretzel Logic" is a song written by Walter Becker and Donald Fagen, released as a single by Steely Dan from their album Pretzel Logic, originally in 1974 by ABC Records. It reached number 57 in the Billboard charts.
"Jazzman" is a 1974 song performed by Carole King, from her album Wrap Around Joy. King composed the music for the song, while David Palmer wrote the lyrics.
"Rikki Don't Lose That Number" is a single released in 1974 by rock/jazz rock group Steely Dan and the opening track of their third album Pretzel Logic. It was the most successful single of the group's career, peaking at number 4 on the Billboard Hot 100 in the summer of 1974.
"FM (No Static at All)" is a song by American jazz-rock band Steely Dan and the title theme for the 1978 film FM. It made the US Top 40 the year of its release as a single. A jazz-rock composition of bass, guitar and piano, its lyrics criticize the album-oriented rock format of many FM radio stations at that time, in contrast to the film's celebration of the medium.
"I.G.Y. " is a song written and performed by American songwriter, singer and musician Donald Fagen. It was the first track on his platinum-certified debut solo album The Nightfly, and was released in September 1982 as its first single. It charted within the top 30 on the Billboard Hot 100, Mainstream Rock, R&B Singles and Adult Contemporary charts.
"Josie" is a song written by Walter Becker and Donald Fagen and first released by Steely Dan on their 1977 album Aja. It was also released as the third single from the album and performed modestly well, reaching number 26 on the Billboard Hot 100 and number 44 on the Easy Listening chart that year. It has appeared on several Steely Dan live and compilation albums.
"Aja" is a jazz rock song, with elements of jazz fusion and progressive rock, by the American rock band Steely Dan from the album of the same name, their sixth studio album, released in 1977. Composers Becker and Fagen play guitar and synthesizer, respectively, with studio musicians playing the other parts. Fagen sings lead vocals. Production duties were handled by Gary Katz; the album was released through ABC Records. Musically, it is tonally sophisticated and a structurally complex work that was praised upon release as the most ambitious track the duo had ever attempted. The song's lyrics voice the interior monologue of a man who runs to the title character to escape the stresses of his life "up on the hill." Fagen claimed that it was inspired by the relative of an acquaintance, who had married a Korean woman named Aja. He has described the song as being about the "tranquility that can come of a quiet relationship with a beautiful woman."
"Time Out of Mind" is a song by the American rock group Steely Dan that was first released on their 1980 album Gaucho. It was also released as the album's second single in 1981, peaking at number 22 on the Billboard Hot 100 and remaining on the chart for 11 weeks, including seven weeks in the Top 40. It was Steely Dan's final hit before disbanding in the summer of that year.